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Faïence
Faience or faïence (; ) is the general English language term for fine tin-glazed pottery. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip of a lead glaze, was a major advance in the history of pottery. The invention seems to have been made in Iran or the Middle East before the ninth century. A kiln capable of producing temperatures exceeding was required to achieve this result, the result of millennia of refined pottery-making traditions. The term is now used for a wide variety of pottery from several parts of the world, including many types of European painted wares, often produced as cheaper versions of porcelain styles. English generally uses various other terms for well-known sub-types of faience. Italian tin-glazed earthenware, at least the early forms, is called maiolica in English, Dutch wares are called Delftware, and their English equivalents English delftware, leaving "faience" as the normal t ...
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Tin-glazed Pottery
Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide which is white, shiny and opaque (see tin-glazing for the chemistry); usually this provides a background for brightly painted decoration. It has been important in Islamic and European pottery, but very little used in East Asia. The pottery body is usually made of red or buff-colored earthenware and the white glaze imitated Chinese porcelain. The decoration on tin-glazed pottery is usually applied to the unfired glaze surface by brush with metallic oxides, commonly cobalt oxide, copper oxide, iron oxide, manganese dioxide and antimony oxide. The makers of Italian tin-glazed pottery from the late Renaissance blended oxides to produce detailed and realistic polychrome paintings. The earliest tin-glazed pottery appears to have been made in Iraq in the 9th century, the oldest fragments having been excavated during the First World War from the palace of Samarra about fifty miles north of Baghda ...
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Maiolica
Maiolica is tin-glazed pottery decorated in colours on a white background. Italian maiolica dating from the Renaissance period is the most renowned. When depicting historical and mythical scenes, these works were known as ''istoriato'' wares ("painted with stories"). By the late 15th century, multiple locations,L. Arnoux, 1877, British Manufacturing Industries – Pottery "Most of the Italian towns had their manufactory, each of them possessing a style of its own. Beginning at Caffagiolo and Deruta, they extended rapidly to Gubbio, Ferrara, and Ravenna, to be continued to Casteldurante, Rimini, Urbino, Florence, Venice, and many other places." mainly in northern and central Italy, were producing sophisticated pieces for a luxury market in Italy and beyond. In France maiolica developed as faience, in the Netherlands and England as delftware, and in Spain as talavera. In English the spelling was anglicised to ''majolica'' but the pronunciation usually preserved the vowel with ...
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Faenza
Faenza (, , ; rgn, Fènza or ; la, Faventia) is an Italian city and comune of 59,063 inhabitants in the province of Ravenna, Emilia-Romagna, situated southeast of Bologna. Faenza is home to a historical manufacture of majolica-ware glazed earthenware pottery, known from the French name of the town as ''faience''. Geography Faenza, at the foot of the first sub-apennine hills, is surrounded by an agricultural region including vineyards in the hills, and cultivated land with traces of the ancient Roman land-division system, and fertile market gardens in the plains. In the nearby green valleys of the rivers Samoggia and Lamone there are great number of 18th and 19th century stately homes, set in extensive grounds or preceded by long cypress-lined driveways. History According to mythology, the name of the first settlement, ''Faoentia'', had Etruscan and Celtic roots, meaning in Latin "Splendeo inter deos" or "I shine among the gods," in modern English. The very name, coming from ...
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Victorian Majolica
Victorian majolica properly refers to two types of majolica made in the second half of the 19th century in Europe and America. Firstly, and best known, there is the mass-produced majolica decorated with coloured lead glazes, made in Britain, Europe and the US; typically hard-wearing, surfaces moulded in relief, vibrant translucent glazes, in occasionally classical but mostly naturalistic styles, often with an element of High Victorian whimsy. Secondly, there is the much less common tin-glazed majolica made primarily by Mintons from 1848 to circa 1880, typically with flat surfaces, opaque white glaze with fine brush painted decoration in imitation of the Italian Renaissance maiolica process and styles. Glazes Glaze is a vitreous coating on a ceramic. There are four types of glazing: feldspathic or alkali-glazed, salt-glazed, lead-glazed, and tin-glazed. It is important to understand that lead oxide is the main ingredient of both lead ''and'' tin glazes. Lead oxide is a fl ...
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Glossary Of Pottery Terms
This is a list of pottery and ceramic terms. :''Definitions in Wiktionary are noted as "(W)".'' A B C D E F G H I J K L M O P :Published definitions of Pottery include: :-- "All fired ceramic wares that contain clay when formed, except technical, structural, and refractory products." :-- "China, earthenware and any article made from clay or from a mixture containing clay and other materials." :-- "A class of ceramic artifacts in which clay is formed into containers by hand or in molds or with a potter's wheel, often decorated, and fired" :-- "The term pottery includes many varieties of ware from the crudest vessels of prehist ...
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Stoneware
Stoneware is a rather broad term for pottery or other ceramics fired at a relatively high temperature. A modern technical definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non- refractory fire clay. Whether vitrified or not, it is nonporous (does not soak up liquids);Arthur Dodd & David Murfin. ''Dictionary of Ceramics''; 3rd edition. The Institute of Minerals, 1994. it may or may not be glazed. Historically, around the world, it has been developed after earthenware and before porcelain, and has often been used for high-quality as well as utilitarian wares. As a rough guide, modern earthenwares are normally fired in a kiln at temperatures in the range of about 1,000 ° C (1,830 °F) to ; stonewares at between about to ; and porcelains at between about to . Historically, reaching high temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time. Earthenware can be fired effectively as low as 6 ...
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Egyptian Faience
Egyptian faience is a sintered-quartz ceramic material from Ancient Egypt. The sintering process "covered he materialwith a true vitreous coating" as the quartz underwent vitrification, creating a bright lustre of various colours "usually in a transparent blue or green isotropic glass". Its name in the Ancient Egyptian language was , and modern archeological terms for it include sintered quartz, glazed frit, and glazed composition. is distinct from the crystalline pigment Egyptian blue, for which it has sometimes incorrectly been used as a synonym. It is not faience in the usual sense of tin-glazed pottery, and is different from the enormous range of clay-based Ancient Egyptian pottery, from which utilitarian vessels were made. It is similar to later Islamic stonepaste (or "fritware") from the Middle East, although that generally includes more clay. Egyptian faience is considerably more porous than glass proper. It can be cast in molds to create small vessels, jewelry and ...
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Glazed Architectural Terracotta
Glazed architectural terra cotta is a ceramic masonry building material used as a decorative skin. It was popular in the United States from the late 19th century until the 1930s, and is still one of the most common building materials found in U.S. urban environments. It is the glazed version of architectural terracotta; the material in both its glazed and unglazed versions is sturdy and relatively inexpensive, and can be molded into richly ornamented detail. Glazed terra-cotta played a significant role in architectural styles such as the Chicago School and Beaux-Arts architecture. History The material, also known in Great Britain as faience and sometimes referred to as "architectural ceramics", was closely associated with the work of Cass Gilbert, Louis Sullivan, and Daniel H. Burnham, among other architects. Buildings incorporating glazed terra-cotta include the Woolworth Building in New York City and the Wrigley Building in Chicago. Glazed architectural terra-cotta off ...
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Frit
A frit is a ceramic composition that has been fused, quenched, and granulated. Frits form an important part of the batches used in compounding enamels and ceramic glazes; the purpose of this pre-fusion is to render any soluble and/or toxic components insoluble by causing them to combine with silica and other added oxides.''Dictionary of Ceramics'' (3rd Edition) Edited by Dodd, A. Murfin, D. Institute of Materials. 1994. However, not all glass that is fused and quenched in water is frit, as this method of cooling down very hot glass is also widely used in glass manufacture. According to the '' OED'', the origin of the word "frit" dates back to 1662 and is "a calcinated mixture of sand and fluxes ready to be melted in a crucible to make glass". Nowadays, the unheated raw materials of glass making are more commonly called "glass batch". In antiquity, frit could be crushed to make pigments or shaped to create objects. It may also have served as an intermediate material in the manu ...
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Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term '' relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood ( relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze relief ...
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