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Doxastichon
A Doxastikon (Greek: Δοξαστικόν "Glory sticheron")—plural: ''doxastika''— is a type of hymn found in the Divine Services of the Eastern Orthodox Church and those Eastern Catholic Churches which follow the Byzantine Rite. Specifically, a doxastikon is a sticheron which is chanted after or between: * Δόξα "Glory to the Father, and to the Son, and to the Holy Spirit." and * Καὶ νῦν "Both now and ever and unto the ages of ages. Amen." Position in services Doxastika are normally found near the end of a series of stichera. Doxastika may be found at Vespers Κύριε, ἐκέκραξα πρὸς σέ ("Lord, I Have Cried", Ps. 140.1 and the Aposticha), at Matins (Kathisma hymns, Aposticha, Lauds), and at the Divine Liturgy (the Beatitudes). There are other instances when a hymn is found between "Glory..." and "Both now..." (i.e., Apolytikion, the Canon); however, these hymns are troparia rather than stichera, and so are not referred to as doxasticha. Subjec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Language
Greek ( el, label= Modern Greek, Ελληνικά, Elliniká, ; grc, Ἑλληνική, Hellēnikḗ) is an independent branch of the Indo-European family of languages, native to Greece, Cyprus, southern Italy (Calabria and Salento), southern Albania, and other regions of the Balkans, the Black Sea coast, Asia Minor, and the Eastern Mediterranean. It has the longest documented history of any Indo-European language, spanning at least 3,400 years of written records. Its writing system is the Greek alphabet, which has been used for approximately 2,800 years; previously, Greek was recorded in writing systems such as Linear B and the Cypriot syllabary. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic, and many other writing systems. The Greek language holds a very important place in the history of the Western world. Beginning with the epics of Homer, ancient Greek literature includes many works of l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon (hymnography)
A canon ( el, κανών, kanōn) is a structured hymn used in a number of Eastern Orthodox services. It consists of nine ''odes'', based on the Biblical canticles. Most of these are found in the Old Testament, but the final ode is taken from the Magnificat and Song of Zechariah from the New Testament. The canon dates from the 7th century and was either devised or introduced into the Greek language by St. Andrew of Crete, whose penitential ''Great Canon'' is still used on certain occasions during Great Lent. It was further developed in the 8th century by Sts. John of Damascus and Cosmas of Jerusalem, and in the 9th century by Sts. Joseph the Hymnographer and Theophanes the Branded. Over time the canon came to replace the , a vestigial form of which is still used on several occasions and which has been incorporated into the performance of the canon. Each canon develops a specific theme, such as repentance or honouring a particular saint. Sometimes more than one canon ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genres Of Byzantine Music
Genre () is any form or type of communication in any mode (written, spoken, digital, artistic, etc.) with socially-agreed-upon conventions developed over time. In popular usage, it normally describes a category of literature, music, or other forms of art or entertainment, whether written or spoken, audio or visual, based on some set of stylistic criteria, yet genres can be aesthetic, rhetorical, communicative, or functional. Genres form by conventions that change over time as cultures invent new genres and discontinue the use of old ones. Often, works fit into multiple genres by way of borrowing and recombining these conventions. Stand-alone texts, works, or pieces of communication may have individual styles, but genres are amalgams of these texts based on agreed-upon or socially inferred conventions. Some genres may have rigid, strictly adhered-to guidelines, while others may show great flexibility. Genre began as an absolute classification system for ancient Greek literature, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Halim El-Dabh
Halim Abdul Messieh El-Dabh ( ar, حليم عبد المسيح الضبع, ''Ḥalīm ʻAbd al-Masīḥ al-Ḍab''ʻ; March 4, 1921 – September 2, 2017) was an Egyptian-American composer, musician, ethnomusicologist, and educator, who had a career spanning six decades. He is particularly known as an early pioneer of electronic music. In 1944 he composed one of the earliest known works of tape music, or musique concrète. From the late 1950s to early 1960s he produced influential work at the Columbia-Princeton Electronic Music Center. Early life El-Dabh was born and grew up in Sakakini, Cairo, Egypt, a member of a large and affluent Coptic Christian family that had earlier emigrated from Abutig in the Upper Egyptian province of Asyut. The family name means "the hyena" and is not uncommon in Egypt. In 1932 the family relocated to the Cairo suburb of Heliopolis. Following his father's profession of agriculture, he graduated from Fuad I University (now Cairo University) i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canonical Hours
In the practice of Christianity, canonical hours mark the divisions of the day in terms of Fixed prayer times#Christianity, fixed times of prayer at regular intervals. A book of hours, chiefly a breviary, normally contains a version of, or selection from, such prayers. In the Roman Rite of the Catholic Church, canonical hours are also called ''offices'', since they refer to the official set of prayers of the Church, which is known variously as the ("divine service" or "divine duty"), and the ("work of God"). The current official version of the hours in the Roman Rite is called the Liturgy of the Hours ( la, liturgia horarum) in North America or divine office in Ireland and Britain. In Lutheranism and Anglicanism, they are often known as the daily office or divine office, to distinguish them from the other "offices" of the Church (e.g. the administration of the sacraments). In the Eastern Orthodox Church, Eastern Orthodox and Byzantine Rite, Byzantine Catholic Churches, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hymnology
