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Fabel
A ''Fabel'' is a critical analysis of the plot of a play. It is a dramaturgical technique that was pioneered by Bertolt Brecht, a 20th century German theatre practitioner. ''Fabel'' should not be confused with 'fable', which is a form of short narrative (hence the retention of the original German spelling in its adoption into English usage). Elizabeth Wright argues that it is "a term of art which cannot be adequately translated".Wright, Elizabeth. 1989. ''Postmodern Brecht: A Re-Presentation''. Critics of the Twentieth Century Ser. London and New York: Routledge. . p.28. A critical term As a critical term, a fabel includes three interrelated but distinct aspects: firstly, an analysis of the events portrayed in the story. In an epic production, this analysis would focus on the social interactions between the characters and the causality of their behaviour from a historical materialist perspective; the ''fabel'' summarizes "the moral of the story not in a merely ethical sense, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fable
Fable is a literary genre defined as a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized, and that illustrates or leads to a particular moral lesson (a "moral"), which may at the end be added explicitly as a concise maxim or saying. A fable differs from a parable in that the latter ''excludes'' animals, plants, inanimate objects, and forces of nature as actors that assume speech or other powers of humankind. Conversely, an animal tale specifically includes talking animals as characters. Usage has not always been so clearly distinguished. In the King James Version of the New Testament, "" ("'' mythos''") was rendered by the translators as "fable" in the First Epistle to Timothy, the Second Epistle to Timothy, the Epistle to Titus and the First Epistle of Peter. A person who writes fables is referred to as a fabulist. Global history The fable is one of the m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gestus
''Gestus'' (, from Latin meaning "gesture, attitude, carriage") is an acting technique developed by the German theatre practitioner Bertold Brecht. It carries the sense of a combination of physical gestures and "gist" or attitude. It is a means by which "an attitude or single aspect of an attitude" is revealed, insofar as it is "expressible in words or actions."Willett (1964, 42). ''Gestus'', as the embodiment of an attitude, carries at least two distinct meanings in Brecht's theatre: first, the uncovering or revealing of the motivations and transactions that underpin a dramatic exchange between the characters; and second, the "epic" narration of that character by the actor (whether explicitly or implicitly). In the first sense, that of anatomizing the character, a ''Gestus'' reveals a specific ''aspect'' of a character: rather than his metaphysical, subconscious or other psychological dimensions, a ''Gestus'' makes visible a character's social relations and the causality of his be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Weber (theatre Director)
Carl Weber (7 August 192525 December 2016) was a theatre director and a professor of drama at Stanford University. He was Bertolt Brecht's directing assistant and a dramaturg and actor at the Berliner Ensemble theatre company in 1952. After Brecht's death in 1956, Weber remained as a director of the company. He directed in major theatres in Germany, America, Canada and elsewhere since 1957. He produced English translations of German dramatist Heiner Müller. He was born in Dortmund, Germany, and died in Los Altos, California. Plays directed *''The Day of the Great Scholar Wu'', Berliner Ensemble, Berlin, Germany, 1955 *''Private Life of the Master Race'', Berliner Ensemble, 1957 *''Puntila'', Friedrich Wolf Theater, Neu-Strelitz, Germany, 1958 *''Mad Money'', Luebeck, Germany, 1959 *''Mother Courage'', Luebeck, 1960 *''Die Hose'', Deutsches Theater, Berlin, Germany, 1961 *''Trumpets and Drums'', Luebeck, 1962 *''Andorra'', Luebeck, 1962 *''The Parasite'', Luebeck, 1962 *''The Ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plot (narrative)
In a literary work, film, or other narrative, the plot is the mapping of events in which each one (except the final) affects at least one other through the principle of Causality, cause-and-effect. The causal events of a plot can be thought of as a selective collection of events from a narrative, all linked by the connector "and so". Simple plots, such as in a traditional ballad, can be linearly sequenced, but plots can form complex interwoven structures, with each part sometimes referred to as a subplot. Plot is similar in meaning to the term ''storyline''. In the narrative sense, the term highlights important points which have consequences within the story, according to American science fiction writer Ansen Dibell. The Premise (narrative), premise sets up the plot, the Character (arts), characters take part in events, while the Setting (narrative), setting is not only part of, but also influences, the final story. An can convolute the plot based on a misunderstanding. The term ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Farquhar
George Farquhar (1677The explanation for the dual birth year appears in Louis A. Strauss, ed., A Discourse Upon Comedy, The Recruiting Officer, and The Beaux' Stratagem by George Farquhar' (Boston: D.C. Heath & Co., 1914), p. v. Strauss notes that "Our sole source of information as to the time of his birth is the entry of his matriculation in the register of Trinity College" on 17 July 1694, where "His age is given as 17." Earlier biographers took this to mean Farquhar was in his 17th year—hence born in 1678—and Strauss favors this date. But later writers, such as William Myers, ed., George Farquhar: The Recruiting Officer and Other Plays'' (Oxford: Oxford University Press, 1995), p. vii, give the dual year, and John Ross, ed., ''George Farquhar: The Recruiting Officer (New Mermaids),'' 2nd ed., (London: A&C Black, 1991), p. xiii, gives a birthdate of "''ca.'' 1677" for the playwright. – 29 April 1707) was an Irish dramatist. He is noted for his contributions to late Res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Willett
