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List Of Music Periodicals Treated By RIPM
{{PAGENAME:List of Music Periodicals Treated by RIPM Below is a list of music periodicals treated by RIPM including those available in full-text. Titles are arranged by chronologically by language. ''FT'' indicates the full-text of the periodical is available through RIPM. Descriptions of journals and scholarly introductions for most titles are available on RIPM'website Bulgarian ''Gusla'' (Plovdiv, Sofia, 1891), ''FT'' ''Muzikalna misŭl’ / Музикална мисъль'' (Sofia, 1929), ''FT'' ''А. С. О.: Периодическо Списание на Академическия Симфониченъ Оркестъръ за Музикална Култура и Критика = O. S. A.: Revue périodique de l’orchestre ...'' (Sofia, 1934–1935), ''FT'' ''Muzikalna misŭl’ / Музикална мисъль'' (Sofia, 1936–1939), ''FT'' Catalan ''Revista Musical Catalana'' (Barcelona, 1904-1923 1936, ''FT'' ''Fruïcions: Portaveu de l’Associcaió Obrera de Concerts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metronome (magazine)
''Metronome'' was a music magazine published from January 1885 to December 1961. History Founding (1885) Bandmaster Arthur Albert Clappé (1850–1920) first published ''The Metronome'' in January 1885 for band leaders. In 1891, Harry Coleman (1845–1895), a Philadelphia music publisher and publisher of a monthly music magazine ''The Dominant'', invited Clappé to become its editor. He accepted, and Carl Fischer (1849–1923) took over ''The Metronome'' as publisher until 1914. Violinist Gustav Saenger (1865–1935) succeeded Clappé in 1904 as editor and also continued as editor of the ''Musical Observer'' – also published by Fischer. Saenger continued as ''Metronome's'' editor until 1928. Shift towards popular music and jazz (1920s) ''Metronome'' began to shift away from classical music in the 1920s, when it featured a "Saxophone Department," an instrument family that, by then, had become a symbol of American popular music. In 1932 – Doron Kemp Antrim (1889–1961), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Musik
''Die Musik'' was a German music magazine established in 1901 by Bernhard Schuster (1870–1934). It was published semimonthly by Schuster & Loeffler from Berlin and Leipzig. Schuster was its editor-in-chief from inception until July 1933, when the publication was taken over by the Third Reich. The final publication, under the name ''Die Musik,'' was February 1943. History First published on Septembere 20, 1901, ''Die Musik'' ran semimonthly through September 1915, suspended publication due to World War I. In 1922, the publisher, Schuster & Loeffler, merged with the Stuttgart firm Deutsche Verlags-Anstalt (de); and in October 1922, ''Die Musik'' (Vol. 25, Issue 1) resumed with Schuster as editor. A leaflet attached to the June 1933 issue marked its beginning as the official music journal of the Nazi Party. The publication continued through 1943, changing its name in 1943 to ''Musik im Kriege'' ''(Music in War)'' and continued through 1944. ''Die Musik'' was the first German mag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bayreuther Blätter
''Bayreuther Blätter'' (''Bayreuth pages'') was a monthly journal founded in by Richard Wagner 1878 and edited by Hans von Wolzogen until his death in 1938. It was written primarily for visitors to the Bayreuth Festival. The newsletter carried frequent articles by Wagner himself as well as contributions from many of his circle. Some of these were very substantial; for example, Wagner's essays ''Religion and Art'' (October 1880) and ''Heroism and Christianity'' (September 1881). From 1880 to 1896 the journal carried extracts from the detailed recollections by Heinrich Porges of Wagner's rehearsal and staging techniques. The journal also had a political focus. In its pages, writers expressed support for Otto von Bismarck and the German Empire. After Germany's defeat in World War I, it showed opposition to the Weimar Republic, eventually supporting Adolf Hitler and Nazi Germany. Great men of German cultural history were celebrated in the ''Bayreuther Blätter''. From 1887, eac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Berliner Musikzeitung
''Neue Berliner Musikzeitung'' was a musical periodical that appeared in the years 1847–1896 and was published by Bote & Bock. It was a continuation of the Berlin musical newspaper published between 1844 and 1847 by Karl Gaillard. History The ''Neue Berliner Musikzeitung'' reported extensively on the musical life in Berlin, but also on other cities in Germany and Europe. And together with the ''Allgemeine Musikalische Zeitung'' and the ''Neue Zeitschrift für Musik'', it was widely considered the most important and influential music periodical in Berlin as well as in the German states. In addition, it was the official publication of the Berlin Association of Musicians. It was established by Gustave Bock, a former board member of the publisher, and Hermann Wolff (1845–1902), a former editorial director. Bock was the agent of Ferruccio Busoni and responsible for the founding of the Philharmonic Society. Correspondents *Berlin: H. Bussler, L. Deppe, Heinrich Dorn, H. Ehrlich, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signale Für Die Musikalische Welt
