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Iconostasis Of Hajdúdorog
In Eastern Christianity, an iconostasis () is a wall of icons and religious paintings, separating the nave from the sanctuary in a church. ''Iconostasis'' also refers to a portable icon stand that can be placed anywhere within a church. The iconostasis evolved from the Byzantine templon, a process complete by the 15th century. A direct comparison for the function of the main iconostasis can be made to the layout of the great Temple in Jerusalem. That Temple was designed with three parts. The holiest and inner-most portion was that where the Ark of the Covenant was kept. This portion, the Holy of Holies, was separated from the second larger part of the building's interior by a curtain, the "veil of the temple". Only the High Priest was allowed to enter the Holy of Holies. The third part was the entrance court. This architectural tradition for the two main parts can be seen carried forward in Christian churches and is still most demonstratively present in Eastern Orthodox chur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
People's Salvation Cathedral
The People's Salvation Cathedral (; ''People's Liberation Cathedral'' is an alternative translation of the name), also known as the National Cathedral (), is an Eastern Orthodox cathedral under construction in Bucharest, Romania, to serve as the patriarchal cathedral of the Romanian Orthodox Church. It is located in central Bucharest on Dealul Spirii, Spirea's Hill (Arsenal Square), facing the same courtyard as the Palace of the Parliament, Palace of Parliament which is the heaviest building in the world, the cathedral having a one-tenth of its weight and about one-fifth of its volume. Situated behind the Palace of Parliament, this will make it 50 metres taller than the palace and will help to make the cathedral an iconic landmark in the city. The People's Salvation Cathedral to height (ground-cross), holds a dominant position in Bucharest's cityscape, being visible from all approaches to the city. It is the List of tallest Eastern Orthodox church buildings, tallest and List of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Doors
The royal doors, holy doors, or beautiful gates are the central doors of the iconostasis in an Eastern Orthodox or Eastern Catholic church. The sanctuary (sometimes called the ''Altar'', which contains the Holy Table) is separated from the nave by a wooden screen called the iconostasis. The iconostasis represents Christian continuity from the veil of the Temple in Jerusalem which separated the people from the Holy of Holies that housed the Ark of the Covenant. Normally, the iconostasis has three doors in it. The two single doors to the right and left are called "deacons' doors" or "angel doors" and they usually have on them icons of either sainted deacons (Saint Stephen, Saint Lawrence, etc.) or the Archangels Michael and Gabriel. These are the doors that the clergy will normally use when entering the sanctuary. The central double doors are the "holy doors" ( Slavonic: ''Svyatýa Vratá''), which are considered to be most sacred, and may only be entered at certain sacred moment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Analogion
An analogion ( oἀναλογεῖον is a lectern or slanted stand on which icons or the Gospel Book are placed for veneration by the faithful in the Eastern Orthodox Church and Eastern Catholic Churches. It may also be used as a lectern to read from liturgical books during the divine services. Design The analogion is normally slanted slightly, to make it easier for the one standing in front of it to see the icon or book laid on it. The analogion may have four legs or only one in the center. It is often covered with a rich cloth ( antipendium), which either partially or completely covers the analogion on top and all sides. Some analogia are made so they fold for easy portability, some are intricately carved of fine wood, and some are simple frameworks intended to be completely covered with cloth. These are normally light enough to be moved about without too much difficulty. There is also a type of analogion which is used in the kliros by the chanters. This often has t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ekphonesis
Ecphonesis () is an emotional, exclamatory phrase (exclamation) used in poetry, drama, or song. It is a rhetorical device that originated in ancient literature. A Latin example is "O tempora! O mores!" ("Oh, the times! Oh, the morals!"). A modern example is "Young man!" from the song YMCA by the Village People. Edgar Allan Poe used ecphonesis in “The Tell-Tale Heart:” "Almighty God!--no, no! They heard!--they suspected!--they knew!--they were making a mockery of my horror!--this I thought, and this I think. But anything was better than this agony! Anything was more tolerable than this derision! I could bear those hypocritical smiles no longer! I felt that I must scream or die! and now--again!--hark! louder! louder! louder! louder! "'Villains!' I shrieked, 'dissemble no more! I admit the deed!--tear up the planks! here, here!--It is the beating of his hideous heart!'"Other examples of ecphonesis include when Homer Simpson said "No! No-no-no-no-no-no! Well, yes." during ''Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acoustics
Acoustics is a branch of physics that deals with the study of mechanical waves in gases, liquids, and solids including topics such as vibration, sound, ultrasound and infrasound. A scientist who works in the field of acoustics is an acoustician while someone working in the field of acoustics technology may be called an Acoustical engineering, acoustical engineer. The application of acoustics is present in almost all aspects of modern society with the most obvious being the audio and noise control industries. Hearing (sense), Hearing is one of the most crucial means of survival in the animal world and speech is one of the most distinctive characteristics of human development and culture. Accordingly, the science of acoustics spreads across many facets of human society—music, medicine, architecture, industrial production, warfare and more. Likewise, animal species such as songbirds and frogs use sound and hearing as a key element of mating rituals or for marking territories. Art, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ektenia
An ektenia (, ), often called by the better known English word litany, consists of a series of petitions occurring in the Eastern Orthodox and Byzantine Catholic liturgies. In Greek, is the prevalent ecclesiastical word for this kind of litany, while in Church Slavonic, is the preferred word. A litany is normally intoned by a deacon, with the choir or people chanting the responses. As he concludes each petition, the deacon raises the end of his orarion and crosses himself; if there is no deacon serving, the petitions are intoned by a priest. During many litanies the priest says a prayer silently; after the last petition of the litany, the priest says an ecphonesis which, when a silent prayer is said during the litany, is the final phrase of that prayer. When there is no priest present during the canonical hours, the litanies are not said; rather, the reader replaces them by saying "Lord, have mercy," three, twelve, or forty times, depending on which litany is being repla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambon (liturgy)
The ambon or ambo (, meaning "pulpit"; Slavonic: ''amvón'') in its modern usage is a projection coming out from the soleas (the walkway in front of the iconostasis) in an Eastern Orthodox, Oriental Orthodox and Eastern Catholic church. The ambon stands directly in front of the Holy Doors. It may be either rounded or square and has one, two, or three steps leading up to it. History Originally the ambon was an elevated platform, somewhat variable in location within the church (but typically found toward the center of the nave, or somewhat forward from there), where the scriptures were read during the Divine Liturgy. It is still so used for celebrations of the Liturgy of St James. It is a development from the bimah in the Jewish synagogue. In the Russian Orthodox Church, during Hierarchical services, the bishop will stand upon a raised platform ( ''kafedra'') in the center of the nave like the bimah of old. Originally used in both the East and West, the structure has alm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thrust Stage
In theatre, a thrust stage (a platform stage or open stage) is one that extends into the audience on three sides and is connected to the backstage area by its upstage end. A thrust has the benefit of greater intimacy between performers and the audience than a proscenium, while retaining the utility of a backstage area. This is in contrast to a theatre in the round, which is exposed on all sides to the audience, is without a backstage, and relies entirely on entrances in the auditorium or from under the stage. Entrances onto a thrust are most readily made from backstage, although some theatres provide for performers to enter through the audience using vomitory entrances. As with an arena, the audience in a thrust stage theatre may view the stage from three or more sides. Because the audience can view the performance from a variety of perspectives, it is usual for the blocking, props and scenery to receive thorough consideration to ensure that no perspective is blocked from vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soleas
The soleas (() = meaning (“bottom, base”, as used in "sole of a shoe", cf. also the "sole" from the resemblance of fish to a flat shoe. Of uncertain origin)) is an extension of the sanctuary platform in an Eastern Orthodox temple (church building). The soleas projects beyond the iconostasis, forming a narrow walkway running the full length of the iconostasis. Drawing showing the positions, ''Orthodox World'' In the center of the soleas is the ambon, directly in front of the Holy Doors, where the commu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liturgical East And West
Liturgical east and west is a concept in the orientation of churches. It refers to the fact that the end of a Church (building), church which has the altar, for symbolic religious reasons, is traditionally on the east side of the church (to the right in a diagram). Traditionally churches are constructed so that during the celebration of the morning liturgy the priest and congregation face towards the rising sun, a symbol of Christ and the Second Coming. However, frequently the building cannot be built to match liturgical direction. In parish churches, liturgical directions often do not coincide with geography; even in cathedrals, liturgical and geographic directions can be in almost precise opposition (for example, at St. Mark's Episcopal Cathedral, Seattle, liturgical east is nearly due west). For convenience, churches are always described as though the end with the main altar is at the east, whatever the reality, with the other ends and sides described accordingly. Therefor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altar
An altar is a table or platform for the presentation of religion, religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, Church (building), churches, and other places of worship. They are used particularly in Christianity, Buddhism, Hinduism, and modern paganism. Many historical-medieval faiths also made use of them, including the Religion in ancient Rome, Roman, Religion in ancient Greece, Greek, and Norse paganism, Norse religions. Etymology The modern English language, English word ''wikt:altar#English, altar'' was derived from Middle English ''wikt:alter#Latin, altar'', from Old English ''wikt:alter, alter'', taken from Latin ''wikt:altare#Latin, altare'' ("altar"), probably related to ''wikt:adolere#Etymology 2, adolere'' ("burn"); thus "burning place", influenced by ''wikt:altus#Latin, altus'' ("high"). It displaced the native Old English word ''wikt:weofod#Old English, wēofod''. Altars in antiquity In antiquity, alta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