John William Mills Willett, MBE (24 June 1917 – 20 August 2002) was a British translator and scholar, who is remembered for translating the work of Bertolt Brecht into English. Early life Willett was born in Hampstead and was educated at Winchester and Christ Church, Oxford. He went on to the Manchester College of Art and Dance, and then to Vienna, where he studied music (Willett played the cello) and stage design. Willett began his career as a theatre designer. However, this career was cut short by World War II. He served in Intelligence and the Eighth Army, in North Africa and Italy. Beginning his war in July 1940 as a second lieutenant in the British Army, he ended it just over five years later as a lieutenant colonel. In August 1942 he was transferred to the Intelligence Corps, in April 1944 he was mentioned in dispatches and in June 1945 he was made a Member of the Order of the British Empire (MBE). After being demobilised, Willett worked first for the ''Manch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blocking (stage)
In theatre, blocking is the precise staging of actors to facilitate the performance of a Play (theatre), play, ballet, film or opera. Historically, the expectations of staging/blocking have changed substantially over time in Western theater. Prior to the movements toward "realism" that occurred in the 19th century, most staging used a "tableau" approach, in which a stage picture was established whenever characters entered or left the stage, ensuring that leading performers were always shown to their best advantage. In more recent times, while nothing has changed about showing leading performers to their best advantage, there have been changing cultural expectations that have made blocking/staging more complicated. There are also artistic reasons why blocking can be crucial. Through careful use of positioning on the stage, a director or performer can establish or change the significance of a scene. Different artistic principles can inform blocking, including minimalism and natur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mao Zedong
Mao Zedong pronounced ; traditionally Romanization of Chinese, romanised as Mao Tse-tung. (26December 18939September 1976) was a Chinese politician, revolutionary, and political theorist who founded the People's Republic of China (PRC) in 1949 and led the country from Proclamation of the People's Republic of China, its establishment until Death and state funeral of Mao Zedong, his death in 1976. Mao served as Chairman of the Chinese Communist Party (CCP) from 1943 until his death, and as the party's ''de facto'' leader from 1935. His theories, which he advocated as a Chinese adaptation of Marxism–Leninism, are known as Maoism. Born to a peasant family in Shaoshan, Hunan, Mao studied in Changsha and was influenced by the 1911 Revolution and ideas of Chinese nationalism and anti-imperialism. He was introduced to Marxism while working as a librarian at Peking University, and later participated in the May Fourth Movement of 1919. In 1921, Mao became a founding member of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl Marx
Karl Marx (; 5 May 1818 – 14 March 1883) was a German philosopher, political theorist, economist, journalist, and revolutionary socialist. He is best-known for the 1848 pamphlet '' The Communist Manifesto'' (written with Friedrich Engels), and his three-volume (1867–1894), a critique of classical political economy which employs his theory of historical materialism in an analysis of capitalism, in the culmination of his life's work. Marx's ideas and their subsequent development, collectively known as Marxism, have had enormous influence. Born in Trier in the Kingdom of Prussia, Marx studied at the universities of Bonn and Berlin, and received a doctorate in philosophy from the University of Jena in 1841. A Young Hegelian, he was influenced by the philosophy of Georg Wilhelm Friedrich Hegel, and both critiqued and developed Hegel's ideas in works such as '' The German Ideology'' (written 1846) and the '' Grundrisse'' (written 1857–1858). While in Paris, Marx wrote ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Wilhelm Friedrich Hegel
Georg Wilhelm Friedrich Hegel (27 August 1770 – 14 November 1831) was a 19th-century German idealist. His influence extends across a wide range of topics from metaphysical issues in epistemology and ontology, to political philosophy and the philosophy of art and religion. Born in 1770 in Stuttgart, Holy Roman Empire, during the transitional period between the Enlightenment and the Romantic movement in the Germanic regions of Europe, Hegel lived through and was influenced by the French Revolution and the Napoleonic wars. His fame rests chiefly upon the '' Phenomenology of Spirit'', the '' Science of Logic'', and his teleological account of history. Throughout his career, Hegel strove to correct what he argued were untenable dualisms endemic to modern philosophy (typically by drawing upon the resources of ancient philosophy, particularly Aristotle). Hegel everywhere insists that reason and freedom, despite being natural potentials, are historical achievements. His d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dialectic
Dialectic (; ), also known as the dialectical method, refers originally to dialogue between people holding different points of view about a subject but wishing to arrive at the truth through reasoned argument. Dialectic resembles debate, but the concept excludes subjective elements such as emotional appeal and rhetoric. It has its origins in ancient philosophy and continued to be developed in the Middle Ages. Hegelianism refigured "dialectic" to no longer refer to a literal dialogue. Instead, the term takes on the specialized meaning of development by way of overcoming internal contradictions. Dialectical materialism, a theory advanced by Karl Marx and Friedrich Engels, adapted the Hegelian dialectic into a materialist theory of history. The legacy of Hegelian and Marxian dialectics has been criticized by philosophers, such as Karl Popper and Mario Bunge, who considered it unscientific. Dialectic implies a developmental process and so does not fit naturally within classical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