' was a German music magazine established by Bartholf Senff in Leipzig in 1843 and ceasing publication in 1941. From 1907 (when the journal was sold to Simrock) to 1919, it was based in Berlin and Leipzig, and from 1920 to 1941 in Berlin. Its music critics included Louis Köhler (1844–86), (1887–97), Alfred Heuß Alfred Valentin Heuß also Heuss (27 January 1877 – 9 July 1934) was a German musicologist, music critic and editor of music magazines. Life Born in Chur, after studying music in Stuttgart, Munich and Leipzig, Heuß received his doctorate in ... (1902–05), and Ludwig Karpath. External links 1843 establishments in Germany 1941 disestablishments in Germany Defunct magazines published in Germany German-language magazines Music magazines published in Germany Magazines established in 1843 Magazines disestablished in 1941 Magazines published in Berlin Magazines published in Leipzig {{Europe-mag-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neue Zeitschrift Für Musik
'Die'' (; en, " heNew Journal of Music") is a music magazine, co-founded in Leipzig by Robert Schumann, his teacher and future father-in law Friedrich Wieck, and his close friend Ludwig Schuncke. Its first issue appeared on 3 April 1834. History Although the first editor was Julius Knorr, most of the work on the early issues of the ''Neue Zeitschrift'' (NZM) was done by Schumann; in 1835, when a new publisher was found, Schumann's name appeared as editor. In his reviews, he praised those of the new generation of musicians who deserved acclaim, including Frédéric Chopin Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leadin ... and Hector Berlioz. Schuncke wrote some articles under the byline "Jonathan" but died at the age of 23 in December 1834. In June 1843, Schumann's other commitm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allgemeine Musikalische Zeitung
The ''Allgemeine musikalische Zeitung'' (''General music newspaper'') was a German-language periodical published in the 19th century. Comini (2008) has called it "the foremost German-language musical periodical of its time". It reviewed musical events taking place in many countries, focusing on the German-speaking nations, but also covering France, Italy, Russia, Britain, and even occasionally America. Its impartiality and adherence to basic principles of credibility and discretion regarding the personal position of those reviewed, assured and established itself in a high position as a periodical in the musical German society of the time, exercising great influence on the period. History The periodical appeared in two series: a weekly magazine published between 1798 and 1848, and a revived version which lasted from 1866 to 1882. The publisher was Breitkopf & Härtel in Leipzig for the first period of publication and for the first three years of the second period; for the remainde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Revue Musicale
''La Revue musicale'' was a music magazine founded by Henry Prunières in 1920. ''La Revue musicale'' of Prunières was undoubtedly the first music publishing magazine giving as much attention to the quality of editing, iconography, and illustration. In each issue (11 per year), there was plenty of information on the musical and choreographic life in many countries. In addition to the magazine, there were over 160 musical pieces by various composers, most of whom were French, irregularly produced as 81 supplements between 1920 and 1939. Many of these were composed specifically for the magazine. Several compositions have been overlooked in listings of the complete works of the composer. The magazine's aim was to support the profound changes taking place in the music of the period while simultaneously showing affection for the music of the past. Avoiding intransigent nationalism that marked French classical music before the World War I, the magazine became a reference point for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revue Et Gazette Musicale De Paris
The ' was a weekly musical review founded in 1827 by the Belgian musicologist, teacher and composer François-Joseph Fétis, then working as professor of counterpoint and fugue at the Conservatoire de Paris. It was the first French-language journal dedicated entirely to classical music. In November 1835 it merged with Maurice Schlesinger's ''Gazette musicale de Paris'' (first published in January 1834) to form ''Revue et gazette musicale de Paris'', first published on 1 November 1835. It ceased publication in 1880. History By 1830 the ''Revue musicale'', written and published by Fétis, was on sale at Maurice Schlesinger's music seller's premises.Vol 7 (Tome VIII, IVme année) (1830) sold by Fétis, Alexandre Mesnier & Schlesinger. See review of Vol. 7 i''Revue française'', Issues 13-14, p. 281-3 Schlesinger (whose father founded the ''Berliner allgemeine musikalische Zeitung'') was a German music editor who had moved to Paris in 1821. Schlesinger published editions of cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Ménestrel
''Le Ménestrel'' (The Minstrel) was an influential French music journal published weekly from 1833 until 1940. It was founded by Joseph-Hippolyte l'Henry and originally printed by Poussièlgue. In 1840 it was acquired by the music publishers Heugel and remained with the company until the journal's demise at the beginning of World War II. With the closure of its chief rival, '' La Revue et gazette musicale de Paris'' in 1880, ''Le Ménestrel'' became France's most prestigious and longest-running music journal. Publishing history In 1827, François-Joseph Fétis had founded ''La Revue musicale'', France's first periodical devoted entirely to classical music. By 1834, it had two serious competitors, ''Le Ménestrel'' established in 1833, and Maurice Schlesinger's ''Gazette Musicale'', established in 1834. ''Le Ménestrel'' was founded by the Paris publisher Joseph-Hippolyte l'Henry, with the first edition (printed by Poussièlgue) appearing on 1 December 1833. In 1835, Schlesinger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
