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Intelligent Dance Music
Intelligent dance music (IDM) is a style of electronic music originating in the early 1990s, defined by idiosyncratic experimentation rather than specific genre constraints.''"…the label 'IDM' (for avant-garde, 'intelligent dance music') seems to be based more on an association with individualistic experimentation than on a particular set of musical characteristics."'' Butler, M.J., ''Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music'', Indiana University Press, 2006, (p. 80). The music often described with the term originally emerged in the early 1990s from the culture and sound palette of styles of electronic dance music such as acid house, ambient techno, Detroit techno and breakbeat;''"The electronic listening music of the nineties is a prime example of an art form derived from and stimulated by countless influences. Partisan analyses of this music claim a baffling variety of prime sources (Detroit techno, New York electro + Chicago acid, En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Guardian
''The Guardian'' is a British daily newspaper. It was founded in Manchester in 1821 as ''The Manchester Guardian'' and changed its name in 1959, followed by a move to London. Along with its sister paper, ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust Limited. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in its journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Speedcore
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high tempo used. Songs are usually classified as speedcore at around 300+ beats per minute (BPM), but this can vary. Characteristics Aside from the very fast tempo, speedcore can often be distinguished from other forms of hardcore by an aggressive and overridden electronic percussion track that is often punctuated with a hyperactive snare or tom-tom fills. Most producers will overdrive their kicks so far that they become square waves. Speedcore DJs often use violent, vulgar, and offensive themes in their music to push the boundaries of the genre. Since the 2000s, the use of digital audio workstations (DAWs) has grown versus the use of analog synthesizers or trackers. History Origins (1992–1993) Speedcore is a natural progression of hardcore techno. Hardcore was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronica
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that came to prominence in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally. History Early 1990s: Origins and UK scene The original widespread use of the term "electronica" derives from the influential English experimental techno label New Electronica, which was one of the leading forces of the early 1990s introducing and supporting dance-based electronic music oriented towards home listening rather than dance-floor play, although the word "electronica" had already begun to be associated with synthesizer generated music as early as 1983, when a "UK Electronica Festival" was first held. At that time electronica became known as "electronic listening music", also becoming more or less synonymous to ambient techno and intelligent techno, and was considered distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mixmag
''Mixmag'' is a British electronic dance and clubbing magazine published in London. Launched in 1983 as a print magazine, it has branched into dance events, including festivals and club nights. History The first issue of ''Mixmag'' was printed on 1 February 1983 as a 16-page black-and-white magazine published by Disco Mix Club, a DJ mailout service. The first cover featured American music group Shalamar. When house music began in the 1980s, editor and DJ Dave Seaman turned the magazine from a newsletter for DJs into a magazine covering all dance music and club culture. ''Mixmag'', in association with its original publishing company, DMC Publishing, released a series of CDs under the "Mixmag Live" heading. The magazine, which reached a circulation of up to 70,000 copies, was later sold to EMAP Ltd. in the mid-1990s. In 1996, an American version titled ''Mixmag USA'' was launched. It was renamed Mixer after the UK edition of Mixmag was sold to EMAP. It ceased publication alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exclaim!
