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Maki-e
is a Japanese lacquerware, Japanese lacquer decoration technique in which pictures, patterns, and letters are drawn with lacquer on the surface of lacquerware, and then metal powder such as gold or silver is sprinkled and fixed on the surface of the lacquerware. The origin of the term ''maki-e'' is a compound word of ''maki'' meaning "sprinkling" and ''e'' meaning "picture" or "design". The term can also be used to refer to lacquerware made with this decorative technique. The term first appeared in the Heian period.Maki-e. This technique is the most used technique in Japanese lacquer decoration. The is often combined with other techniques such as in which a nacreous layer of mother of pearl, mollusk shell lining is embedded or pasted in lacquer, in which metal or ivory is embedded in lac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Japanese Lacquerware
is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in ''urushi-e'', woodblock printing in Japan, prints, and on a wide variety of objects from Buddhist art, Buddha statues to ''bento'' boxes for food. The characteristic of Japanese lacquerware is the diversity of lacquerware using a decoration technique called in which metal powder is sprinkled to attach to lacquer. The invention of various techniques in Japanese history expanded artistic expression, and various tools and works of art such as are highly decorative.Masayuki Murata. ''明治工芸入門'' p.24. Me no Me, 2017 A number of terms are used in Japanese language, Japanese to refer to lacquerware. ''Shikki'' (漆器) means "lacquer ware" in the most literal sense, while ''nurimono'' (塗物) means "coated things", and ''urushi-nuri'' (漆塗) means "lacquer coating." The terms related to lacquer or lacquerware such as "Japanning", "Urushiol" and "''maque''" which means lacq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lacquer
Lacquer is a type of hard and usually shiny coating or finish applied to materials such as wood or metal. It is most often made from resin extracted from trees and waxes and has been in use since antiquity. Asian lacquerware, which may be called "true lacquer", are objects coated with the treated, dyed and dried sap of ''Toxicodendron vernicifluum'' or related trees, applied in several coats to a base that is usually wood. This dries to a very hard and smooth surface layer which is durable, waterproof, and attractive in feel and look. Asian lacquer is sometimes painted with pictures, inlaid with shell and other materials, or carved lacquer, carved, as well as maki-e, dusted with gold and given other further decorative treatments. In modern techniques, lacquer means a range of clear or pigmented coatings that dry by solvent evaporation to produce a hard, durable finish. The finish can be of any sheen level from ultra wikt:matte, matte to high Gloss (material appearance), glos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meiji (era)
The was an era of Japanese history that extended from October 23, 1868, to July 30, 1912. The Meiji era was the first half of the Empire of Japan, when the Japanese people moved from being an isolated feudal society at risk of colonization by Western powers to the new paradigm of a modern, industrialized nation state and emergent great power, influenced by Western scientific, technological, philosophical, political, legal, and aesthetic ideas. As a result of such wholesale adoption of radically different ideas, the changes to Japan were profound, and affected its social structure, internal politics, economy, military, and foreign relations. The period corresponded to the reign of Emperor Meiji. It was preceded by the Keiō era and was succeeded by the Taishō era, upon the accession of Emperor Taishō. The rapid modernization during the Meiji era was not without its opponents, as the rapid changes to society caused many disaffected traditionalists from the former samu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mon (emblem)
, also called , , and , are Japan, Japanese emblems used to decorate and identify an individual, a family, or (more recently) an institution, municipality or business entity. While is an encompassing term that may refer to any such device, and refer specifically to emblems that are used to identify a family. An authoritative reference compiles Japan's 241 general categories of based on structural resemblance (a single may belong to multiple categories), with 5,116 distinct individual . However, it is well acknowledged that there are a number of lost or obscure . Among , the officially used by the family is called . Over time, new have been created, such as , which is unofficially created by an individual, and , which is created by a woman after marriage by modifying part of her original family's , so that by 2023 there will be a total of 20,000 to 25,000 . The devices are similar to the Heraldic badge, badges and Coat of arms, coats of arms in European Heraldry, heraldic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inro
An is a traditional Japanese case for holding small objects, suspended from the (sash) worn around the waist when wearing a kimono. They are often highly decorated with various materials such as lacquer and various techniques such as , and are more decorative than other Japanese lacquerware. Because traditional Japanese dress lacked pockets, objects were often carried by hanging them from the in containers known as (a hanging object attached to a sash). Most were created for specialized contents, such as tobacco, pipes, writing brush and ink, but the type known as is suitable for carrying small things, and was created in the Sengoku period (1467–1615) as a portable identity seal and medicine container for travel. In the middle of the Edo period (1603–1868), became popular as men's accessories, and wealthy merchants of the and samurai classes collected often beautifully decorated with lacquer. As the technique developed from the late Edo period to the Meiji period ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shibata Zeshin
