Motion Graphics
Motion graphics (sometimes mograph) are pieces of animation or digital footage that create the illusion of motion or rotation, and are usually combined with audio for use in multimedia projects. Motion graphics are usually displayed via electronic media technology, but may also be displayed via manual powered technology (e.g. thaumatrope, phenakistoscope, stroboscope, zoetrope, praxinoscope, flip book). The term distinguishes static graphics from those with a transforming appearance over time, without over-specifying the form. While any form of experimental or abstract animation can be called motion graphics, the term typically more explicitly refers to the commercial application of animation and effects to video, film, TV, and interactive applications. History of the term Since there is no universally accepted definition of motion graphics, the official beginning of the art form is disputed. There have been presentations that could be classified as motion graphics as early as ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Abstract Films
Abstract may refer to: *"Abstract", a 2017 episode of the animated television series ''Adventure Time'' * ''Abstract'' (album), 1962 album by Joe Harriott * Abstract algebra, sets with specific operations acting on their elements * Abstract of title, a summary of the documents affecting the title to a parcel of land * Abstract (law), a summary of a legal document * Abstract (summary), in academic publishing * Abstract art, artistic works that do not attempt to represent reality or concrete subjects * '' Abstract: The Art of Design'', 2017 Netflix documentary series * Abstract music, music that is non-representational * Abstract object in philosophy * Abstract structure in mathematics * Abstract type in computer science * The property of an abstraction * Q-Tip (musician), also known as "The Abstract" * Abstract and concrete In philosophy and the arts, a fundamental distinction exists between abstract and concrete entities. While there is no universally accepted definition, commo ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Experimental Film
Experimental film or avant-garde cinema is a mode of filmmaking that does not apply standard cinematic conventions, instead adopting Non-narrative film, non-narrative forms or alternatives to traditional narratives or methods of working. Many experimental films, particularly early ones, relate to arts in other disciplines: painting, dance, literature and poetry, or arise from research and development of new technical resources. While some experimental films have been distributed through mainstream channels or even made within commercial studios, the vast majority have been produced on very low budgets with a minimal crew or a single person and are either self-financed or supported through small grants. Experimental filmmakers generally begin as amateurs, and some use experimental films as a springboard into commercial film-making or transition into academic positions. The aim of experimental filmmaking may be to render the personal vision of an artist, or to promote interest in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Stan Brakhage
James Stanley Brakhage ( ; January 14, 1933 – March 9, 2003) was an American experimental filmmaker. He is considered to be one of the most important figures in 20th-century experimental film. Over the course of five decades, Brakhage created a Filmography of Stan Brakhage, large and diverse body of work, exploring a variety of formats, approaches and Cinematic techniques, techniques that included handheld camerawork, drawn on film animation, painting directly onto celluloid, fast cutting, in-camera editing, scratching on film, collage film and the use of multiple exposures. Interested in mythology and inspired by music, poetry and visual phenomena, Brakhage sought to reveal the universal, in particular exploring themes of birth, mortality, sexuality,Senses of Cinema: Stan Brakhage < ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Vertigo (film)
''Vertigo'' is a 1958 American psychological thriller film directed and produced by Alfred Hitchcock. The story was based on the 1954 novel '' D'entre les morts'' (''From Among the Dead'') by Boileau-Narcejac, with a screenplay by Alec Coppel and Samuel A. Taylor. The film stars James Stewart as a former San Francisco police detective who has retired after an incident in the line of duty caused him to develop an extreme fear of heights, accompanied by vertigo. He is hired as a private investigator to report on the strange behavior of an acquaintance's wife ( Kim Novak). The film was shot on location in San Francisco, as well as in Mission San Juan Bautista, Big Basin Redwoods State Park, Cypress Point on 17-Mile Drive, and at Paramount Studios in Hollywood. The film stock of the camera negative was Eastman 25 ASA tungsten-balanced 5248 with processing and prints by Technicolor. It was the first film to use the dolly zoom, an in-camera effect that distorts perspecti ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
The Man With The Golden Arm
''The Man with the Golden Arm'' is a 1955 American independent drama film noir directed by Otto Preminger, based on the novel of the same name by Nelson Algren. Starring Frank Sinatra, Eleanor Parker, Kim Novak, Arnold Stang and Darren McGavin, it recounts the story of a drug addict who gets clean while in prison, but struggles to stay that way in the outside world. Although the addictive drug is never identified in the film, according to the American Film Institute "most contemporary and modern sources assume that it is heroin", although in Algren's book it is morphine. The film's initial release was controversial for its treatment of the then-taboo subject of drug addiction. It was nominated for three Academy Awards: Sinatra for Best Actor in a Leading Role, Joseph C. Wright and Darrell Silvera for Best Art Direction-Set Decoration, Black-and-White and Elmer Bernstein for Best Music, Scoring of a Dramatic or Comedy Picture. Sinatra was also nominated for best actor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Saul Bass
