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Lieder
In the Western classical music tradition, ( , ; , ; ) is a term for setting poetry to classical music. The term is used for any kind of song in contemporary German and Dutch, but among English and French speakers, is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages as well. The poems that have been made into lieder often center on pastoral themes or themes of romantic love. The earliest ''Lieder'' date from the late fourteenth or early fifteenth centuries, and can even refer to from as early as the 12th and 13th centuries. It later came especially to refer to settings of Romantic poetry during the late eighteenth and nineteenth centuries, and into the early twentieth century. Examples include settings by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Robert Schumann, Johannes Brahms, Hugo Wolf, Gustav Mahler or Richard Strauss. History Terminology For German speakers, the te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugo Wolf
Hugo Philipp Jacob Wolf (; ; 13 March 1860 – 22 February 1903) was an Austrian composer, particularly noted for his art songs, or Lieder. He brought to this form a concentrated expressive intensity which was unique in late Romantic music, somewhat related to that of the Second Viennese School in concision but diverging greatly in technique. Though he had several bursts of extraordinary productivity, particularly in 1888 and 1889, depression (mood), depression frequently interrupted his creative periods, and his last composition was written in 1898, before he suffered a mental collapse caused by syphilis. Life Early life (1860–1887) Hugo Wolf was born in Windischgraz, Windischgrätz in the Duchy of Styria (now Slovenj Gradec, Slovenia), then a part of the Austrian Empire. His baptismal entry records him as ''Hugo Philip. Jacob. Wolf'', the son of Filip Wolf and Katharina (née Nußbaumer) Wolf. Herbert von Karajan was related to him on his maternal side. He spent most o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lochamer-Liederbuch
The ''Lochamer-Liederbuch'' (Lochamer Song Book or Locham Song Book) is an extensive collection of German songs at the transition from the late Middle Ages to the Renaissance music, Renaissance. It dates from the mid-15th century and is regarded as one of the most important surviving collections of music from fifteenth-century Germany. Other names are ''Locheimer'' and ''Lochheimer Liederbuch''. Description The song manuscript comprises 45 songs in one-part to three-part settings on 93 pages. 44 songs are in German, one is Dutch. Other sources arrive at 47 or 50 songs. The differences in numbering come from some songs existing in several versions; some melodies are fragmented or without text or title. For almost half of the songs, the book is the only source. The main scrivener was some friar ''Jodocus of Windsheim'', who is thought to have been a student of the school of the Nuremberg organist and composer Conrad Paumann. The bulk of the collection dates from the years 1451 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Cycle
A song cycle () is a group, or cycle (music), cycle, of individually complete Art song, songs designed to be performed in sequence, as a unit.Susan Youens, ''Grove online'' The songs are either for solo voice or an ensemble, or rarely a combination of solo songs mingled with choral pieces. The number of songs in a song cycle may be as brief as two songs or as long as 30 or more songs. The term "song cycle" did not enter lexicography until 1865, in Arrey von Dommer's edition of ''Koch’s Musikalisches Lexikon'', but works definable in retrospect as song cycles existed long before then. One of the earliest examples may be the set of seven Cantiga de amigo, Cantigas de amigo by the 13th-century Galicians, Galician jongleur Martin Codax. Jeffrey Mark identified the group of dialect songs 'Hodge und Malkyn' from Thomas Ravenscroft's ''The Briefe Discourse'' (1614) as the first of a number of early 17th-century examples in England. A song cycle is similar to a song collection, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; ; 31 January 179719 November 1828) was an Austrian composer of the late Classical period (music), Classical and early Romantic music, Romantic eras. Despite his short life, Schubert left behind a List of compositions by Franz Schubert, vast ''oeuvre'', including more than 600 ''Lieder'' (art songs in German) and other vocal works, seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig", "Gretchen am Spinnrade", and "Ave Maria (Schubert), Ave Maria"; the Trout Quintet, ''Trout'' Quintet; the Symphony No. 8 (Schubert), Symphony No. 8 in B minor (''Unfinished''); the Symphony No. 9 (Schubert), Symphony No. 9 in C major (''Great''); the String Quartet No. 14 (Schubert), String Quartet No. 14 in D minor (''Death and the Maiden''); the String Quintet (Schubert), String Quintet in C major; the Impromptus (Schubert), Impromptus for solo piano; the S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic music, Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the Modernism (music), modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi Germany, Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Kingdom of Bohemia, Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the University of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dichterliebe
