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Metope
A metope (; ) is a rectangular architectural element of the Doric order, filling the space between triglyphs in a frieze , a decorative band above an architrave. In earlier wooden buildings the spaces between triglyphs were first open, and later the free spaces in between triglyphs were closed with metopes; however, metopes are not load-bearing part of a building. Earlier metopes are plain, but later metopes were painted or ornamented with reliefs. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance. In terms of structure, metopes were made out of clay or stone. A stone metope may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metopes Of The Parthenon
The metopes of the Parthenon are the surviving set of what were originally 92 square carved plaques of Pentelic marble originally located above the columns of the Parthenon peristyle on the Acropolis of Athens. If they were made by several artists, the master builder was certainly Phidias. They were carved between 447 or 446 BC, or at the latest 438 BC, with 442 BC as the probable date of completion. Most of them are very damaged. Typically, they represent two characters per metope either in action or repose. The interpretations of these metopes are only conjectures, starting from mere silhouettes of figures, sometimes barely discernible, and comparing them to other contemporary representations (mainly vases). There is one theme per side of the building, each featuring battle scenes: Amazonomachy in the west, the fall of Troy in the north, Gigantomachy in the east, and Centaurs and Lapiths in the south. The metopes have a purely warlike theme, like the decoration of the chryselepha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonino Salinas Regional Archeological Museum
The Antonino Salinas Regional Archeological Museum () is a museum in Palermo, Italy. It possesses one of the richest collections of Punic and Ancient Greek art in Italy, as well as many items related to the history of Sicily. Formerly the property of the Oratory of Saint Philip Neri, the museum is named after Antonino Salinas, a famous archaeologist and numismatist from Palermo who had served as its director from 1873 until his death in 1914, upon which he left it his major private collection. It is part of the Olivella monumental complex, which includes the Church of Sant'Ignazio all'Olivella and the adjoining Oratory. History The construction of the Olivella complex was begun in the late sixteenth century by the architect Antonio Muttone for the Oratory of Saint Philip Neri and completed in the seventeenth century. Following the law on the suppression of religious orders of 1866 the building was confiscated and became home to the museum. During the Second World War the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athenian Treasury
The Athenian Treasury (Greek: Θησαυρός των Αθηναίων) at Delphi was constructed by the Athenians to house dedications and votive offerings made by their city and citizens to the sanctuary of Apollo. The entire treasury including its sculptural decoration is built of Parian marble. The date of construction is disputed, and scholarly opinions range from 510 to 480 BCE. It is located directly below the Temple of Apollo along the Sacred Way for all visitors to view the Athenian treasury on the way up to the sanctuary. Pausanias mentions the building in his account of the sanctuary, claiming that it was dedicated from the spoils of the Battle of Marathon, fought in 490 BCE against the Persians. The Battle of Marathon can be seen in some of the images of the metopes which compare their victory to mythology. By using the founder of Athens, Theseus, to show the victories of Athens, the treasury established Athens as one of the most powerful polis (city-states) of Gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Selinus
Selinunte ( , ; ; ; ) was a rich and extensive ancient Greek city of Magna Graecia on the south-western coast of Sicily in Italy. It was situated between the valleys of the Cottone and Modione rivers. It now lies in the of Castelvetrano, between the of Triscina di Selinunte in the west and Marinella di Selinunte in the east. The archaeological site contains many great temples, the earliest dating from 550 BC, with five centred on an acropolis. At its peak before 409 BC the city may have had 30,000 inhabitants, excluding slaves. It was destroyed and abandoned in 250 BC and never reoccupied. History Selinunte was one of the most important of the Greek colonies in Sicily, situated on the southwest coast of that island, at the mouth of the small river of the same name, and 6.5 km west of the Hypsas river (the modern Belice). It was founded, according to the historian Thucydides, by a colony from the Sicilian city of Megara Hyblaea, under the leadership of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separate p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Architecture
