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Flanging
Flanging is an audio signal processing, audio effect produced by mixing two identical audio signal, signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and notches are produced in the resulting frequency spectrum, related to each other in a linear harmonic series (music), harmonic series. Varying the time delay causes these to sweep up and down the frequency spectrum. A flanger is an effects unit that creates this effect. Part of the output signal is usually fed back to the input (a re-circulating Delay (audio effect), delay line), producing a resonance effect that further enhances the intensity of the peaks and troughs. The phase of the fed-back signal is sometimes inverted, producing another variation on the flanger sound. Origin As an audio effect, a listener hears a ''drainpipe'' or ''swoosh'' or ''jet plane'' sweeping effect as shifting sum-and-differ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Automatic Double Tracking
Automatic double-tracking or artificial double-tracking (ADT) is an analogue recording technique designed to enhance the sound of voices or instruments during the mixing process. It uses Delay (audio effect), tape delay to create a delayed copy of an audio signal which is then played back at slightly varying speed controlled by an oscillator and combined with the original. The effect is intended to simulate the sound of the natural doubling of voices or instruments achieved by double tracking. The technique was developed in 1966 by Recording engineer, engineers at Abbey Road Studios in LondonMartin, George, ''All You Need Is Ears'', St. Martin's Press, 1979, p. 155, . at the request of the Beatles. Background As early as the 1950s, it was discovered that double-tracking the lead vocal in a song gave it a richer, more appealing sound, especially for singers with weak or light voices. Use of this technique became possible with the advent of magnetic tape for use in sound recordin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Itchycoo Park
"Itchycoo Park" is a song by English rock band Small Faces, written by Steve Marriott and Ronnie Lane. Largely written by Lane, it was among a number of pop songs of the era to make use of flanging, an effect involving, at that time, electro-mechanical processes. The song was not included on any of their UK albums, but was however featured on the North American release ''There Are But Four Small Faces'' (1968). Released on 4 August 1967 by Immediate Records, the song was Small Faces' fifth top-ten song in the UK Singles Chart, reaching a position of number three. "Itchycoo Park" became the Small Faces' sole top-forty hit in the United States, reaching number sixteen on the US Billboard Hot 100, ''Billboard'' Hot 100 in early 1968. In Continental Europe, it reached the top ten in several countries, while in Canada and New Zealand it was a number one hit. The single was re-released in December 1975, reaching number nine in the UK Singles chart, and is often attributed as the reason ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Big Hurt (song)
"The Big Hurt" is a pop song that was a hit for Toni Fisher (billed as "Miss Toni Fisher") in 1959. The song was written by Wayne Shanklin. "The Big Hurt" is notable because it featured phasing effects which at that time were rare in popular music; DJ Dick Biondi on WKBW would introduce the record as "Toni Fisher's weird one." Music The 45 rpm single plays in C major, even though on the sheet music (copyright 1959 by Music Productions, Hollywood, CA), the song is in the key of F major. The time signature is 4/4, and the tempo is indicated as "Moderate Beguine Tempo." The melody begins with a triplet on beats three and four, a motif that appears throughout the song in every second measure. In the other measures, however, the duple meter is reinforced by using eighth notes in the same location, presumably to prevent the tune from becoming a waltz.Piano-vocal score (Hollywood, CA: Music Productions, 1959). Although Toni Fisher does use the triplet in her performance on the reco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Small Faces
Small Faces were an English rock band from London, founded in 1965. The group originally consisted of Steve Marriott, Ronnie Lane, Kenney Jones and Jimmy Winston, with Ian McLagan replacing Winston as the band's keyboardist in 1966. The band were one of the most acclaimed and influential mod groups of the 1960s, recording hit songs such as "Itchycoo Park", " Lazy Sunday", " All or Nothing" and "Tin Soldier", as well as their concept album '' Ogdens' Nut Gone Flake''. They evolved into one of the UK's most successful psychedelic bands until 1969. When Marriott left to form Humble Pie, the remaining three members collaborated with Ronnie Wood, Wood's older brother Art Wood, Rod Stewart and Kim Gardner, briefly continuing under the name Quiet Melon, and then, with the departure of Art Wood and Gardner, as the Faces. In North America, the Faces' debut album was credited to Small Faces. Following the breakup of both the Faces and Humble Pie in 1975, the classic line-up of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effects Unit
An effects unit, effects processor, or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion (music), distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamics (music), dynamic effects such as volume pedals and Dynamic range compression, compressors, which affect loudness; linear filter, filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as Chorus (audio effect), chorus, flangers and phaser (effect), phasers; Pitch (music), pitch effects such as pitch shifter (audio processor), pitch shifters; and time effects, such as Reverb effect, reverb and Delay (audio effect), delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delay (audio Effect)
Delay is an audio signal processing technique that records an input signal to a storage medium and then plays it back after a period of time. When the delayed playback is electronic mixer, mixed with the live audio, it creates an echo-like effect, whereby the original audio is heard followed by the delayed audio. The delayed signal may be played back multiple times, or fed back into the recording, to create the sound of a repeating, decaying echo. Delay effects range from a subtle echo effect to a pronounced blending of previous sounds with new sounds. Delay effects can be created using tape loops, an approach developed in the 1940s and 1950s and used by artists including Elvis Presley and Buddy Holly. Analog effects units were introduced in the 1970s; digital effects pedals in 1984; and audio plug-in software in the 2000s. History The first delay effects were achieved using tape loops improvised on reel-to-reel audio tape recording systems. By shortening or lengthening the loo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toni Fisher
Toni Fisher (December 4, 1924 – January 11, 1999), also billed on her records as Miss Toni Fisher, was an American pop singer. She was known for her recordings of " The Big Hurt", " West of the Wall", "Maybe (He'll Think Of Me)", and "Why Can't The Dark Leave Me Alone". She was later known as Toni F. Monzello following her marriage to Henry Monzello. Biography Fisher is best remembered for her 1959 song " The Big Hurt", written by her manager Wayne Shanklin. The song went to No. 3 on the ''Billboard'' Hot 100 chart in the US. The track also peaked at No. 30 in the UK Singles Chart. "The Big Hurt" is notable because it featured a flanging effect, when mixing engineer Larry Levine—who went on to help Phil Spector create his wall of sound—inadvertently mixed the mono and stereo versions of the song together but out of sync; a happy accident. It is claimed to be the first record to have such phasing. DJ Dick Biondi on WKBW in Buffalo, New York, had introduced the r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Martin
Sir George Henry Martin (3 January 1926 – 8 March 2016) was an English record producer, arranger, composer, conductor, and musician. He was commonly referred to as the "fifth Beatle" because of his extensive involvement in each of the Beatles' original albums. Martin's formal musical expertise and interest in novel recording practices facilitated the group's rudimentary musical education and desire for new musical sounds to record. Most of their orchestral and string arrangements were written by Martin, and he played piano or keyboards on a number of their records. Their collaborations resulted in popular, highly acclaimed records with innovative sounds, such as the 1967 album ''Sgt. Pepper's Lonely Hearts Club Band''—the first rock album to win a Grammy Award for Album of the Year. Martin's career spanned more than sixty years in music, film, television and live performance. Before working with the Beatles and other pop musicians, he produced comedy and novelty records in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comb Filter
In signal processing, a comb filter is a Filter (signal processing), filter implemented by adding a delayed version of a signal processing, signal to itself, causing constructive and destructive Interference (wave propagation), interference. The frequency response of a comb filter consists of a series of regularly spaced notches in between regularly spaced ''peaks'' (sometimes called ''teeth'') giving the appearance of a comb. Comb filters exist in two forms, ''feedforward'' and ''feedback''; which refer to the direction in which signals are delayed before they are added to the input. Comb filters may be implemented in discrete time or continuous time forms which are very similar. Applications Comb filters are employed in a variety of signal processing applications, including: * Cascaded integrator–comb filter, Cascaded integrator–comb (CIC) filters, commonly used for anti-aliasing filter, anti-aliasing during interpolation and decimation (signal processing), decimation o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Chkiantz
George Chkiantz is a British recording engineer, based in London, who has been responsible for the engineering on a number of well-known albums, many of which are considered classics, owing in part to the quality of the recordings. Career Chkiantz was the recording engineer of the Small Faces self-titled second album (1967), recorded for Andrew Loog Oldham's Immediate Records label. Chkiantz was a staff engineer at Olympic Studios at the same time that the Jimi Hendrix Experience was recording '' Axis: Bold As Love''. During the session with the Small Faces, Chkiantz engineered the song "Green Circles", which represented the first use of mono flanging on a pop record; he subsequently perfected the technique on their landmark 1967 single "Itchycoo Park". Upon hearing the result, Jimi Hendrix and his engineer, Eddie Kramer applied Chkiantz's concepts, creating stereo phasing on the songs "Bold As Love" and "Little Wing". Deciding to utilize his abilities more fully, Hendrix h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Paul
Lester William Polsfuss (June 9, 1915 – August 12, 2009), known as Les Paul, was an American jazz guitarist, jazz, country guitarist, country, and blues guitarist, songwriter, luthier, and inventor. He was one of the pioneers of the solid body, solid-body electric guitar, and his prototype, called the Log, served as inspiration for the Gibson Les Paul. Paul taught himself how to play guitar, and while he is mainly known for jazz and popular music, he had an early career in country music. In the 1950s, he and his wife, singer and guitarist Mary Ford, made numerous recordings, selling millions of copies. Paul is credited with many recording innovations. His early experiments with overdubbing (also known as History of sound recording#Electrical recording, sound on sound), Delay (audio effect), delay effects such as tape delay, Phaser (effect), phasing, and multitrack recording were among the first to attract widespread attention. His Lick (music), licks, Trill (music), trills, cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Lewisohn
Mark Lewisohn (born 16 June 1958) is an English historian and biographer. Since the 1980s, he has written many reference books about the Beatles and has worked for EMI, MPL Communications and Apple Corps.Catching Up With Mark Lewisohn What Goes On, 4 April 2005 He has been referred to as the world's leading authority on the band. ''The Independent'', 26 April 2004 His major works include ''The Complete Beatles Recording Sessions'' (1988), a history of the group's session dates, and ''The Beatles: All These Years'' (2013–present), a three-volume ser ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
