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Metatheatre
Metatheatre, and the closely related term metadrama, describes the aspects of a play that draw attention to its nature as drama or theatre, or to the circumstances of its performance. "Breaking the Fourth Wall" is an example of a metatheatrical device. Metatheatrical devices may include: direct address to the audience (especially in soliloquies, asides, prologues, and epilogues); expression of an awareness of the presence of the audience (whether they are addressed directly or not); an acknowledgement of the fact that the people performing are actors (and not actually the characters they are playing); an element whose meaning depends on the difference between the represented time and place of the drama (the fictional world) and the time and place of its theatrical presentation (the reality of the theatre event); plays-within-plays (or masques, spectacles, or other forms of performance within the drama); references to acting, theatre, dramatic writing, spectatorship, and the f ...
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Metareference
Meta-reference (or metareference) is a category of self-references occurring in many media or media artifacts like published texts/documents, films, paintings, TV series, comic strips, or video games. It includes all references to, or comments on, a specific medium, medial artifact, or the media in general. These references and comments originate from a logically higher level (a "meta-level") within any given artifact, and draw attention to—or invite reflection about—media-related issues (e.g. the production, performance, or reception) of said artifact, specific other artifacts (as in parody), or to parts, or the entirety, of the medial system. It is, therefore, the recipient's awareness of an artifact's medial quality that distinguishes meta-reference from more general forms of self-reference. Thus, meta-reference triggers media-awareness within the recipient, who, in turn "becomes conscious of both the medial (or "fictional" in the sense of artificial and, sometimes in addit ...
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Play (theatre)
A play is a form of drama that primarily consists of dialogue between Character (arts), characters and is intended for theatre, theatrical performance rather than mere Reading (process), reading. The creator of a play is known as a playwright. Plays are staged at various levels, ranging from London's West End theatre, West End and New York City's Broadway theatre, Broadway – the highest echelons of commercial theatre in the English-speaking world – to Regional theater in the United States, regional theatre, community theatre, and academic productions at universities and schools. A stage play is specifically crafted for performance on stage, distinct from works meant for broadcast or cinematic adaptation. They are presented on a stage before a live audience. Some dramatists, notably George Bernard Shaw, have shown little preference for whether their plays are performed or read. The term "play" encompasses the written texts of playwrights and their complete theatrical renditio ...
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Theatre Of Ancient Greece
A Theatre, theatrical culture flourished in ancient Greece from 700 BC. At its centre was the Polis, city-state of Classical Athens, Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as part of a festival called the Dionysia, which honoured the god Dionysus. Greek tragedy, Tragedy (late 500 BC), Ancient Greek comedy, comedy (490 BC), and the satyr play were the three dramatic genres emerged there. Athens exported the festival to its numerous colonies. Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its theme (arts), themes, stock characters, and plot elements. Etymology The word , from which the word "tragedy" is derived, is a compound (linguistics), compound of two Greek language, Greek words: or "goat" and meaning "song", from . This etymology indicates a link with th ...
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Brutus
Marcus Junius Brutus (; ; 85 BC – 23 October 42 BC) was a Roman politician, orator, and the most famous of the assassins of Julius Caesar. After being adopted by a relative, he used the name Quintus Servilius Caepio Brutus, which was retained as his legal name. He is often referred to simply as Brutus. Early in his political career, Brutus opposed Pompey, who was responsible for Brutus' father's death. He also was close to Caesar. However, Caesar's attempts to evade accountability in the law courts put him at greater odds with his opponents in the Roman elite and the senate. Brutus eventually came to oppose Caesar and sided with Pompey against Caesar's forces during the ensuing civil war (49–45 BC). Pompey was defeated at the Battle of Pharsalus in 48, after which Brutus surrendered to Caesar, who granted him amnesty. With Caesar's increasingly monarchical and autocratic behaviour after the civil war, several senators who later called themselves ''liberatores'' (liber ...
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Julius Caesar (play)
''The Tragedy of Julius Caesar ''(First Folio title: ''The Tragedie of Ivlivs Cæsar''), often shortened to ''Julius Caesar'', is a history play and Shakespearean tragedy, tragedy by William Shakespeare first performed in 1599. In the play, Brutus the Younger, Brutus joins a conspiracy led by Gaius Cassius Longinus, Cassius to assassinate Julius Caesar, to prevent him from becoming a tyrant. Caesar's right-hand man Mark Antony, Antony stirs up hostility against the conspirators and Roman Empire, Rome becomes embroiled in a dramatic civil war. Synopsis The play opens with two tribunes Flavius and Gaius Epidius Marullus, Marullus (appointed leaders/officials of Rome) discovering the plebeians, commoners of Rome celebrating Julius Caesar's Roman triumph, triumphant return from Battle of Munda, defeating the sons of his military rival, Pompey. The tribunes, insulting the crowd for their change in loyalty from Pompey to Caesar, attempt to end the festivities and break up the commone ...
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Polonius
Polonius is a character in William Shakespeare's play ''Hamlet''. He is the chief counsellor of the play's ultimate villain, Claudius, and the father of Laertes and Ophelia. Generally regarded as wrong in every judgment he makes over the course of the play, Polonius is described by William Hazlitt as a "sincere" father, but also "a busy-body, hois accordingly officious, garrulous, and impertinent". In Act II, Hamlet refers to Polonius as a "tedious old fool" and taunts him as a latter day " Jephtha". Polonius connives with Claudius to spy on Hamlet. Hamlet unknowingly kills Polonius, provoking Ophelia's descent into madness, ultimately resulting in her (probable) suicide and the climax of the play: a duel between Laertes and Hamlet. Character Father of Ophelia and Laertes, and counsellor to King Claudius, he is described as a windbag by some and a rambler of wisdom by others. It has also been suggested that he only acts like a "foolish prating knave" to keep his position ...
