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Koodiyattam
Koodiyattam (; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, which is mentioned several times in Sangam literature, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mani Madhava Chakyar
Guru Mani Madhava Chakyar (IAST: ''Māṇi Mādhava Cākyār'') (15 February 1899 – 14 January 1990) was a celebrated master performance artist and Sanskrit scholar from Kerala, India, considered to be the greatest Chakyar Koothu and Koodiyattam (ancient Sanskrit drama theatre tradition) artist and authority of modern times. He was considered as the authority of ''Abhinaya'' (the classical Indian acting style) and ''Nātyaśāstra''. Known as "the Emperor of Rasa (aesthetics), Rasa-Abhinaya", he had an exceptional ability to perform ''Rasa-Abhinaya''. His ''Netrābhinaya'' was world-famous and he had the ability to act only with eyes. He was well versed in all the traditional Koodiyattams and all the ''prabandhas'' used in Chakyar Koothu. He was able to explain the concepts, methods and practices of Koodiyattam and Chakyar Koothu in a clear and authentic way. He had an in depth study of ''Nātyaśāstra'' of Bharata Muni, as well as ways of acting which were popular in Ker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Koodiyattam Framed 001
Koodiyattam (; IAST: kūṭiyāṭṭaṁ; ) is a traditional performing art form in the state of Kerala, India. It is a combination of ancient Sanskrit theatre with elements of ''Koothu'', an ancient performing art from the Sangam era. It is officially recognised by UNESCO as a Masterpieces of the Oral and Intangible Heritage of Humanity, Masterpiece of the Oral and Intangible Heritage of Humanity. Origin Koodiyattam, meaning "combined acting" in Malayalam, combines Sanskrit theatre performance with elements of koothu. It is traditionally performed in temple theatres known as ''koothambalams''. It is the only surviving art form that uses drama from ancient Sanskrit theatre. It has a documented history of a thousand years in Kerala, but its origins are not known. Koodiyattam and Chakyar koothu were among the dramatized dance worship services in the temples of ancient India, particularly Kerala. Both koodiyattam and Chakyar koothu originated from the ancient art form koothu, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Theatre
The term Indian classical drama refers to the tradition of dramatic literature and performance in ancient India. The roots of drama in the Indian subcontinent can be traced back to the Rigveda (1200-1500 BCE), which contains a number of hymns in the form of dialogues, or even scenes, as well as hymns that make use of other literary forms such as animal fables However, Indian drama begins its classical stage in the classical period with the composition of the Nātyaśāstra (''lit. The Science of Drama''). Indian classical drama is regarded as the highest achievement of Sanskrit literature.Brandon (1981, xvii). The Buddhist playwright, poet and philosopher Asvaghosa, who composed the ''Buddhacarita'', is considered to have been one of the first Sanskrit dramatists along with Bhāsa, who likely lived in the 2nd century BCE, and is famous for writing two of the only surviving tragedies in Sanskrit drama. Despite its name, a classical Sanskrit drama uses both Sanskrit and Prakrit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mizhavu
A mizhav or mizhavu (Malayalam: മിഴാവ്) is a big copper drum played as an accompanying percussion instrument in the Koodiyattam and Koothu, performing arts of Kerala. It is played by the Ambalavasi Nambiar community. After 1965, when started a mizhavu repertory in kalamandalam mizhavu break the caste barrier and nowadays anyone can play mizhavu in koodiyattam, nangiar koothu, chakyar koothu, and mizhavu thayambaka. The drum is played only with hands. The Sanskrit name of nambiar "Pānivāda" ('pāni' means ''hands'' and 'vāda' comes from the verb 'vādanam' meaning ''playing'', altogether meaning the one who plays with hands) comes from this reason. Mizhavu is treated as a "Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples or Koothambalams still. See also * Māni Mādhava Chākyār * Nātyakalp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chakyar Koothu . Sometimes, however, it is also a traditional equivalent of the modern stand-up comedy act, incorporating commentary on current socio-political events (and personal comments directed at the members of the audience).
Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from the Puranas Puranas (Merriam-Webster's Encyclopedia of Literature (1995 Editio ... The performance "Koothu" means dance ... which is a misnomer, as facial expressions are emphasized and there is minimal choreography. It is performed in the Koothambalam; a place inside Hindu temples specifically desi ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nambiar (Ambalavasi)
The Nambiar (also written as Nambyar) is a Hindu Ambalavasi caste of Kerala, India. Ambalavasi Nambiars wear sacred thread like Brahmins and is traditionally considered as a different caste to Nairs including same name bearing Nair-Nambiar caste. Ambalavasi Nambiar ladies known as Nangyar. A section of Nambiars play Mizhavu in temples. Mizhavu is treated as a "Brahmachaarya" and it is considered as sacred. It is used to accompany the holy ritualistic temple performance of Koodiyattam and Koothu. Only Ambalavasi Nambiar community members are allowed to play it inside temples. See also *Kunchan Nambiar *Mizhavu *Ottan Thullal *Chakyar koothu Chakyar Koothu (pronounced ) is a performance art from Kerala, India. It is primarily a type of highly refined monologue where the performer narrates episodes from Hindu epics (such as the ''Ramayana'' and the ''Mahabharata'') and stories from ... References * {{DEFAULTSORT:Nambiar (Ambalavasi Mizhavu) Indian castes Kerala socie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kulasekhara Alvar
Kulasekhara ( Tamil: ''குலசேகரர்''; IAST: Kulaśekhara) (''fl.'' 9th century CE), one of the twelve Vaishnavite alvars, was a bhakti theologian and devotional poet from medieval south India. He was the author of " Perumal Tirumoli" in Tamil and " Mukundamala" in Sanskrit. The Perumal Tirumoli, whose second decade is known as "Tetrarum Tiral", is compiled as a part of Nalayira Divya Prabandham. The Trikkulasekharapuram Temple in Kodungallur is associated with Kulasekhara Alvar. Vaishnavite traditions portray Kulasekhara as a ruler from the Chera royal family of the western coast (present-day Kerala). Based on these accounts, contemporary scholars link him to the Chera playwright-king Kulasekhara Varma or Sthanu Ravi Kulasekhara, who reigned from 844/45 to around 870/71 AD and is considered the earliest known Chera Perumal king of Kerala. Sources Scholars generally identify Kulasekhara with Sthanu Ravi Kulasekhara, the earliest known Chera Perumal ki ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edakka
The idakka (), also spelt edaykka/edakka, is an hourglass-shaped drum from Kerala in south India, very similar to the pan-Indian damaru. While the damaru is played by rattling knotted cords against the resonators, the idakka is played with a stick. Like the damaru, the idakka's pitch may be bent by squeezing the lacing in the middle. The idakka is slung over the left shoulder and the right side of the instrument is gently beaten with a thin curve-ended stick. It is played in temples and in performances such as Kathakali and Mohiniattam classical dance. Etymology The Malayalam name ''idaykka'' or ''idakka'' derives from the Sanskrit word श्रीढक्का (''Śrīḍhakkā''). In Sanskrit, a ''ḍhakkā'' is described as a double drum that makes a ''ḍhak'' sound. ढक् इति गम्भीरशब्देन कायतीति (ḍhak iti gambhīraśabdēna kāyatīti). The sacred prefix Śrī is used to denote the auspiciousness of the instrument. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuzhitalam
Elathalam (or Ilathalam) is a musical instrument from Kerala in southern India. It is made completely of bronze and resembles a miniature pair of cymbals, played by holding one part in the left hand and banging the other cymbal against it. Although small in size, it is thicker than common cymbals, with a distinct chime. Elathalam is never a lead instrument, but is used in a number of ethnic Kerala percussion ensembles including Panchavadyam, Chenda melam, Thayambaka and Kailaya vathiyam, as well as by a second singer on a Kathakali stage and providing the beat in Kuzhal Pattu and Kombu Pattu. See also * Pandi Melam * Panchari melam * Thayambaka * Panchavadyam Panchavadyam (Malayalam: പഞ്ചവാദ്യം), literally meaning an orchestra of five instruments, is basically a temple art form that has evolved in Kerala. Of the five instruments, four — timila, maddalam, ilathalam and idak ... Arts of Kerala Percussion instruments {{Cymbal-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiruvarur
Thiruvarur () also spelt as Tiruvarur is a municipality in the Indian state of Tamil Nadu. It is the administrative headquarters of Thiruvarur district and Thiruvarur taluk. The temple chariot of the Thyagaraja temple, weighing and measuring tall is the largest temple chariot in India. Thiruvarur is the birthplace of Tyagaraja, Muthuswami Dikshitar and Syama Sastri, popularly known as the Trinity of Carnatic music of the 18th century CE. Thiruvarur Thiyagarajaa Swaamy temple is older than Tanjore big temple. Thiruvarur was a part of Thanjavur district until 1991. The Odambokki river passes through the centre of the town. Thiruvarur covers an area of and had a population of 58,301 as of 2011. Out of total population of Tiruvarur, 1,403,348 in the district, 257,795 are in urban area and 1,006,482 are in rural area. 65,220 households are in urban, 261,999 are in rural area. It is administered by a selection grade municipality. The town is a part of the Cauvery delta region ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
