|
M² (artist)
Mathis Mootz is a prolific German electronic musician and DJ. Mootz is best known as The Panacea (until 2005, simply as Panacea), his drum and bass stage name and main musical project, and as m2 (pronounced "Squaremeter"), his dark ambient side project and alter-ego. Born August 18, 1976 in Wetzlar, Germany, Mootz served an apprenticeship in classical music and was a member of the boy's choir of Windsbach. After studying music engineering at the SAE Institute, Mootz worked with the experimental hip hop/illbient label Chrome, an offshoot of Force Inc Music Works. Over the course of several drum and bass albums and many singles, and as A&R manager for Chrome, later renamed Position Chrome, Panacea became known for pushing the bounds of the drum and bass genre into industrial and hardcore territory, and for energetic DJ sets which fused these genres in a live setting. With his side project m2, he explored a more minimal side of electronic music, first in the realm of clicks 'n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wetzlar
Wetzlar () is a city in the state of Hesse, Germany. It is the twelfth largest city in Hesse with currently 55,371 inhabitants at the beginning of 2019 (including second homes). As an important cultural, industrial and commercial center, the university town is one of the ten regional centers in the state of Hesse. A former free imperial city, it gained much of its fame as the seat of the Imperial Supreme Court (''Reichskammergericht'') of the Holy Roman Empire. Located 51 kilometers north of Frankfurt, at 8° 30′ E, 50° 34′ N, Wetzlar straddles the river Lahn and is on the German Timber-Frame Road, which passes mile upon mile of half-timbered houses. Historically, the city has acted as the hub of the Lahn-Dill-Kreis on the north edge of the Taunus. Tourists know the city for its ancient town and its medieval Catholic/Protestant shared Wetzlar Cathedral, cathedral of St. Mary. Notable architectural features include the Eisenmarkt and the steep gradients and tightly packed str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Windsbach
Windsbach is a town in the Ansbach (district), district of Ansbach, in Bavaria, Germany. It is situated 20 km east of Ansbach, and 29 km southwest of Nuremberg. Geography Location Windsbach is located in the Rangau area on the river Franconian Rezat. The city's position is 20 km eastward of the district capital Ansbach and 40 km southwestern of Nuremberg. Beside the Franconian Rezat the Aurach (Rednitz), Aurach, a tributary of the Rednitz flows through the community area. The following communities surround Windsbach (beginning north going clockwise direction): Rohr (Mittelfranken), Rohr, Kammerstein, Abenberg, Spalt (Stadt), Spalt, Mitteleschenbach, Wolframs-Eschenbach, Lichtenau (Mittelfranken), Lichtenau, Neuendettelsau and Heilsbronn. Suburbs Windsbach consists out of 29 suburbs: Politics * First mayor: Matthias Seitz (Social Democratic Party of Germany, SPD) * Second mayor: Norbert Kleinöder (Hinterland of Windsbach) * Third mayor: Karl Schuler (Soci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant Garde
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified the moral obligation of artists to "serve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nico(artist)
Christa Päffgen (; 16 October 1938 – 18 July 1988), known by her stage name Nico, was a German singer, songwriter, actress, and model. Nico had roles in several films, including Federico Fellini's ''La Dolce Vita'' (1960) and Andy Warhol's ''Chelsea Girls'' (1966). At the insistence of Warhol, she sang lead on three songs of the Velvet Underground's debut album ''The Velvet Underground & Nico'' (1967). At the same time, she started a solo career and released ''Chelsea Girl (album), Chelsea Girl'' (1967). Her friend Jim Morrison suggested that she start writing her own material. She then composed songs on a harmonium, not traditionally a Rock music, rock instrument. John Cale of the Velvet Underground became her musical arranger and produced ''The Marble Index'' (1968), ''Desertshore'' (1970), ''The End...'' (1974) and other subsequent albums. In the 1980s, Nico toured extensively in Europe, United States, Australia and Japan. After a concert in Berlin in June 1988, she went o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Rush
Ben Settle, known by the stage name Ed Rush, is a drum and bass producer and DJ. Rush has been releasing records since 1992 primarily with Optical (Matt Quinn), his musical partner since 1997. Along with Optical, he is also the co-founder of the record label Virus Recordings, which releases his records along with other drum and bass acts. He is most associated with the aggressive styles of drum and bass music known as techstep, darkcore and neurofunk. Early career Rush's first releases were a pair of self-released white label 12" singles, the Prince Jammy-sampling "I Wanna Stay in the Jungle" and "Look What They've Done" in late 1992. In early 1993, Rush begun playing on the London pirate radio station Don FM, where he was to first meet future production partner DJ Trace, resulting in the duo releasing the track "Don Bad Man", produced by engineer Nico Sykes. Shortly after, Rush recorded "Bludclot Artattack", which was released on Sykes' No U Turn Records. This release helpe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tech Step