''Dichterliebe'', ''A Poet's Love'' (composed 1840), is the best-known song cycle by Robert Schumann ( Op. 48). The texts for its 16 songs come from the ''Lyrisches Intermezzo'' by Heinrich Heine, written in 1822–23 and published as part of Heine's ''Das Buch der Lieder''. Along with the song cycles of Franz Schubert ('' Die schöne Müllerin'' and ''Winterreise''), Schumann's form the core of the genre in musical literature. Source: Heine's ''Lyrisches Intermezzo'' Author of the sarcastic ''Die Romantische Schule'', Heine was a vocal critic of German romanticism, though he is often described as a quintessentially Romantic writer. In some of his poetry, and notably in '' Deutschland. Ein Wintermärchen'' (1844), romantic lyrical conventions are used as vessels to deploy biting, satirical nature. ''Dichterliebe'' was composed before Heine's ''Deutschland'' and does not ''appear'' to portray this ironic dimension: scholarship is divided as to what extent Schumann intended to expr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minnesang
(; "love song") was a tradition of German lyric- and song-writing that flourished in the Middle High German period (12th to 14th centuries). The name derives from '' minne'', the Middle High German word for love, as that was ''Minnesang'''s main subject. People who wrote and performed ''Minnesang'' were known as ''Minnesänger'' (), and a single song was called a ''Minnelied'' (). The ''Minnesänger'' are comparable to the Occitan troubadours and northern French ''trouvères,'' but they are "an original German contribution to courtly lyric." Social status In the absence of reliable biographical information, there has been debate about the social status of the ''Minnesänger''. Some clearly belonged to the higher nobility – the 14th-century Codex Manesse includes songs by dukes, counts, kings, and the Emperor Henry VI. Some ''Minnesänger'', as indicated by the title ''Meister'' (master), were clearly educated commoners, such as Meister Konrad von Würzburg. It is thought ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Senfl
Ludwig Senfl (born around 1486, died between December 2, 1542 and August 10, 1543) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy Roman Emperor, and was an influential figure in the development of the Franco-Flemish polyphonic style in Germany. He and his teacher Isaac played an important role in the development of the German folksongs and their adoption as models for polyphonic compositions as well. Life Senfl was probably born in Basel around 1486, and lived in Zürich from 1488 until 1496, when he joined the choir of the Hofkapelle of Emperor Maximilian I in Augsburg. Apart from one brief visit in 1504 he appears never again to have lived in Switzerland. In 1497 he followed the Hofkapelle to Vienna, and between 1500 and 1504 he probably studied in Vienna for three years, the standard practice for choirboys whose voices had broken, as part of the normal train ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Brahms
Johannes Brahms (; ; 7 May 1833 – 3 April 1897) was a German composer, virtuoso pianist, and conductor of the mid-Romantic period (music), Romantic period. His music is noted for its rhythmic vitality and freer treatment of dissonance, often set within studied yet expressive contrapuntal textures. He adapted the traditional structures and techniques of a wide historical range of earlier composers. His includes four symphony, symphonies, four concertos, a Requiem, much chamber music, and hundreds of folk-song arrangements and , among other works for symphony orchestra, piano, organ, and choir. Born to a musical family in Hamburg, Brahms began composing and concertizing locally in his youth. He toured Central Europe as a pianist in his adulthood, premiering many of his own works and meeting Franz Liszt in Weimar. Brahms worked with Ede Reményi and Joseph Joachim, seeking Robert Schumann's approval through the latter. He gained both Robert and Clara Schumann's strong support ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; ; 11 June 1864 – 8 September 1949) was a German composer and conductor best known for his Tone poems (Strauss), tone poems and List of operas by Richard Strauss, operas. Considered a leading composer of the late Romantic and early Modernism (music), modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmony, harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. His first tone poem to achieve wide acclaim was ''Don Juan (Strauss), Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote (Strauss), Don Quixote'', ''Ein Heldenleben'', ''Symph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