''Exclaim!'' is a Canadian music and entertainment publisher based in Toronto, which features coverage of new music across all genres with a special focus on Canadian and emerging artists. The monthly ''Exclaim!'' print magazine publishes seven issues per year, distributing over 103,000 copies to over 2,600 locations across Canada. In addition to music, the magazine also covers film and comedy. History ''Exclaim!'' began as a discussion among campus and community radio programmers at Ryerson's CKLN-FM in 1991. It was started by then-CKLN programmer Ian Danzig, together with other programmers and Toronto musicians. The goal of the publication was to support great Canadian music that was otherwise going unheralded. The group worked through 1991 to produce their first issue in April 1992, with monthly issues being produced since. Ian Danzig has been the publisher of the magazine since its start. The magazine had no official name for its first year of operations, with only th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Detroit Techno
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, James Pennington and Robert Hood. Artists like Terrence Parker and his lead vocalist, Nicole Gregory, set the tone for Detroit's piano techno house sound. The Belleville Three The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the " Belleville Three".Hanf, Mathias Kilian. ''Detroit Techno: Transfer of the Soul through the Machine'' VDM Verlag Dr. Müller, 2010. The three, who were high school friends from Belleville, Michigan, created electronic music tracks in their basement(s). Derrick May once described Detroit techno music as being a "complete mistake ... like Geo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Techno
Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, The Orb, The Future Sound of London, the Black Dog, Pete Namlook and Biosphere. Characteristics and influences AllMusic states that ambient techno, building off the ambient house scene, blended the "soaring, layered, aquatic atmospheres of beatless and experimental ambient" with techno's "well-produced, thin-sounding electronics." Artists fused the "environmentalist" work of Brian Eno, Jon Hassell, and Wendy Carlos with the rhythms of urban dance styles such as techno and acid house. Ambient techno artists returned to the instruments of the Detroit techno and Chicago house scenes, including analogue synthesizers, the Roland TB-303 bass machine, and the TR-909 drum machine. Common elements included heavily reverbed string pads and subtle d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Dance Music
Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and List of electronic dance music festivals, festivals. It is generally produced for gapless playback, playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres. In the late 1980s and early 1990s, following the emergence of Rave music, raving, pirate radio, Party crews, underground festivals, and an upsurge of interest in club culture, EDM achieved mainstream popularity in Europe. However, rave culture was not as broadly popular in the United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Music
Electronic music broadly is a group of music genres that employ electronic musical instruments, circuitry-based music technology and software, or general-purpose electronics (such as personal computers) in its creation. It includes both music made using electronic and electromechanical means (electroacoustic music). Pure electronic instruments depend entirely on circuitry-based sound generation, for instance using devices such as an electronic oscillator, theremin, or synthesizer: no acoustic waves need to be previously generated by mechanical means and then converted into electrical signals. On the other hand, electromechanical instruments have mechanical parts such as strings or hammers that generate the sound waves, together with electric elements including pickup (music technology), magnetic pickups, power amplifiers and loudspeakers that convert the acoustic waves into electrical signals, process them and convert them back into sound waves. Such electromechanical devices in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wonky Music
Wonky is a subgenre of electronic dance music known primarily for its off-kilter or "unstable" beats, as well as its eclectic, colorful blend of genres including hip-hop, electro-funk, 8-bit, jazz fusion, glitch, and crunk. Artists associated with the style include Joker, Rustie, Hudson Mohawke, Zomby, and Flying Lotus. The genre includes the microgenre aquacrunk and is related to purple sound. History Wonky initially emerged in 2006 as a colorful, exuberant style drawing on hip hop, synth-funk, glitchy electronica, and more eclectic influences, in contrast with the austere sound of the UK's ongoing dubstep and grime scenes. Other influences included American hip hop producers J Dilla and Madlib, with some artists drawing more explicitly on an instrumental hip-hop sound rather than dubstep. The term "wonky" has been rejected by various artists associated with the style. Characteristics Wonky is known for its off-kilter rhythms and typically features garish synthesizer tones, m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-rock
Post-rock is a subgenre of experimental rock that emphasizes Texture (music), texture, atmosphere, and non-traditional song structures over conventional rock techniques. Post-rock artists often combine rock instrumentation and rock stylings with Electronic musical instrument, electronics and digital production as a means of enabling the exploration of textures, timbres and different styles. Vocals, when present, are often used as an instrumental layer, with many bands opting for entirely instrumental compositions. The genre began in Indie music scene, indie and underground music scenes, but deviated. The term ''post-rock'' was coined by music journalist Simon Reynolds, being popularized in a review of Bark Psychosis' 1994 album ''Hex (Bark Psychosis album), Hex'', and he later expanded the concept as music "using rock instrumentation for non-rock purposes". The term has since developed to refer to bands oriented around dramatic and suspense-driven instrumental rock, making the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Granular Synthesis
Granular synthesis is a sound synthesis method that operates on the microsound time scale. It is based on the same principle as sampling. However, the samples are split into small pieces of around 1 to 100 ms in duration. These small pieces are called grains. Multiple grains may be layered on top of each other, and may play at different speeds, phases, volume, and frequency, among other parameters. At low speeds of playback, the result is a kind of soundscape, often described as a cloud, that is manipulated in a manner unlike that of natural sound sampling or other synthesis techniques. At high speeds, the result is heard as a note or notes of a novel timbre. By varying the waveform, envelope, duration, spatial position, and density of the grains, many different sounds can be produced. Both have been used for musical purposes: as sound effects, raw material for further processing by other synthesis or digital signal processing effects, or as complete musical works in their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
