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Murti
In the Hinduism, Hindu tradition, a ''murti'' (, ) is a devotional image, such as a statue or icon, of a Hindu deities, deity or Hindu saints, saint used during ''Puja (Hinduism), puja'' and/or in other customary forms of actively expressing devotion or reverence – whether at Hindu temples or shrines. A ''mūrti'' is a symbolic icon representing divinity for the purpose of devotional activities. Thus, not all icons of gods and saints are ''mūrti''; for example, purely decorative depictions of divine figures often adorn Hindu temple architecture in intricately carved doorframes, on colourfully painted walls, and ornately sculpted rooftop domes. A ''mūrti'' itself is not God, but it is merely a representative shape, symbolic embodiment, or iconic manifestation of God. ''Murti'' are also found in some nontheistic Jainism, Jain traditions, where they serve as symbols of revered mortals inside Jain temples, and are worshiped in ''murtipujaka'' rituals. A ''murti'' is typically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Temple
A Hindu temple, also known as Mandir, Devasthanam, Pura, or Kovil, is a sacred place where Hindus worship and show their devotion to Hindu deities, deities through worship, sacrifice, and prayers. It is considered the house of the god to whom it is dedicated.; Quote: "The Hindu temple is designed to bring about contact between man and the gods of Hinduism religion" (...) "The architecture of the Hindu temple symbolically represents this quest by setting out to dissolve or decrease the boundaries between man and the divine". Hindu temple architecture, which makes extensive use of squares and circles, has its roots in later Vedic traditions, which also influence the temples' construction and symbolism. Through astronomical numbers and particular alignments connected to the temple's location and the relationship between the deity and the worshipper, the temple's design also illustrates the idea of recursion and the Microcosm–macrocosm analogy, equivalency of the macrocosm and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Deities
Hindu deities are the gods and goddesses in Hinduism. Deities in Hinduism are as diverse as its traditions, and a Hindu can choose to be polytheistic, pantheistic, monotheistic, monistic, even agnostic, atheistic, or humanist. Julius J. Lipner (2009), Hindus: Their Religious Beliefs and Practices, 2nd edition, Routledge, , p. 8; Quote: "(...) one need not be religious in the minimal sense described to be accepted as a Hindu by Hindus, or describe oneself perfectly validly as Hindu. One may be polytheistic or monotheistic, monistic or pantheistic, even an agnostic, humanist or atheist, and still be considered a Hindu." The terms and epithets for deities within the diverse traditions of Hinduism vary, and include Deva, Devi, Ishvara, Ishvari, Bhagavān and Bhagavati. The deities of Hinduism have evolved from the Vedic era (2nd millennium BCE) through the medieval era (1st millennium CE), regionally within Nepal, Pakistan, India and in Southeast Asia, and across Hinduism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Utsavar
In Hinduism, utsava murti,James Lochtefeld (2002), The Illustrated Encyclopedia of Hinduism: A-M, The Rosen Publishing Group, , page 726 utsavar or uthsavar, is a form of a ''murti'' (icon) which represents a deity. The portable utsavar is employed in the tradition of temple processions, serving as a substitute for the central idol present in the temple shrine, called the mulavar. Etymology The term ''utsava'' is broken down into two root words ''ut'' - "removal" and ''sava'' - "sorrows." Collectively known as "removal of worldly sorrows." The second term ''murti'' means "manifestation of divinity." ''Utsava murti'' is also translated as "festival image" or "idol used for procession." Images An utsava murti is generally made of metal, whereas a mulavar murti is usually made of stone. Ablutions are performed on the utsavar images during daily prayer, or during festivals. It is performed in a sequence with various material like milk, curd, honey, and sugar. These are meant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Temple Architecture
Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the ''Garbhagriha, garbha griha'' or womb-chamber, where the primary ''Murti'' or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like ''shikhara'', also called the ''Vimana (architectural feature), vimana'' in the south. ''Gopuram'' gateways are elaborate in the south. The shrine building often includes an circumambulatory passage for circumambulation, parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In additi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jagannath
Jagannath (; formerly ) is a Hindu deity worshipped in regional Hindu traditions in India as part of a triad along with (Krishna's) brother Balabhadra, and sister, Subhadra. Jagannath, within Odia Hinduism, is the supreme god, '' Purushottama'', and the '' Para Brahman''. To most Vaishnava Hindus, particularly the Krishnaites, Jagannath is a form of Krishna, sometimes as the avatar of Vishnu. To some Shaiva and Shakta Hindus, he is a symmetry-filled tantric form of Bhairava, a fierce manifestation of Shiva associated with annihilation. Jagannathism ( Odia Vaishnavism) — the particular sector of Jagannath as a major deity — emerged in the Early Middle Ages and later became an independent state regional temple-centered tradition of Krishnaism/Vaishnavism. The idol of Jagannath is a carved and decorated wooden stump with large round eyes and a symmetric face, and the idol has a conspicuous absence of hands or legs. The worship procedures, sacraments and rituals asso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adi Shankara