was a Japanese lacquer Japanese painting, painter and print artist of the Edo period, late Edo period and early Meiji era. He has been called "Japan's greatest lacquerer", but his reputation as painter and print artist is more complex: In Japan, he is known as both too modern, a panderer to the Westernization movement, and also an overly conservative traditionalist who did nothing to stand out from his contemporaries. Despite holding this complicated reputation in Japan, Zeshin has come to be well regarded and much studied among the art world of the West, in Britain and the United States in particular. Biography Zeshin was born and raised in Edo (modern-day Tokyo). His grandfather Izumi Chobei and his father Ichigoro were shrine carpenters (''miyadaiku'') and skilled wood carvers. His father, who had taken his wife's family name of Shibata, was also an experienced ukiyo-e painter, having studied under Katsukawa Shunshō. This, of course, gave him an excellent start on the roa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Khalili Collection Of Japanese Art
Khalili () is a common Arabic-based surname, meaning "originating from Al-Khalil also known as Hebron". It is composed of root word Khalil (meaning "companion" or "friend") plus the Arabic suffix "i" meaning "from" or "of". Khalili is also commonly used in Persian, Afghani and other Muslim surnames. Khalili may refer to: Persons Khalili * Abbas Khalili, also known as Abbas al-Khalili (1896–1972), Iraqi-born Iranian diplomat, newspaper publisher * Abdul Khalili (born 1992), full name Abdul Rahman Khalili, Swedish football player of Palestinian origin * Anousheh Khalili (born 1983), Iranian-American singer-songwriter * Aram Khalili (born 1989), Norwegian football player of Iranian Kurdish origin *Sir David Khalili: see Nasser Khalili * Fowzieh Khalili (born 1958), Indian female cricketer * Imad Khalili (born 1987), Swedish football player of Palestinian origin * Karim Khalili, Afghani politician, Vice President of Afghanistan *Khalilullah Khalili Khalilullah Khalili (1907� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tokyo National Museum
The or TNM is an art museum in Ueno Park in the Taitō wards of Tokyo, ward of Tokyo, Japan. It is one of the four museums operated by the , is considered the oldest national museum and the largest art museum in Japan. The museum collects, preserves, and displays a comprehensive collection of artwork and cultural objects from Asia, with a focus on ancient and medieval Japanese art and Asian art along the Silk Road. There is also a large collection of Greco-Buddhist art. As of April 2023, the museum held approximately 120,000 Cultural Properties, including 89 National Treasure (Japan), National Treasures, 319 List of Hōryū-ji Treasures at Tokyo National Museum, Horyuji Treasures, and 649 Important Cultural Properties of Japan, Important Cultural Properties. As of the same date, the Japanese government had designated 902 works of art and crafts as National Treasures and 10,820 works of art and crafts as Important Cultural Properties, so the museum holds about 10% of the works of a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art, colloquially referred to as the Met, is an Encyclopedic museum, encyclopedic art museum in New York City. By floor area, it is the List of largest museums, third-largest museum in the world and the List of largest art museums, largest art museum in the Americas. With 5.36 million visitors in 2023, it is the List of most-visited museums in the United States, most-visited museum in the United States and the List of most-visited art museums, fifth-most visited art museum in the world. In 2000, its permanent collection had over two million works; it currently lists a total of 1.5 million works. The collection is divided into 17 curatorial departments. The Met Fifth Avenue, The main building at 1000 Fifth Avenue, along the Museum Mile, New York, Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's list of largest art museums, largest art museums. The first portion of the approximately building ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mexican Lacquerware
Mexican lacquerware (''laca'' or ''maque'' in Mexican Spanish) is one of the country's oldest crafts, having independent origins from Asian lacquerware. In the Mesoamerican chronology, pre-colonial period, a greasy substance from the Coccus (insect), aje larvae and/or oil from the salvia, chia seed were mixed with powdered minerals to create protective coatings and decorative designs. During this period, the process was almost always applied to dried gourds, especially to make the cups that Mesoamerican nobility drank chocolate from. After the Spanish conquest of the Aztec Empire, Conquest, the Spanish had indigenous craftsmen apply the technique to European style furniture and other items, changing the decorative motifs and color schemes, but the process and materials remained mostly the same. In the 19th and 20th centuries, the craft waned during armed conflicts and returned, both times with changes to the decorative styles and especially in the 20th century, to production techni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manila Galleon
The Manila galleon (; ) refers to the Spain, Spanish trading Sailing ship, ships that linked the Philippines in the Spanish East Indies to Mexico (New Spain), across the Pacific Ocean. The ships made one or two round-trip voyages per year between the ports of Manila and Acapulco from the late 16th to early 19th century. The term "Manila galleon" can also refer to the trade route itself between Manila and Acapulco that was operational from 1565 to 1815. The Manila galleon trade route was inaugurated in 1565 after the Augustinians, Augustinian friar and navigator Andrés de Urdaneta pioneered the ''tornaviaje'' or return route from the Philippines to Mexico. Urdaneta and Alonso de Arellano made the first successful round trips that year, by taking advantage of the Kuroshio Current. The galleons set sail from Cavite, in Manila Bay, at the end of June or the first week of July, sailing through the northern Pacific and reaching Acapulco in March to April of the next calendar year. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
