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Highlife
Highlife is a Ghanaian music genre that originated along the coastal cities of present-day Ghana in the 19th century, during its Gold Coast (region), history as a colony of the British and through its trade routes in coastal areas. It encompasses multiple local fusions of African metre and western jazz melodies. It uses the melodic and main rhythmic structures of traditional African music, but is typically played with Western instruments. Highlife is characterized by jazzy Horn section, horns and guitars which lead the band and its use of the two-finger plucking Guitar picking, guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. Highlife gained popularity and the genre spread throughout West African regions. Pioneers like Rex Lawson, Cardinal Rex Lawson, E. T. Mensah, E.T. Mensah, Victor Uwaifo, all perfected this sound by infusing traditional Africa drums and western "Native Blues". After the Second World War, its popularity ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Highlife Guitar
Highlife is a Ghanaian music genre that originated along the coastal cities of present-day Ghana in the 19th century, during its history as a colony of the British and through its trade routes in coastal areas. It encompasses multiple local fusions of African metre and western jazz melodies. It uses the melodic and main rhythmic structures of traditional African music, but is typically played with Western instruments. Highlife is characterized by jazzy horns and guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound. Highlife gained popularity and the genre spread throughout West African regions. Pioneers like Cardinal Rex Lawson, E.T. Mensah, Victor Uwaifo, all perfected this sound by infusing traditional Africa drums and western "Native Blues". After the Second World War, its popularity came within the Igbo people of Nigeria, as they got influenced to form Ig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igbo Highlife
Igbo highlife is a contemporary musical genre that combines highlife and Igbo traditional music. The genre is primarily guitar-based music, with a rare characteristic blend of horns and vocal rhythms. Igbo highlife lyrics are sung mostly in Igbo language, Igbo with occasional infusion of Nigerian Pidgin, Pidgin English. One of the most influential composers and performers of the music is Chief Stephen Osita Osadebe whose career spanned over 40 years. Osadebe's discography comprises numerous popular songs including the 1984 hit "Osondi Owendi" which launched him on the world stage as a pioneer of the Igbo highlife genre. Another prominent musician, Singer and guitarist Oliver De Coque is considered "one of the prime exemplars of and chief innovators in contemporary Igbo popular music." Coque was responsible for the increasing popularity of Igbo highlife with a deeper perspective of Igbo sounds being translated on the guitar. Among his best-known hits are "Biri Ka Mbiri", "Ana Enwe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guajeo
A guajeo (Anglicized pronunciation: ''wa-hey-yo'') is a typical Cuban ostinato melody, most often consisting of arpeggiated chords in syncopated patterns. Some musicians only use the term ''guajeo'' for ostinato patterns played specifically by a tres, piano, an instrument of the violin family, or saxophones. Piano guajeos are one of the most recognizable elements of modern-day salsa. Piano guajeos are also known as ''montunos'' in North America, or '' tumbaos'' in the contemporary Cuban dance music timba. History The guajeo shares rhythmic, melodic and harmonic similarities with the short ostinato figures played on marimbas, lamellophones, and string instruments in sub-Saharan Africa. The guajeo is a seamless blend of African and European musical sensibilities, and was first played as accompaniment on the tres in the Afro-Cuban son and related music. The tres is a Cuban guitar-like instrument, consisting of three sets of double strings. Changüí The guajeo emerged in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghanaian Diaspora
The Ghanaian people are a nation originating in the Ghanaian Gold Coast. Ghanaians predominantly inhabit the Republic of Ghana and are the predominant cultural group and residents of Ghana, numbering 34 million people as of 2024, making up 85% of the population. The word "Ghana" means "warrior king". An estimated diaspora population of 4 million people worldwide are of Ghanaian descent. The term ethnic Ghanaian may also be used in some contexts to refer to a group of related ethnic groups native to the Gold Coast. History The ethnogenesis of Ghanaians is traced back to nomadic migration from Nubia along the Sahara desert then south to the Gold Coast, and the Ghanaian ethnogenesis taking place on the Ghanaian Gold Coast region from the 10th to 16th century AD. Early Ghanaians were involved in a lucrative trade with gold bars and other natural minerals to the Portuguese in 1471; these Ghanaian states were among the wealthiest on the African continent from the 17th century ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rex Lawson
Rex Jim Lawson (4 March 1938 – 16 January 1971), known as Cardinal Rex, was a singer, trumpeter and bandleader from Buguma in present Rivers State, Nigeria. He became one of the best-known highlife musicians of the 1960s in Africa when Cardinal and his band dominated Nigeria's highlife scene. Early life Rex Lawson was born in 1938 in Buguma, Nigeria to a Kalabari chieftain father and an Igbo mother from Owerri. He was given the name Erekeosima which translates to "do not name this one" due to his father's belief that he would not live past infancy. He was the fourth child to his parents, the others having died of illnesses. At a young age, Lawson was afflicted with a severe case of small pox. While his mother brought him to various medicine men outside of Kalabari for treatment, his father feared he would die and lost interest in raising him. Lawson later sued his father for neglect while he was at school. He won the case, but his father cursed him in return, and the two did ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makossa
Makossa is a music genre originating in Douala, Littoral Region, Cameroon in the late 20th century. Like much other music of Sub-Saharan Africa, it uses strong electric bass rhythms and prominent brass. Makossa uses guitar accompaniments, in the forms of solo and rhythm guitar, with a main singer (lead vocalist) and a choir of backup singers, with the focus being on the texture of the guitar, the role it plays in the song, the relationship between it and other instruments (including the bass, drum set, horns, synthesizers, etc.), the lyrical content and languages sung as well as their relationship (as far as timbre goes) with the music, the uses of various percussion instruments, including the bottle, the groove of the bass as well as the drums, and the use of technical knowledge and microprocessors to make the music. It is in common time (4/4) for the vast majority of cases. Language-wise, it is typically sung in French, Duala or Pidgin English. Tempo-wise, it is typica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrobeat
Afrobeat (also known as Afrofunk) is a West African music genre, fusing influences from Nigerian (such as Yoruba) and Ghanaian (such as highlife) music, with American funk, jazz, and soul influences. With a focus on chanted vocals, complex intersecting rhythms, and percussion,Grass, Randall F. "Fela AnikulaThe Art of an Afrobeat Rebel". ''The Drama Review''. MIT Press. 30: 131–148. the style was pioneered in the 1960s by Nigerian multi-instrumentalist and bandleader Fela Kuti, who popularised it both within and outside Nigeria. At the height of his popularity, he was referred to as one of Africa's most "challenging and charismatic music performers." Distinct from Afrobeat is Afrobeats, a combination of sounds originating in West Africa in the 21st century. This takes on diverse influences and is an eclectic combination of genres such as hip hop, house, jùjú, ndombolo, R&B, soca, and dancehall. The two genres, though often conflated, are not the same. History ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghana
Ghana, officially the Republic of Ghana, is a country in West Africa. It is situated along the Gulf of Guinea and the Atlantic Ocean to the south, and shares borders with Côte d’Ivoire to the west, Burkina Faso to the north, and Togo to the east. Ghana covers an area of , spanning diverse ecologies, from coastal savannas to tropical rainforests. With nearly 35 million inhabitants, Ghana is the second-most populous country in West Africa. The capital and largest city is Accra; other significant cities include Tema, Kumasi, Sunyani, Ho, Cape Coast, Techiman, Tamale, and Sekondi-Takoradi. The earliest kingdoms to emerge in Ghana were Bonoman in the south and the Kingdom of Dagbon in the north, with Bonoman existing in the area during the 11th century. The Asante Empire and other Akan kingdoms in the south emerged over the centuries. Beginning in the 15th century, the Portuguese Empire, followed by other European powers, contested the area for trading r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Igbo People
The Igbo people ( , ; also spelled Ibo" and historically also ''Iboe'', ''Ebo'', ''Eboe'', / / ''Eboans'', ''Heebo''; natively ) are an ethnic group found in Nigeria, Cameroon, Gabon, and Equatorial Guinea. Their primary origin is found in modern-day Abia State, Abia, Anambra State, Anambra, Ebonyi State, Ebonyi, Enugu State, Enugu, and Imo States, while others can be found in the Niger Delta and along the Cross River. The Igbo people are one of the largest List of ethnic groups of Africa, ethnic groups in Africa. The Igbo language is part of the Niger–Congo languages, Niger-Congo language family. Its regional dialects are mutually intelligible amidst the larger "Igboid languages, Igboid" cluster. The Igbo homeland straddles the lower Niger River, east and south of the Edoid languages, Edoid and Idomoid languages, Idomoid groups, and west of the Lower Cross River languages, Ibibioid (Cross River) cluster. Before the period of Colonial Nigeria, British colonial rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palm-wine Music
Palm-wine music (known as maringa in Sierra Leone) is a West African musical genre. It evolved among the Kru people of Liberia and Sierra Leone, who used Portuguese guitars brought by sailors, combining local melodies and rhythms with Trinidadian calypso to create a "light, easy, lilting style". It would initially work its way inland where it would adopt a more traditional style than what was played in coastal areas. It would eventually gain popularity after Sierra Leone musician Ebenezer Calendar recorded songs in the 1950s and 1960s and continues to hold a small amount of that popularity. Etymology Palm-wine music was named after a drink, palm wine, made from the naturally fermented sap of the oil palm, which was drunk at gatherings where early African guitarists played. History This music was created from a fusion of local and foreign sailors, dock workers, and local working-class people who would go to palm-wine bars to drink and listen to music. Portable instruments ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiplife
Hiplife is a Ghanaian musical style that fuses Ghanaian culture and hip hop. Recorded predominantly in the Ghanaian Akan language, hiplife is rapidly gaining popularity in the 2010s throughout West Africa and abroad, especially in the United Kingdom, United States, Canada and Germany. History Reginald Osei, known in music circles as Reggie Rockstone, is touted by some as the originator of hiplife; others disagree. Nonetheless, the origins of Ghanaian hip hop go back to the 1980s, with performers such as K.K. Kabobo and Gyedu Blay Ambolley. As early as 1973, Ambolley released his first record, "Simigwado" – a semi-rap in Fante-style highlife – to a small audience, which showed him performing highlife variations with fast-spoken, poetic lyrics. Ambolley would go on to be hailed the father of rap, not only in Ghana but in the world. Over time, Ghanaians became influenced by American hip hop, reggae, dance hall. There was an emerging underground hip hop collective in the capi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