Adi Shankara (8th c. CE), also called Adi Shankaracharya (, ), was an Indian Vedanga, Vedic scholar, Hindu philosophy, philosopher and teacher (''acharya'') of Advaita Vedanta. Reliable information on Shankara's actual life is scant, and his true impact lies in his "iconic representation of Hinduism, Hindu religion and Hindu culture, culture," despite the fact that most Hindus do not adhere to Advaita Vedanta. Tradition also portrays him as the one who reconciled the various Hindu denominations, sects (Vaishnavism, Shaivism, and Shaktism) with the introduction of the form of Puja (Hinduism), worship, the simultaneous worship of five deities – Ganesha, Surya, Vishnu, Shiva and Devi, arguing that all deities were but different forms of the one Brahman, the invisible Supreme Being.Klaus Klostermaier (2007), A Survey of Hinduism, Third Edition, State University of New York Press, , p. 40 While he is often revered as the most important Indian philosophy, Indian philosoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lingam
A lingam ( , lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or Aniconism, aniconic representation of the Hinduism, Hindu Hindu deities, god Shiva in Shaivism. The word ''lingam'' is found in the Upanishads and Indian epic poetry, epic literature, where it means a "mark, sign, emblem, characteristic", the "evidence, proof, symptom" of Shiva and Shiva's power. The lingam of the Shaivism tradition is a short cylindrical pillar-like symbol of Shiva, made of stone, metal, gem, wood, clay or precious stones. It is often represented within a disc-shaped platform, the ''yoni'' – its feminine counterpart, consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. The ''lingam'' is an emblem of generative and destructive power. While rooted in representations of the male sexual organ, the ''lingam'' is regarded as the "outward symbol" of the "formless reali ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hinduism
Hinduism () is an Hypernymy and hyponymy, umbrella term for a range of Indian religions, Indian List of religions and spiritual traditions#Indian religions, religious and spiritual traditions (Sampradaya, ''sampradaya''s) that are unified by adherence to the concept of ''dharma'', a Ṛta, cosmic order maintained by its followers through rituals and righteous living, as expounded in the Vedas. The word ''Hindu'' is an exonym, and while Hinduism has been called the oldest religion in the world, it has also been described by the modern term ''Sanātana Dharma'' () emphasizing its eternal nature. ''Vaidika Dharma'' () and ''Arya dharma'' are historical endonyms for Hinduism. Hinduism entails diverse systems of thought, marked by a range of shared Glossary of Hinduism terms, concepts that discuss God in Hinduism, theology, Hindu mythology, mythology, among other topics in Hindu texts, textual sources. Hindu texts have been classified into Śruti () and Smṛti (). The major Hin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Murtipujaka
Mūrtipūjaka (lit. "image-worshipper"), also known as Derāvāsī ("temple-dweller") or Mandir Mārgī ("follower of the temple path"), is the largest sect of Śvētāmbara, Śvetāmbara Jainism. Mūrtipūjaka Jains differ from both Śvetāmbara Sthānakavāsī and Śvetāmbara Terāpanthī Jains in that they worship images of the Tirthankara, Tīrthaṅkaras. Mūrtipūjaka may also generally describe members of both the Śvetāmbara and Digambara traditions who use idols (''Murti, mūrti'') in their worship (''pūjā''). Agreements and disagreements According to Nalini Balbir, all Śvetāmbara sects agree upon "the authority of the Śvetāmbara canonical scriptures, with slight differences; claims of monastic descent from Sudharmaswami, Sudharman, except for the Upkeśa Gaccha, Upakeśa Gaccha; [and] white monastic robes [for] monks and nuns." However, despite these commonalities, a central division exists between each of the sects as related to the use of images in worship. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Upanishads
The Upanishads (; , , ) are late Vedic and post-Vedic Sanskrit texts that "document the transition from the archaic ritualism of the Veda into new religious ideas and institutions" and the emergence of the central religious concepts of Hinduism. They are the most recent addition to the Vedas, the oldest scriptures of Hinduism, and deal with meditation, philosophy, consciousness, and ontological knowledge. Earlier parts of the Vedas dealt with mantras, benedictions, rituals, ceremonies, and sacrifices.A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Press, , p. 285Jan Gonda (1975), ''Vedic Literature: (Saṃhitās and Brāhmaṇas)'', Otto Harrassowitz Verlag, While among the most important literature in the history of Indian religions and culture, the Upanishads document a wide variety of "rites, incantations, and esoteric knowledge" departing from Vedic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Puranas
Puranas (Merriam-Webster's Encyclopedia of Literature (1995 Edition), Article on "Puranas", , page 915) are a vast genre of Indian literature that include a wide range of topics, especially legends and other traditional lore. The Puranas are known for the intricate layers of symbolism depicted within their stories. Composed originally in Sanskrit and in Languages of India, other Indian languages,John Cort (1993), "An Overview of the Jaina Puranas" in ''Purana Perennis: Reciprocity and Transformation in Hindu and Jaina Texts,'' (Editor: Wendy Doniger), State University of New York Press, , pages 185-204 several of these texts are named after major Hindu deities such as Vishnu, Shiva, Brahma, and Mahadevi, Devi. The Puranic genre of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganesha
Ganesha or Ganesh (, , ), also known as Ganapati, Vinayaka and Pillaiyar, is one of the best-known and most worshipped Deva (Hinduism), deities in the Hindu deities, Hindu pantheon and is the Supreme God in the Ganapatya sect. His depictions are found throughout India. Hindu denominations worship him regardless of affiliations. Devotion to Ganesha is widely diffused and extends Ganesha in world religions, to Jains and Buddhists and beyond India. Although Ganesha has many attributes, he is readily identified by his Asiatic Elephant, elephant head and four arms. He is widely revered, more specifically, as the remover of obstacles and bringer of good luck; the patron of The arts, arts and Science, sciences; and the Deva (Hinduism), deva of intellect and wisdom. As the god of beginnings, he is honoured at the start of rites and ceremonies. Ganesha is also invoked during writing sessions as a patron of letters and learning., Vigna means obstacles Nasha means destroy. These ideas ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
