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Melodic Motion
Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic motion, the melodic phrase moves in a stepwise fashion; that is the subsequent notes move up or down a semitone or tone, but no greater. In a disjunct melodic motion, the melodic phrase leaps upwards or downwards; this movement is greater than a whole tone. In popular Western music, a melodic leap of disjunct motion is often present in the chorus of a song, to distinguish it from the verses and captivate the audience. In traditional culture music Ethnomusicologist Bruno Nettl describes various types of melodic movement or contour to categorise a song's melody. There are three general categories, ''ascending'', ''descending'', and ''undulating'': *''Ascending'': Upwards melodic movement (only found in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Motion 2x2
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of pitch and rhythm, while more figuratively, the term can include other musical elements such as tonal color. It is the foreground to the background accompaniment. A line or part need not be a foreground melody. Melodies often consist of one or more musical phrases or motifs, and are usually repeated throughout a composition in various forms. Melodies may also be described by their melodic motion or the pitches or the intervals between pitches (predominantly conjunct or disjunct or with further restrictions), pitch range, tension and release, continuity and coherence, cadence, and shape. Function and elements Johann Philipp Kirnberger argued: The Norwegian composer Marcus Paus has argued: Given the many and varied elements and styles of melody "many extant explanations f melodyconfi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
North American Indian Music
Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music. Characteristics Singing and percussion are the most important aspects of traditional Native American music. Vocalization takes many forms, ranging from solo and choral song to responsorial, unison and multipart singing. Percussion, especially drums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
University Of Illinois Press
The University of Illinois Press (UIP) is an American university press and is part of the University of Illinois System. Founded in 1918, the press publishes some 120 new books each year, thirty-three scholarly journals, and several electronic projects. Strengths include ethnic and multicultural studies, Lincoln and Illinois history, and the large and diverse series ''Music in American Life.'' See also * List of English-language book publishing companies * List of university presses * Journals published by University of Illinois Press References External links * 1918 establishments in Illinois Book publishing companies based in Illinois Publishing companies established in 1918 Press Illinois {{Illinois-university-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Leading
Voice leading (or part writing) is the linear progression of individual melodic lines ( voices or parts) and their interaction with one another to create harmonies, typically in accordance with the principles of common-practice harmony and counterpoint. These principles include voices sounding smooth and independent, generally minimising movement to common tones as well as steps to the closest chord tone possible, therefore minimising leaps where possible. As a result, different voicings and inversions of chords may provide smoother voice leading. Rigorous concern for voice leading is of greatest importance in common-practice music, although jazz and pop music also demonstrate attention to voice leading to varying degrees. The style of voice leading will depend on the performing medium; for example, singing a large leap may be harder than playing it on piano. Example The score below shows the first four measures of the C-major prelude from J.S. Bach's '' The Well-Tempe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitch Contour
__NOTOC__ In linguistics, speech synthesis, and music, the pitch contour of a sound is a function or curve that tracks the perceived pitch of the sound over time. Pitch contour may include multiple sounds utilizing many pitches, and can relate the frequency function at one point in time to the frequency function at a later point. It is fundamental to the linguistic concept of tone, where the pitch or change in pitch of a speech unit over time affects the semantic meaning of a sound. It also indicates intonation in pitch accent languages. One of the primary challenges in speech synthesis technology, particularly for non-tonal languages, is to create a natural-sounding pitch contour for the utterance as a whole. Unnatural pitch contours result in synthesis that sounds "lifeless" or "emotionless" to human listeners, a feature that has become a stereotype of speech synthesis in popular culture. In music, the pitch contour focuses on the relative change in pitch over time of a pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsons Code
The Parsons code, formally named the Parsons code for melodic contours, is a simple notation used to identify a piece of music through melodic motion – movements of the pitch up and down. Denys Parsons (father of Alan Parsons) developed this system for his 1975 book ''The Directory of Tunes and Musical Themes''. Representing a melody in this manner makes it easier to index or search for pieces, particularly when the notes' values are unknown. Parsons covered around 15,000 classical, popular and folk pieces in his dictionary. In the process he found out that *UU is the most popular opening contour, used in 23% of all the themes, something that applies to all the genres. The book was also published in Germany in 2002 and reissued by Piatkus in 2008 as the ''Directory of Classical Themes''. An earlier method of classifying and indexing melody was devised by Harold Barlow and Sam Morgenstern in '' A Dictionary of Musical Themes'' (1950). The code The first note of a melody ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modal Frame
A modal frame in music is "a number of types permeating and unifying Music of Africa, African, Music of Europe, European, and Music of the United States, American song" and melody., quoted in Richard Middleton (1990/2002). ''Studying Popular Music'', p. 203. Philadelphia: Open University Press. . It may also be called a melodic mode. "Mode" and "frame" are used interchangeably in this context without reference to scalar or rhythmic modes. Melodic modes define and generate melodies that are not determined by harmony, but purely by melody. A note frame, is a melodic mode that is Atonality, atonic (without a tonic (music), tonic), or has an unstable tonic. Modal frames may be defined by their: *floor note: the bottom of the frame, felt to be the lowest note, though isolated notes may go lower, *ceiling note: the top of the frame, *central note: the center around which other notes cluster or gravitate, *upper or lower focus: portion of the mode on which the melody temporarily dwells, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Tonic
A double tonic is a chord progression, melodic motion, or shift of level consisting of a "regular back-and-forth motion" in melody similar to Bruno Nettl's pendulum type though it uses small intervals, most often a whole tone though may be almost a semitone to a minor third (see pendular thirds). van der Merwe, Peter (1989). ''Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music'', p.205. Oxford: Clarendon Press. . It is extremely common in African music ("Mkwaze mmodzi"), Asian music, and European music, including:van der Merwe (1989), p.206 * European Middle Ages music such as "Sumer is Icumen in" * Elizabethan popular music such as " The Woods so Wild" and " Dargason" *Classical music featuring the regular alternation of tonic-dominant *Alternating ' discords' such as in Debussy or Stravinsky *Gustav Mahler has also used this kind of musical pendulum motion *"Scottish" and European music such as " Donald MacGillavry" *Sea shanties and other work so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Form
In music, ''form'' refers to the structure of a musical composition or musical improvisation, performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition (music), repetition or variation (music), variation, the arrangement of the instruments (as in the order of solo (music), solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestration, orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."Kostka, Stefan and Payne, Dorothy (1995). ''Tonal Harmony'', p.152. McGraw-Hill. . These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Navajo Music
Navajo music is music made by the Navajos, mostly hailing from the Four Corners region of the Southwestern United States and the territory of the Navajo Nation. While it traditionally takes the shape of ceremonial chants and echoes themes found in Diné Bahaneʼ, contemporary Navajo music includes a wide range of genres, ranging from country music to rock and rap, performed in both English and Navajo language, Navajo. Traditional Traditional Navajo music is always vocal, with most Musical instrument, instruments, which include drums, Drum stick, drumsticks, Rattle (percussion instrument), rattles, rasp, flute, whistle, and bullroarer (music), bullroarer, being used to accompany singing of specific types of song. As of 1982 there were over 1,000 ceremonial practitioners qualified to perform one or more of thirty ceremonials and countless shorter prayer rituals, otherwise known as 'Medicine People', which restore which holds the semantic field of 'harmonious condition' and 'beauty' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or Part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a Musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coherence, cadence (music), cadence, and shape. Function and elements Johann Philipp Kirnberger arg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indigenous Music Of North America
Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music. Characteristics Singing and percussion are the most important aspects of traditional Native American music. Vocalization takes many forms, ranging from solo and choral song to responsorial, unison and multipart singing. Percussion, especially dru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