Saul Bass (; May 8, 1920 – April 25, 1996) was an American graphic designer and Academy Awards, Oscar-winning filmmaker, best known for his design of motion-picture title sequences, film posters, and logo, corporate logos. During his 40-year career, Bass worked for some of Hollywood's most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick, and Martin Scorsese. Among his best known title sequences are the animated paper cut-out of a heroin addict's arm for Preminger's ''The Man with the Golden Arm'', the credits racing up and down what eventually becomes a high-angle shot of a skyscraper in Hitchcock's ''North by Northwest'', and the disjointed text that races together and apart in ''Psycho (1960 film), Psycho''. Bass designed some of the most iconic corporate logos in North America, including the Geffen Records logo in 1980, the Hanna-Barbera "swirling star" logo in 1979, the sixth and final version of the Bell System logo i ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
John Whitney (animator)
John Hales Whitney Sr. (April 8, 1917September 22, 1995) was an American animator, composer and inventor, widely considered to be one of the pioneers of computer animation. Life Whitney was born in Pasadena, California, and attended Pomona College. He is a descendant of the Whitney family through his father's direct line. His first works in film were 8 mm movies of a lunar eclipse which he made using a home-made telescope. In 1937-38 he spent a year in Paris, studying twelve-tone composition under René Leibowitz. In 1939 he returned to America and began to collaborate with his brother James on a series of abstract films. Their work, ''Five Film Exercises'' (1940–45) was awarded a prize for sound at the First International Experimental Film Competition in Belgium in 1949. In 1948 he was awarded a Guggenheim Fellowship. During the 1950s, Whitney used his mechanical animation techniques to create sequences for television programs and commercials. In 1952, he directed engi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Walter Ruttmann
Walter Ruttmann (28 December 1887 – 15 July 1941) was a German cinematographer and film director, an important German abstract experimental film maker, along with Hans Richter, Viking Eggeling and Oskar Fischinger. He is best known for directing the semi-documentary ' city symphony' silent film, with orchestral score by Edmund Meisel, in 1927, '' Berlin: Symphony of a Metropolis''. His audio montage ''Wochenende (Weekend)'' (1930) is considered a major contribution in the development of sound collages and audio plays. Biography Ruttmann was born in Frankfurt am Main, the son of a wealthy mercantilist. He graduated high school in 1905 and began architectural studies in Zürich in 1907. In 1909 Ruttmann began painting in Munich, where he befriended Paul Klee and Lyonel Feininger, and he would later paint in Marburg. Ruttmann was conscripted into the army in 1913, first serving in Darmstadt, and shortly after the outbreak of World War I he was sent to the Eastern Front, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Video Editing
Video editing is the post-production and arrangement of video shots. To showcase excellent video editing to the public, video editors must be reasonable and ensure they have a thorough understanding of film, television, and other sorts of videography. Video editing structures and presents all video information, including films and television shows, video advertisements and video essays. Video editing has been dramatically democratized in recent years by editing software available for personal computers. Editing video can be difficult and tedious, so several technologies have been produced to aid people in this task. Overall, video editing has a wide variety of styles and applications. Types of editing Though once the province of expensive machines called video editors, video editing software is now available for personal computers and workstations. Video editing includes cutting segments (trimming), re-sequencing clips, and adding transitions and other special effects. * Linear ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Computer Graphics
Computer graphics deals with generating images and art with the aid of computers. Computer graphics is a core technology in digital photography, film, video games, digital art, cell phone and computer displays, and many specialized applications. A great deal of specialized hardware and software has been developed, with the displays of most devices being driven by graphics hardware, computer graphics hardware. It is a vast and recently developed area of computer science. The phrase was coined in 1960 by computer graphics researchers Verne Hudson and William Fetter of Boeing. It is often abbreviated as CG, or typically in the context of film as Computer-generated imagery, computer generated imagery (CGI). The non-artistic aspects of computer graphics are the subject of Computer graphics (computer science), computer science research. Some topics in computer graphics include user interface design, Sprite (computer graphics), sprite graphics, raster graphics, Rendering (computer graph ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Oskar Fischinger
Oskar Wilhelm Fischinger (June 22, 1900 – January 31, 1967) was a German-American abstract animation, abstract animator, filmmaker, and painting, painter, notable for creating abstract musical animation many decades before the appearance of computer graphics and music videos. He created special effects for Fritz Lang's 1929 ''Woman in the Moon'', one of the first sci-fi rocket films, and influenced Walt Disney, Disney's ''Fantasia (1940 film), Fantasia''. He made over 50 short films and painted around 800 canvases, many of which are in museums, galleries, and collections worldwide. Among his film works is ''Motion Painting No. 1'' (1947 in film, 1947), which is now listed on the National Film Registry of the U.S. Library of Congress. Biography Born in Gelnhausen, near Frankfurt, Fischinger apprenticed at an organ-building firm after he finished school until the owners were drafted into World War I. The next year he worked as a draftsman in an architect's office, until he too wa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |