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Manes
In ancient Roman religion, the ''Manes'' (, , ) or ''Di Manes'' are chthonic deities sometimes thought to represent souls of deceased loved ones. They were associated with the ''Lares'', '' Lemures,'' '' Genii'', and '' Di Penates'' as deities ('' di'') that pertained to domestic, local, and personal cult. They belonged broadly to the category of '' di inferi'', "those who dwell below," the undifferentiated collective of divine dead. The Manes were honored during the Parentalia and Feralia in February. The theologian St. Augustine, writing about the subject a few centuries after most of the Latin pagan references to such spirits, differentiated Manes from other types of Roman spirits: Latin spells of antiquity were often addressed to the Manes. Etymology and inscriptions Manes may be derived from "an archaic adjective manus—''good''—which was the opposite of immanis (monstrous)".. Roman tombstones often included the letters ''D.M.'', which stood for ''Dis Manibus'', lite ...
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Pitrs
The pitrs () are the spirits of departed ancestors in Hinduism. Following an individual's death, the performance of the antyesti (funeral rites) is regarded to allow the deceased to enter Pitrloka, the abode of one's ancestors. The non-performance of these rituals is believed to result in the fate of wandering the earth as a restless preta. The amavashya (new moon day), as well as the occasion of Pitru Paksha during the Hindu month of Ashvin is recommended for the veneration of pitrs. Development Ancestor veneration is an ancient Indian practice that emerged in the Vedic religion, dating back to 1500 BCE, during the Vedic period. The custom of a death anniversary is still practised in India, where the deathday of one's parents involves a number of rituals and offerings, that are elaborated in the Puranas. Balls of rice (Piṇḍa) are traditionally offered on certain occasions, due to the belief that one's ancestors still need to be fed by their descendants. For the Brahmins ...
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Religion In Ancient Rome
Religion in ancient Rome consisted of varying imperial and provincial religious practices, which were followed both by the people of Rome as well as those who were brought under its rule. The Romans thought of themselves as highly religious, and attributed their success as a world power to their collective piety ''( pietas)'' in maintaining good relations with the gods. Their polytheistic religion is known for having honored many deities. The presence of Greeks on the Italian peninsula from the beginning of the historical period influenced Roman culture, introducing some religious practices that became fundamental, such as the '' cultus'' of Apollo. The Romans looked for common ground between their major gods and those of the Greeks ('' interpretatio graeca''), adapting Greek myths and iconography for Latin literature and Roman art, as the Etruscans had. Etruscan religion was also a major influence, particularly on the practice of augury, used by the state to seek th ...
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Parentalia
In ancient Rome, the Parentalia () or ''dies parentales'' (, "ancestral days") was a nine-day festival held in honor of family ancestors, beginning on 13 February. Although the Parentalia was a holiday on the Roman religious calendar, its observances were mainly domestic and familial. The importance of the family to the Roman state, however, was expressed by public ceremonies on the opening day, the Ides of February, when a Vestal conducted a rite for the collective ''di parentes'' of Rome at the tomb of Tarpeia. Overview Ovid describes sacred offerings (''sacrificia'') of flower-garlands, wheat, salt, wine-soaked bread and violets to the "shades of the dead" ('' Manes'' or ''Di manes'') at family tombs, which were located outside Rome's sacred boundary ''( pomerium)''. These observances were meant to strengthen the mutual obligations and protective ties between the living and the dead, and were a lawful duty of the '' paterfamilias'' (head of the family). Parentalia concluded ...
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Gladiator
A gladiator ( la, gladiator, "swordsman", from , "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death. Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world. The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential fe ...
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Lares
Lares ( , ; archaic , singular ''Lar'') were guardian deities in ancient Roman religion. Their origin is uncertain; they may have been hero-ancestors, guardians of the hearth, fields, boundaries, or fruitfulness, or an amalgam of these. Lares were believed to observe, protect, and influence all that happened within the boundaries of their location or function. The statues of domestic Lares were placed at the table during family meals; their presence, cult, and blessing seem to have been required at all important family events. Roman writers sometimes identify or conflate them with ancestor-deities, domestic Penates, and the hearth. Because of these associations, Lares are sometimes categorised as household gods, but some had much broader domains. Roadways, seaways, agriculture, livestock, towns, cities, the state, and its military were all under the protection of their particular Lar or Lares. Those who protected local neighbourhoods ('' vici'') were housed in the crossroad ...
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Di Inferi
The ''di inferi'' or ''dii inferi'' (Latin, "the gods below") were a shadowy collective of ancient Roman deities associated with death and the underworld. The epithet ''inferi'' is also given to the mysterious Manes, a collective of ancestral spirits. The most likely origin of the word ''Manes'' is from ''manus'' or ''manis'' (more often in Latin as its antonym ''immanis''), meaning "good" or "kindly," which was a euphemistic way to speak of the ''inferi'' so as to avert their potential to harm or cause fear. Sacrifices Varro (1st century BC) distinguishes among the ''di superi'' ("gods above"), whose sites for offerings are called ''altaria''; the ''di terrestres'' ("terrestrial gods"), whose altars are '' arae''; and ''di inferi'', to whom offerings are made by means of ''foci'', "hearths," on the ground or in a pit. In general, animal sacrifice to gods of the upper world usually resulted in communal meals, with the cooked victim apportioned to divine and human recipients. Infern ...
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Lemures
The lemures were shades or spirits of the restless or malignant dead in Roman religion, and are probably cognate with an extended sense of larvae (from Latin ''larva'', "mask") as disturbing or frightening. ''Lemures'' is the more common literary term but even this is rare: it is used by the Augustan poets Horace and Ovid, the latter in his ''Fasti'', the six-book calendar poem on Roman holidays and religious customs. The word ''lemures'' can be traced to the PIE stem *', which also appears in the name of the Greek monster Lamia. Description ''Lemures'' may represent the wandering and vengeful spirits of those not afforded proper burial, funeral rites or affectionate cult by the living: they are thus not attested by tomb or votive inscriptions. Ovid interprets them as vagrant, unsatiated and potentially vengeful '' di manes'' or '' di parentes'', ancestral gods or spirits of the underworld. To him, the rites of their cult suggest an incomprehensibly archaic, quasi-magical ...
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Larvae (Roman Religion)
The lemures were shades or spirits of the restless or malignant dead in Religion in ancient Rome, Roman religion, and are probably cognate with an extended sense of larvae (from Latin ''larva'', "mask") as disturbing or frightening. ''Lemures'' is the more common literary term but even this is rare: it is used by the Augustan literature (ancient Rome), Augustan poets Horace and Ovid, the latter in his ''Fasti (Ovid), Fasti'', the six-book Roman calendar, calendar poem on Roman festivals, Roman holidays and Religion in ancient Rome, religious customs. The word ''lemures'' can be traced to the Proto-Indo-European language, PIE stem *', which also appears in the name of the Greek monster Lamia. Description ''Lemures'' may represent the wandering and vengeful spirits of those not afforded proper burial, funeral rites or affectionate cult by the living: they are thus not attested by tomb or votive inscriptions. Ovid interprets them as vagrant, unsatiated and potentially vengeful ''M ...
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Stele Licinia Amias Terme 67646
A stele ( ),Anglicized plural steles ( ); Greek plural stelai ( ), from Greek , ''stēlē''. The Greek plural is written , ''stēlai'', but this is only rarely encountered in English. or occasionally stela (plural ''stelas'' or ''stelæ''), when derived from Latin, is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both. These may be inscribed, carved in relief, or painted. Stelae were created for many reasons. Grave stelae were used for funerary or commemorative purposes. Stelae as slabs of stone would also be used as ancient Greek and Roman government notices or as boundary markers to mark borders or property lines. Stelae were occasionally erected as memorials to battles. For example, along with other memorials, there are more than half-a-dozen steles erected on the battlefield of Waterloo at the locations of notable actions by participants in battle. A trad ...
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Genius (mythology)
In Roman religion, the genius (; plural ''geniī'') is the individual instance of a general divine nature that is present in every individual person, place, or thing. Much like a guardian angel, the genius would follow each man from the hour of his birth until the day he died. For women, it was the Juno spirit that would accompany each of them. Nature Each individual place had a genius ('' genius loci'') and so did powerful objects, such as volcanoes. The concept extended to some specifics: the genius of the theatre, of vineyards, and of festivals, which made performances successful, grapes grow, and celebrations succeed, respectively. It was extremely important in the Roman mind to propitiate the appropriate genii for the major undertakings and events of their lives. Thus man, following the dictates of his heart, venerated something higher and more divine than he could find in his own limited individuality, and brought to "this great unknown of himself" offerings as a god; t ...
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Aquaelicium
A ''lapis manalis'' was either of two sacred stones used in the Roman religion. One covered a gate to Hades, abode of the dead; Sextus Pompeius Festus called it ''ostium Orci'', "the gate of Orcus". The other was used to make rain; this one may have no direct relationship with the ''Manes'', but is instead derived from the verb ''manare'', "to flow". The two stones had the same name. However, the grammarian Festus held the cover to the gate of the underworld and the rainmaking stone to be two distinct stones. Gate to the underworld One such stone covered the '' mundus Cereris'', a pit thought to contain an entrance to the underworld. Most cities of Latium and Etruria contained a similar pit or ditch; Plutarch describes the custom of a ''mundus'' as being of Etruscan origin, and states that it was used as a place where first-fruits were deposited. The Latin word ''mundus'' meant "world". Festus, quoting Cato this time, explains that: The Roman ''mundus'' was locate ...
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Undead
The undead are beings in mythology, legend, or fiction that are deceased but behave as if alive. Most commonly the term refers to corporeal forms of formerly-alive humans, such as mummies, vampires, and zombies, who have been reanimated by supernatural means, technology, or disease. In some cases (for example in Dungeons & Dragons) the term also includes incorporeal forms of the dead, such as ghosts. The undead are featured in the belief systems of most cultures, and appear in many works of fantasy and horror fiction. The term is also occasionally used for real-life attempts to resurrect the dead with science and technology, from early experiments like Robert E. Cornish's to future sciences such as "chemical brain preservation" and " cryonics." History Bram Stoker considered using the title, ''The Un-Dead'', for his novel '' Dracula'' (1897), and use of the term in the novel is mostly responsible for the modern sense of the word. The word does appear in English before ...
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