Techstep is a dark subgenre of drum and bass that was created in the mid-1990s. Style It is characterized by a dark, sci-fi mood, near-exclusive use of synthesised or sampled sound sources, 2-step kicks and snares and influences from industrial and techno music, what some writers have described as a "clinical" sound. Although described as having a "techy" feel, techstep's relationship with techno should not be overstated. It shares the technique of creating a high-energy collage from abstract, synthetic noises, including samples, bleeps and squelches: it rarely uses instruments that have not been processed by effects. Similarly, quantized drum-machine kit and percussion sounds are favored over naturalistic human breakbeats. However, it usually adheres to drum and bass norms in other regards, especially in terms of musical structure, with the emphasis on the "drop". Techstep saw jungle music's obsession with bass change, from aiming for low and deep to exploring timbre, artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Würzburg
Würzburg (; Main-Franconian: ) is, after Nuremberg and Fürth, the Franconia#Towns and cities, third-largest city in Franconia located in the north of Bavaria. Würzburg is the administrative seat of the Regierungsbezirk Lower Franconia. It spans the banks of the Main (river), Main river. Würzburg is situated approximately 110 km west-northwest of Nuremberg and 120 km east-southeast of Frankfurt, Frankfurt am Main. The population as of 2019 is approximately 130,000 residents. Würzburg is famous for its partly rebuilt and reconstructed old town and its Würzburger Residenz, a palace that is a List of World Heritage Sites in Germany, UNESCO World Heritage Site. The regional dialect is East Franconian German. History Early and medieval history A Bronze Age Europe, Bronze Age (Urnfield culture) refuge castle, the Celtic Segodunum, and later a Roman Empire, Roman fort, stood on the hill known as the Leistenberg, the site of the present Fortress Marienberg. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sommerhausen
Sommerhausen is a municipality and market town in the district of Würzburg in Bavaria, Germany Germany, officially the Federal Republic of Germany, is a country in Central Europe. It lies between the Baltic Sea and the North Sea to the north and the Alps to the south. Its sixteen States of Germany, constituent states have a total popu .... History Sommerhausen has been an important municipality on the Main since the Middle Ages. It did not belong to the prince-bishop of Würzburg; The inhabitants acknowledged the Reformation, so that Sommerhausen is now a Protestant enclave in the predominantly Catholic Mainfranken. As part of the rule mediated by Bavaria, Speckfeld, the heirs of the Counts of Limpurg (Count Pückler and Rechtern), Sommerhausen belonged to the Frankish Reichskreis from 1500 onwards. In 1810, the district of Würzburg, with which it fell back to Bavaria in 1814, came to settle in the area. In the course of the administrative reforms in Bavaria, the munic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lustmord
Brian Williams is a Welsh musician, sound designer and composer. He has released albums under the name Lustmord starting in the 1980s and through the present. Williams began as a recording artist within the industrial genre, working with Chris & Cosey and SPK. Shifting his work to Lustmord, Williams continued to employ the threatening aesthetics of industrial, while employing reverb and similar effects to evoke an atmosphere of cosmic horror. Starting with the 1989 album ''Heresy'', Lustmord albums have been centered on manipulating sampled recordings with a computer. These samples infamously included field recordings made in locations such as crypts, caves, and slaughterhouses. Williams now downplays the sinister connotations of these locations and says they were picked for "acoustics". The influence of Williams work on subsequent artists has led critics to call him "a reluctant pioneer of the dark ambient genre who regards his music as neither dark nor ambient." Bio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glitch Music
Glitch is a genre of experimental electronic music that emerged in the 1990s, which is distinguished by the deliberate use of glitches in audio media and other sonic artifacts. The sounds featured in glitch tracks usually come from audio recording device or digital electronics malfunctions, such as CD skipping, electric hum, digital or analog distortion, circuit bending, bit-rate reduction, hardware noise, software bugs, computer crashes, vinyl record hiss or scratches, and system errors, as well as abstract sound design produced from the intended use of these technologies. Devices that were already broken are often used, while other times devices are broken expressly for this purpose. In ''Computer Music Journal'', composer and writer Kim Cascone classified glitch as a subgenre of electronica and used the term ''post-digital'' to describe the glitch aesthetic."The glitch genre arrived on the back of the electronica movement, an umbrella term for alternative, largely dance-bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hardcore Techno
Hardcore (also known as hardcore techno) is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos (160 to 200 BPM or more) and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass (in some subgenres), the rhythm and the atmosphere of the themes (sometimes violent), the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber. History Early 1970s to early 1980s Hardcore is rooted in the 1970s and early 1980s industrial music, specifically the elements of hard electronic dance music. Groups such as Throbbing Gristle, Coil, Cabaret Voltaire, SPK, Foetus and Einstürzende Neubauten produced music using a wide range of electronic instruments. The message diffused by industrial was then very provocative. Some of the musical sounds and experimentation of industrial have directly influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