Ancient Greek architecture came from the Greeks, or Hellenes, whose Ancient Greece, culture flourished on the Greek mainland, the Peloponnese, the Aegean Islands, and in colonies in Asia Minor, Anatolia and Italy for a period from about 900 BC until the 1st century AD, with the earliest remaining architectural works dating from around 600 BC. Ancient Greek architecture is best known for its Ancient Greek temple, temples, many of which are found throughout the region, with the Parthenon regarded, now as in ancient times, as the prime example. Most remains are very incomplete ruins, but a number survive substantially intact, mostly outside modern Greece. The second important type of building that survives all over the Hellenic world is the Theatre of Ancient Greece#Characteristics of the buildings, open-air theatre, with the earliest dating from around 525–480 BC. Other architectural forms that are still in evidence are the processional gateway (''propylon''), the public square ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Temple C (Selinus)
Temple C at Selinunte, Selinus (Sicily), is a Greek temple of Magna Graecia in the Doric style. It was one of the most ancient of the temples at Selinus, having probably been built on the acropolis a little after the middle of the sixth century BC, although its dating is controversial. The temple was the object of archaeological research in the nineteenth century and beginning of the twentieth century and later the remains of a long stretch of the northern colonnade received anastylosis (reconstruction using the original material) in 1929. After a twelve-year-long restoration, in 2011 the colonnade was freed from scaffolding and made properly visible once more. Temple C was probably used as an archive (hundreds of seals have been recovered from it) and was dedicated to Apollo, as shown by an inscription, not to Heracles.Guido & Tusa 1978 ''Guida archeologica della Sicilia'' Description Although it shows Archaic Greece, archaising aspects, it imitates the models of the Greek mai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paestum
Paestum ( , , ) was a major Ancient Greece, ancient Greek city on the coast of the Tyrrhenian Sea, in Magna Graecia. The ruins of Paestum are famous for their three ancient Greek temples in the Doric order dating from about 550 to 450 BCE that are in an excellent state of preservation. The city walls and amphitheatre are largely intact, and the bottom of the walls of many other structures remain, as well as paved roads. The site is open to the public, and there is a modern National Archaeological Museum of Paestum, national museum within it, which also contains the finds from the associated Greek site of Foce del Sele. Paestum was established around 600 BCE by settlers from Sybaris, a Greek colony in southern Italy, under the name of Poseidonia (). The city thrived as a Greek settlement for about two centuries, witnessing the development of democracy. In 400 BCE, the Lucani (ancient people), Lucanians seized the city. Ancient Rome, Romans took over in 273 BCE, renaming it Paestu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of the columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Doric tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Order
An order in architecture is a certain assemblage of parts subject to uniform established proportions, regulated by the office that each part has to perform. Coming down to the present from Ancient Greece, Ancient Greek and Ancient Roman civilization, the architectural orders are the styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed. The three orders of architecture—the Doric order, Doric, Ionic order, Ionic, and Corinthian order, Corinthian—originated in Greece. To these the Romans added, in practice if not in name, the Tuscan order, Tuscan, which they made simpler than Doric, and the Composite order, Composite, which was more ornamental than the Corinthian. The architectural order of a classical building is akin to the Musical mode, mode or Key (music), key of classical music; the grammar or rhetoric of a written composition. It is established by certai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Mansart
François Mansart (; 23 January 1598 – 23 September 1666) was a French architect credited with introducing classicism into the Baroque architecture of France. The ''Encyclopædia Britannica'' identifies him as the most accomplished of 17th-century French architects whose works "are renowned for their high degree of refinement, subtlety, and elegance". Mansart, as he is generally known, popularized the mansard roof, a four-sided, double slope gambrel roof punctuated with windows on the steeper lower slope, which created additional habitable space in the garrets. Career François Mansart was born on 23 January 1598 to a master carpenter in Paris. He was not trained as an architect; his relatives helped train him as a stonemason and a sculptor. He is thought to have learned the skills of an architect in the studio of Salomon de Brosse, the most popular architect in France during the reign of Henry IV. Mansart was recognized from the 1620s onward for his style and skill as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: Archaic Greek sculpture (from about 650 to 480 BC), Classical Greek sculpture, Classical (480–323 BC) and Hellenistic sculpture, Hellenistic thereafter. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Since they pictured their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male Heroic nudity, nude of Apollo or Heracles shows only slight differences in treatment from a sculpture of that year's Olympic boxing champion. The statue ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
