Kitchen Sink Drama
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Kitchen Sink Drama
Kitchen sink realism (or kitchen sink drama) is a British cultural movement that developed in the late 1950s and early 1960s in theatre, art, novels, film and television plays, whose protagonists usually could be described as "angry young men" who were disillusioned with modern society. It used a style of social realism which depicted the domestic situations of working-class Britons, living in cramped rented accommodation and spending their off-hours drinking in grimy pubs, to explore controversial social and political issues ranging from abortion to homelessness. The harsh, realistic style contrasted sharply with the escapism of the previous generation's so-called "well-made plays". The films, plays and novels employing this style are often set in poorer industrial areas in the North of England, and use the accents and slang heard in those regions. The film ''It Always Rains on Sunday'' (1947) is a precursor of the genre and the John Osborne play ''Look Back in Anger'' (1956) ...
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Billy Dee Williams Joan Plowright A Taste Of Honey Broadway 1960
Billy may refer to: * Billy (name), a name (and list of people with the name) Animals * Billy (dog), a dog breed * Billy (pigeon), awarded the Dickin Medal in 1945 * Billy (pygmy hippo), a pet of U.S. President Calvin Coolidge * Billy, a young male domestic goat Film * Billy (''Black Christmas''), a character from ''Black Christmas'' * Billy (''Saw''), a puppet from ''Saw'' * '' Billy: The Early Years'', a 2008 biographical film about Billy Graham Literature * ''Billy'' (novel), a 1990 novel by Whitley Strieber * ''Billy'', a 2002 biography of Billy Connolly by Pamela Stephenson Music Musicals * ''Billy'' (musical), a musical based on Billy Liar * ''Billy'', a 1969 Broadway musical with music and lyrics by Gene Allen and Ron Dante Albums * ''Billy'' (Samiam album) (1992) * ''Billy'' (Feedtime album) Songs * "Billy" (Kathy Linden song), a 1958 song by Kathy Linden * "Billy", a 1986 song by Céline Dion from '' The Best of Celine Dion'' * "Billy", a 1973 son ...
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David Sylvester
Anthony David Bernard Sylvester (21 September 1924 – 19 June 2001) was a British art critic and curator. Although he received no formal education in the arts, during his long career he was influential in promoting modern artists, in particular Francis Bacon, Joan Miró, and Lucian Freud. Life and career Born into a north-London Jewish family, Sylvester had trouble as a student at University College School and was thrown out of the family home. He wrote for the paper ''Tribune'' and went to Paris in 1947 where he met Alberto Giacometti, one of the strongest influences on him. Sylvester is credited with coining the term ''kitchen sink'' originally to describe a strand of post-war British painting typified by John Bratby. Sylvester used the phrase negatively but it was widely applied to other art forms including literature and theatre. During the 1950s, Sylvester worked with Henry Moore, Freud and Bacon but also supported Richard Hamilton and the other " Young Turks" of Brit ...
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Jack Smith (artist)
Jack Smith (18 June 1928 – 11 June 2011) was a British realist and, later, abstract artist. Life Jack Smith was born in 1928 in Sheffield, Yorkshire. Smith studied at Sheffield College of Art (1944–1946), Saint Martin's School of Art (1948–1950) and the Royal College of Art (1950–1953).Flowers London: Jack Smith Retrospective Catalogue, At the RCA, Smith studied under John Minton, Ruskin Spear and Carel Weight. Work During the 1950s, Smith's early work was in a neo-realist style known as "The Kitchen Sink School" featuring domestic subjects. In the 1960s Smith abandoned realism and adopted a brightly coloured, abstract style comparable to those of Wassily Kandinsky and Piet Mondrian incorporating Constructivism and Biomorphism with elements of hieroglyphic and musical notation. Smith continued to develop and work in this style and did not return to realism. Recognition *First prize at the first '' John Moores Liverpool Exhibition'' (1956) *Shown at Venice ...
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Edward Middleditch
Edward Middleditch (1923–1987) was an English artist. He was born in Chelmsford, Essex. In the 1930s his family moved to Nottingham, where he attended thMundella Grammar Schoolfrom 1934 to 1939. He then served in the British Army during the Second World War, serving overseas in France, Germany, Burma and West Africa, and being awarded the Military Cross (MC) in 1945. From 1949 to 1952 he attended Royal College of Art, where his teachers were Ruskin Spear, Carel Weight and John Minton. His fellow students included Derrick Greaves and Jack Smith. Middleditch associated early on with the so-called 'Kitchen Sink' school of realist painters in the 1950s. He held teaching posts at Chelsea School of Art, St Martins School of Art, and Norwich School of Art (where he became head of fine art). He was elected a member of the Royal Academy in 1973, later as Keeper of the Royal Academy (in charge of the schools). Middleditch exhibited widely and is represented in major and regional ...