Hymnology (from Greek ὕμνος ''hymnos'', "song of praise" and -λογία ''-logia'', "study of") is the scholarly study of religious song, or the hymn, in its many aspects, with particular focus on choral and congregational song. It may be more or less clearly distinguished from ''hymnody'', the creation and practice of such song. Hymnologists, such as Erik Routley, may study the history and origins of hymns and of traditions of sung worship, the biographies of the women and men who have written hymns that have passed into choral or congregational use, the interrelationships between text and tune, the historical processes, both folk and redactional, that have changed hymn texts and hymn tunes over time, and the sociopolitical, theological and aesthetic arguments concerning various styles of sung worship. Hymnology is not an "-ology" in the usual sense of an independent discipline that has a proper set of concepts and critical vocabulary that must first be learned before prog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octoechos
Oktōēchos (here transcribed "Octoechos"; Greek: ;The feminine form exists as well, but means the book octoechos. from ὀκτώ "eight" and ἦχος "sound, mode" called echos; Slavonic: Осмогласие, ''Osmoglasie'' from о́смь "eight" and гласъ, Glagolitic: , "voice, sound") is the eight-mode system used for the composition of religious chant in Byzantine, Syriac, Armenian, Georgian, Latin and Slavic churches since the Middle Ages. In a modified form the octoechos is still regarded as the foundation of the tradition of monodic chant in the Byzantine Rite today. Nomenclature The names ascribed to the eight tones differ in translations into Church Slavonic. The Slavonic system counted the plagioi echoi as glasa 5, 6, 7, and 8. For reference, these differences are shown here together with the Ancient Greek names of the octave species according to the Hagiopolites (see Hagiopolitan Octoechos Oktōēchos (here transcribed ""; Greek: pronounced in ko ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theotokion
A Theotokion (; pl. ) is a hymn to Mary the Theotokos (), which is read or chanted (troparion or sticheron) during the canonical hours and Divine Liturgy of the Eastern Orthodox and Eastern Catholic churches, as well as in the praises of the Oriental Orthodox churches. After the condemnation of Nestorianism at the First Council of Ephesus in 431, the use of theotokia during the course of the Divine Services gradually increased. The inclusion of Theotokia in every service is sometimes accredited to Peter the Fuller, Patriarch of Antioch (471 - 488), a non-Chalcedonian and ardent opponent of Nestorianism. Theotokia are almost part of every service in the Orthodox Church, but there are more specific forms among them. Theotokia often occur at the end of a series of troparia or stichera, usually after the verse: "(Glory to the Father, and to the Son, and to the Holy Spirit,) Both now and ever, and unto the ages of ages. Amen." A Stavrotheotokion is a hymn to the Theotokos that refe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theotokos
''Theotokos'' (Greek: ) is a title of Mary, mother of Jesus, used especially in Eastern Christianity. The usual Latin translations are ''Dei Genitrix'' or '' Deipara'' (approximately "parent (fem.) of God"). Familiar English translations are "Mother of God" or "God-bearer" – but these both have different literal equivalents in Greek, Μήτηρ Θεοῦ and Θεοφόρος ("Who gave birth to one who was God", "Whose child was God", respectively). The title has been in use since the 3rd century, in the Syriac tradition (as ) in the Liturgy of Mari and Addai (3rd century)''Addai and Mari, Liturgy of''. Cross, F. L., ed. ''The Oxford Dictionary of the Christian Church''. Oxford University Press. 2005. and the Liturgy of St James (4th century). The Council of Ephesus in AD 431 decreed that Mary is the ''Theotokos'' because Her Son Jesus is both God and man: one divine person from two natures (divine and human) intimately and hypostatically united. The title of Mothe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feast Day
The calendar of saints is the traditional Christian method of organizing a liturgical year by associating each day with one or more saints and referring to the day as the feast day or feast of said saint. The word "feast" in this context does not mean "a large meal, typically a celebratory one", but instead "an annual religious celebration, a day dedicated to a particular saint". The system arose from the early Christian custom of commemorating each martyr annually on the date of their death, or birth into heaven, a date therefore referred to in Latin as the martyr's ''dies natalis'' ('day of birth'). In the Eastern Orthodox Church, a calendar of saints is called a '' Menologion''. "Menologion" may also mean a set of icons on which saints are depicted in the order of the dates of their feasts, often made in two panels. History As the number of recognized saints increased during Late Antiquity and the first half of the Middle Ages, eventually every day of the year h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trinity
The Christian doctrine of the Trinity (, from 'threefold') is the central dogma concerning the nature of God in most Christian churches, which defines one God existing in three coequal, coeternal, consubstantial divine persons: God the Father, God the Son ( Jesus Christ) and God the Holy Spirit, three distinct persons sharing one '' homoousion'' (essence) "each is God, complete and whole." As the Fourth Lateran Council declared, it is the Father who begets, the Son who is begotten, and the Holy Spirit who proceeds. In this context, the three persons define God is, while the one essence defines God is. This expresses at once their distinction and their indissoluble unity. Thus, the entire process of creation and grace is viewed as a single shared action of the three divine persons, in which each person manifests the attributes unique to them in the Trinity, thereby proving that everything comes "from the Father," "through the Son," and "in the Holy Spirit." This do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