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Prince Hamlet
Prince Hamlet is the title character and protagonist of William Shakespeare's tragedy ''Hamlet'' (1599–1601). He is the Prince of Denmark, nephew of the usurping King Claudius, Claudius, and son of King Hamlet, the previous King of Denmark. At the beginning of the play, he is conflicted whether, and how, to avenge the murder of his father, and struggles with his own sanity along the way. By the end of the tragedy, Hamlet has caused the deaths of Polonius, Laertes (Hamlet), Laertes, Claudius, and Rosencrantz and Guildenstern, two acquaintances of his from childhood. He is also indirectly involved in the deaths of his love Ophelia (drowning) and of his mother Gertrude (Hamlet), Gertrude (mistakenly poisoned by Claudius). Role in the play The play opens with Hamlet deeply depressed over the recent death of his father, King Hamlet, and his uncle King Claudius, Claudius' ascension to the throne and hasty marriage to Hamlet's mother Gertrude (Hamlet), Gertrude. One night, his father ...
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Antony And Cleopatra
''Antony and Cleopatra'' is a tragedy by William Shakespeare. The play was first performed around 1607, by the King's Men at either the Blackfriars Theatre or the Globe Theatre. Its first appearance in print was in the First Folio published in 1623, under the title ''The Tragedie of Anthonie, and Cleopatra''. The plot is based on Thomas North's 1579 English translation of Plutarch's '' Lives'' (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the War of Actium. The main antagonist is Octavius Caesar, one of Antony's fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire. The tragedy is mainly set in the Roman Republic and Ptolemaic Egypt and is characterized by swift shifts in geographical location and linguistic register as it alternates between sensual, imaginative Alexandria and a more pragmatic, austere Rome. Many consider Shakespeare's ...
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Boy Player
A boy player was a male child or teenager who performed in Medieval theatre, Medieval and English Renaissance theatre, English Renaissance playing companies. Some boy players worked for adult companies and performed the female roles, since women were not allowed to perform on the English stage during this period. Others worked for children's companies in which all roles, not just the female ones, were played by boys.   Children's companies In the Elizabethan era, Elizabethan and Jacobean era, Jacobean periods, troupes appeared that were composed entirely of boy players. They are famously mentioned in William Shakespeare, Shakespeare's ''Hamlet'', in which a group of travelling actors has left the city due to rivalry with a troupe of "little eyases" (II, ii, 339); the term "eyas" means an unfledged hawk. The children's companies grew out of the choirs of boy singers that had been connected with cathedrals and similar institutions since the Middle Ages. (Similar boy choirs exis ...
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Cleopatra
Cleopatra VII Thea Philopator (; The name Cleopatra is pronounced , or sometimes in both British and American English, see and respectively. Her name was pronounced in the Greek dialect of Egypt (see Koine Greek phonology). She was also styled as Thea Neotera () and Philopatris (); see 70/69 BC10 or 12 August 30 BC) was Queen of the Ptolemaic Kingdom of Ancient Egypt, Egypt from 51 to 30 BC, and the last active Hellenistic pharaoh.She was also a diplomat, Ancient navies and vessels, naval commander, linguist, and Ancient Greek medicine, medical author; see and . A member of the Ptolemaic dynasty, she was a descendant of its founder Ptolemy I Soter, a Ancient Macedonians, Macedonian Greek general and Government of Macedonia (ancient kingdom)#Companions, friends, councils, and assemblies, companion of Alexander the Great. writes about Ptolemy I Soter: "The Ptolemaic dynasty, of which Cleopatra was the last representative, was founded at the end of the f ...
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Medieval Theatre
Medieval theatre encompasses theatrical in the period between the fall of the Western Roman Empire in the 5th century and the beginning of the Renaissance in approximately the 15th century. The category of "medieval theatre" is vast, covering dramatic performance in Europe over a thousand-year period. A broad spectrum of genres needs to be considered, including mystery plays, morality plays, farces and masques. The themes were almost always religious. The most famous examples are the English cycle dramas, the York Mystery Plays, the Chester Mystery Plays, the Wakefield Mystery Plays, and the N-Town Plays, as well as the morality play known as '' Everyman''. One of the first surviving secular plays in English is '' The Interlude of the Student and the Girl'' (c. 1300). Due to a lack of surviving records and texts, low literacy in the general population, and the opposition of the clergy, there are few surviving sources from the Early and High Medieval periods. However, by ...
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Theatre Studies
Theatre studies (sometimes referred to as theatrology or dramatics) is the study of theatrical performance in relation to its literary, physical, psychological, sociological, and historical contexts. It is an interdisciplinary field which also encompasses the study of theatrical aesthetics and semiotics. A late-20th-century development in the area has been the ethnographic theory of theatre, pioneered by the Russian scholar Larisa Ivleva who studied the influence of folk culture on the development of Russian theatre. List of theatrologists Because of the interdisciplinary nature of the field, those who have been described as theatrologists can vary widely in terms of the primary focus of their activities. * Emil František Burianwriter, singer, actor, musician, composer, playwright and director * Jovan Ćirilovphilosopher, dramaturge, and writer * François Delsarteteacher of acting and singing * Joseph Gregortheatre historian and opera librettist * John Heilperntheatre critic and ...
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