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John Bratby
John Randall Bratby RA (19 July 1928 – 20 July 1992) was an English painter who founded the kitchen sink realism style of art that was influential in the late 1950s. He made portraits of his family and celebrities. His works were seen in television and film. Bratby was also a writer. Early life and education John Bratby was born on 19 July 1928 in Wimbledon, south-west London. Between 1949 and 1950, he studied art at Kingston College of Art. He then began attending the Royal College of Art, completing his studies in 1954. He painted landscapes, still lifes, portraits and figure compositions, and had his first solo exhibition that year at London's Beaux Arts Gallery. He was given the opportunity to travel to Italy when he was awarded a bursary during his college years. However, the experience left him uninspired artistically, and uninterested in travelling. Career Artist Bratby is considered the founder of kitchen sink realism a movement in which artists use everyday o ...
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Expressionism
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ...
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Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic, literary, musical, and intellectual movement that originated in Europe towards the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism, clandestine literature, paganism, idealization of nature, suspicion of science and industrialization, and glorification of the past with a strong preference for the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the social and political norms of the Age of Enlightenment, and the scientific rationalization of nature. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, chess, social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing conservatism, libe ...
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Subject (philosophy)
A subject is a being who has a unique consciousness and/or unique personal experiences, or an entity that has a relationship with another entity that exists outside itself (called an "object"). A ''subject'' is an observer and an ''object'' is a thing observed. This concept is especially important in Continental philosophy, where 'the subject' is a central term in debates over the nature of the self. The nature of the subject is also central in debates over the nature of subjective experience within the Anglo-American tradition of analytical philosophy. The sharp distinction between subject and object corresponds to the distinction, in the philosophy of René Descartes, between thought and extension. Descartes believed that thought (subjectivity) was the essence of the mind, and that extension (the occupation of space) was the essence of matter. German idealism ''Subject'' as a key-term in thinking about human consciousness began its career with the German idealists, in respo ...
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Anti-heroes
An antihero (sometimes spelled as anti-hero) or antiheroine is a main character in a story who may lack conventional heroic qualities and attributes, such as idealism, courage, and morality. Although antiheroes may sometimes perform actions that most of the audience considers morally correct, their reasons for doing so may not align with the audience's morality. An antihero typically exhibits one of the "Dark Triad" personality traits, which include narcissism, psychopathy, and Machiavellianism. There is a controversy over what exactly defines an antihero. The Merriam-Webster dictionary defines an antihero as "someone who lacks heroic qualities", yet scholars typically have differing ideas on what constitutes as an antihero. Some scholars refer to the "Racinian" antihero, who is defined by several factors. The first being that they are doomed to fail before their adventure begins. The second constitutes the blame of that failure on everyone but themselves. Thirdly, they off ...
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Proletariat
The proletariat (; ) is the social class of wage-earners, those members of a society whose only possession of significant economic value is their labour power (their capacity to work). A member of such a class is a proletarian. Marxist philosophy considers the proletariat to be exploited under capitalism, forced to accept meager wages in return for operating the means of production, which belong to the class of business owners, the bourgeoisie. Marx argued that this oppression gives the proletariat common economic and political interests that transcend national boundaries, impelling them to unite and take over power from the capitalist class, and eventually to create a communist society free from class distinctions. Roman Republic and Empire The constituted a social class of Roman citizens who owned little or no property. The name presumably originated with the census, which Roman authorities conducted every five years to produce a register of citizens and their p ...
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Eastern Bloc
The Eastern Bloc, also known as the Communist Bloc and the Soviet Bloc, was the group of socialist states of Central and Eastern Europe, East Asia, Southeast Asia, Africa, and Latin America under the influence of the Soviet Union that existed during the Cold War (1947–1991). These states followed the ideology of Marxism–Leninism, in opposition to the Capitalism, capitalist Western Bloc. The Eastern Bloc was often called the Second World, whereas the term "First World" referred to the Western Bloc and "Third World" referred to the Non-Aligned Movement, non-aligned countries that were mainly in Africa, Asia, and Latin America but notably also included former Tito–Stalin split, pre-1948 Soviet ally SFR Yugoslavia, which was located in Europe. In Western Europe, the term Eastern Bloc generally referred to the USSR and Central and Eastern European countries in the Comecon (East Germany, Polish People's Republic, Poland, Czechoslovak Socialist Republic, Czechoslovakia, Hungarian ...
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Socialist Realism
Socialist realism is a style of idealized realistic art that was developed in the Soviet Union and was the official style in that country between 1932 and 1988, as well as in other socialist countries after World War II. Socialist realism is characterized by the depiction of communist values, such as the emancipation of the proletariat. Despite its name, the figures in the style are very often highly idealized, especially in sculpture, where it often leans heavily on the conventions of classical sculpture. Although related, it should not be confused with social realism, a type of art that realistically depicts subjects of social concern, or other forms of "realism" in the visual arts. Socialist realism was made with an extremely literal and obvious meaning, usually showing an idealized USSR. Socialist realism was usually devoid of complex artistic meaning or interpretation. Socialist realism was the predominant form of approved art in the Soviet Union from its development in t ...
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