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Muscle Cuirass
In classical antiquity, the muscle cuirass ( la, lorica musculata), anatomical cuirass, or heroic cuirass is a type of cuirass made to fit the wearer's torso and designed to mimic an idealized male human physique. It first appears in late Archaic Greece and became widespread throughout the 5th and 4th centuries BC. Originally made from hammered bronze plate, boiled leather also came to be used. It is commonly depicted in Greek and Roman art, where it is worn by generals, emperors, and deities during periods when soldiers used other types. In Roman sculpture, the muscle cuirass is often highly ornamented with mythological scenes. Archaeological finds of relatively unadorned cuirasses, as well as their depiction by artists in military scenes, indicate that simpler versions were worn in combat situations. The anatomy of muscle cuirasses intended for use might be either realistic or reduced to an abstract design; the fantastically illustrated cuirasses worn by gods and emperors in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Bronze Panoply In RMO AvL
Greek may refer to: Greece Anything of, from, or related to Greece, a country in Southern Europe: *Greeks, an ethnic group. *Greek language, a branch of the Indo-European language family. **Proto-Greek language, the assumed last common ancestor of all known varieties of Greek. **Mycenaean Greek, most ancient attested form of the language (16th to 11th centuries BC). **Ancient Greek, forms of the language used c. 1000–330 BC. **Koine Greek, common form of Greek spoken and written during Classical antiquity. **Medieval Greek or Byzantine Language, language used between the Middle Ages and the Ottoman conquest of Constantinople. **Modern Greek, varieties spoken in the modern era (from 1453 AD). *Greek alphabet, script used to write the Greek language. *Greek Orthodox Church, several Churches of the Eastern Orthodox Church. *Ancient Greece, the ancient civilization before the end of Antiquity. * Old Greek, the language as spoken from Late Antiquity to around 1500 AD. Other uses * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (art)
Realism in the arts is generally the attempt to represent subject matter truthfully, without artificiality and avoiding speculative and supernatural elements. The term is often used interchangeably with naturalism, although these terms are not synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the common man and the rise of leftist politics. The Realist painters rejected Romanticism, which had come to dominate Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Campania
(man), it, Campana (woman) , population_note = , population_blank1_title = , population_blank1 = , demographics_type1 = , demographics1_footnotes = , demographics1_title1 = , demographics1_info1 = , demographics1_title2 = , demographics1_info2 = , demographics1_title3 = , demographics1_info3 = , timezone1 = CET , utc_offset1 = +1 , timezone1_DST = CEST , utc_offset1_DST = +2 , postal_code_type = , postal_code = , area_code_type = ISO 3166 code , area_code = IT-72 , blank_name_sec1 = GDP (nominal) , blank_info_sec1 = €108 billion (2018) , blank1_name_sec1 = GDP per capita , blank1_info_sec1 = €18,600 (2018) , blank2_name_sec1 = HDI (2018) , blank2_info_sec1 = 0.845 · 19th of 21 , blank_name_sec2 = NUTS Region , blank_info_sec2 = ITF , website ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oscans
The Osci (also called Oscans, Opici, Opsci, Obsci, Opicans) were an Italic people of Campania and Latium adiectum before and during Roman times. They spoke the Oscan language, also spoken by the Samnites of Southern Italy. Although the language of the Samnites was called Oscan, the Samnites were never referred to as Osci, nor were the Osci called Samnites. Traditions of the Opici fall into the legendary period of Italian history, roughly from the beginning of the first millennium BC until the foundation of the Roman Republic. No consensus can be reached concerning their location and language. By the end of this period, the Oscan language had evolved and was spoken by a number of sovereign tribal states. By far the most important of these in terms of military prowess and wealth was the Samnites, who rivalled Rome for about 50 years in the second half of the 4th century BC, sometimes being allies, and sometimes at war with the city, until they were finally subdued with considerabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samnites
The Samnites () were an ancient Italic people who lived in Samnium, which is located in modern inland Abruzzo, Molise, and Campania in south-central Italy. An Oscan-speaking people, who may have originated as an offshoot of the Sabines, they formed a confederation consisting of four tribes: the Hirpini, Caudini, Caraceni, and Pentri. Although allied together against the Gauls in 354 BC, they later became enemies of the Romans and fought them in a series of three wars. Despite an overwhelming victory at the Battle of the Caudine Forks (321 BC), the Samnites were subjugated in 290 BC. Although severely weakened, the Samnites would still side against the Romans, first in the Pyrrhic War and then with Hannibal in the Second Punic War. They also fought in the Social War and later in Sulla's civil war as allies of the Roman consuls Papirius Carbo and Gaius Marius against Sulla, who defeated them and their leader Pontius Telesinus at the Battle of the Colline Gate (82 BC). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-Attic
Neo-Attic or Atticizing is a sculptural style, beginning in Hellenistic sculpture and vase-painting of the 2nd century BC and climaxing in Roman art of the 2nd century AD, copying, adapting or closely following the style shown in reliefs and statues of the Classical (5th–4th centuries BC) and Archaic (6th century BC) periods. It was first produced by a number of Neo-Attic workshops at Athens, which began to specialize in it, producing works for purchase by Roman connoisseurs, and was taken up in Rome, probably by Greek artisans. The Neo-Attic mode, a reaction against the baroque extravagances of Hellenistic art, was an early manifestation of Neoclassicism, which demonstrates how self-conscious the later Hellenistic art world had become. Neo-Attic style emphasises grace and charm, serenity and animation,Gisela Richter praised the serenity and animation of a neo-Attic marble vase, ca. first century BC-first century AD, purchased for the Metropolitan Museum of Art (Richter, "A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chiton (costume)
A chiton (Greek: χιτών, ''khitōn'') is a form of tunic that fastens at the shoulder, worn by men and women of ancient Greece and Rome. There are two forms of chiton. One is the Doric chiton and the later Ionic chiton. According to Herodotus, popular legend was that Athenian women began to wear the chiton as opposed to the peplos after several women stabbed a messenger to death with the bronze pins characteristic of the peplos. Etymology The word ''chiton'' is derived from a Central Semitic language *''kittan'' (e.g. Hebrew כֻּתֹּנֶת ''kuttṓnĕṯ''), ultimately from a word for flax. Different forms and wearing styles A shorter version of the chiton was called the chitoniskos. Doric chiton The Doric chiton is a single rectangle of woolen or linen fabric. It can be worn plain or with an overfold called an ''apoptygma'', which is more common to women. It can be draped and fastened at the shoulder by pins (Greek: peronai; Latin: fibulae) or sewing, or by button ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attic Red-figure Pottery
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acropolis Of Athens
The Acropolis of Athens is an ancient citadel located on a rocky outcrop above the city of Athens and contains the remains of several ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word ''acropolis'' is from the Greek words (''akron'', "highest point, extremity") and (''polis'', "city"). The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was known also more properly as Cecropia, after the legendary serpent-man, Cecrops, the supposed first Athenian king. While there is evidence that the hill was inhabited as far back as the fourth millennium BC, it was Pericles (c. 495–429 BC) in the fifth century BC who coordinated the construction of the buildings whose present remains are the site's most important ones, including the Parthenon, the Propylaea, the Erechtheion and the Temple of Athena Nike. The Parthenon and the other buildings were seri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often so "h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thracian Cavalry
The history of Thracian warfare spans from the 10th century BC up to the 1st century AD in the region defined by Ancient Greek and Latin historians as Thrace. It concerns the armed conflicts of the Thracian tribes and their kingdoms in the Balkans. Apart from conflicts between Thracians and neighboring nations and tribes, numerous wars were recorded among Thracian tribes. Mythological Instances of Thracian people engaging in armed conflict occur in the Iliad of Homer and in Greek mythology. The Greek Temenids ousted the Thracians from Pieria (later central Macedonia).The Thracians 700 BC-AD 46 (Men-at-Arms) by Christopher Webber and Angus McBride, 2001, , page 4 The Thracians, prominent warriors who became allies of Troy, came from the Aegean coast. In the Odyssey, there is only one instance of Thracians, that of Cicones again on the coast, but they are weak. The Thracians were a particularly fierce culture in terms of violence and conflict and so they appeared in Greek Mytholo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thracians
The Thracians (; grc, Θρᾷκες ''Thrāikes''; la, Thraci) were an Indo-European speaking people who inhabited large parts of Eastern and Southeastern Europe in ancient history.. "The Thracians were an Indo-European people who occupied the area between northern Greece, southern Russia, and north-western Turkey. They shared the same language and culture... There may have been as many as a million Thracians, diveded among up to 40 tribes." Thracians resided mainly in the Balkans (mostly modern day Bulgaria, Turkey and Greece) but were also located in Anatolia (Asia Minor) and other locations in Eastern Europe. The exact origin of Thracians is unknown, but it is believed that proto-Thracians descended from a purported mixture of Proto-Indo-Europeans and Early European Farmers, arriving from the rest of Asia and Africa through the Asia Minor (Anatolia). The proto-Thracian culture developed into the Dacian, Getae, and several other smaller Thracian cultures. Thracian cul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
