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Dotted Note
In Western musical notation, a dotted note is a Musical note, note with a small dot written after it. In modern practice, the first dot increases the duration (music), duration of the original note by half of its note value, value. This makes a dotted note equivalent to the original note tie (music), tied to a note of half the value – for example, a dotted half note is equivalent to a half note tied to a quarter note. Subsequent dots add progressively halved value, as shown in the example to the right. The use of dotted notes dates back at least to the 10th century, but the exact amount of lengthening a dot provides in early music contexts may vary. Mensural notation uses a dot of division to clarify ambiguities about its context-dependent interpretation of Note value, rhythmic values, sometimes alongside the dot of augmentation (music), augmentation as described above. In the gregorian chant editions of Solesmes, a dot is typically interpreted as a doubling of length (see also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staccato
Staccato (; Italian for "detached") is a form of Articulation (music), musical articulation. In modern notation, it signifies a note of shortened duration, separated from the note that may follow by silence. It has been described by theorists and has appeared in music since at least 1676. Notation In 20th-century music, a dot placed above or below a note indicates that it should be played staccato, and a wedge is used for the more emphatic staccatissimo. However, before 1850, dots, dashes, and wedges were all likely to have the same meaning, even though some theorists from as early as the 1750s distinguished different degrees of staccato through the use of dots and dashes, with the dash indicating a shorter, sharper note, and the dot a longer, lighter one. A number of signs came to be used in the late 19th and early 20th centuries to discriminate more subtle nuances of staccato. These signs involve various combinations of dots, vertical and horizontal dashes, vertical and horiz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Notes Inégales
In music, ''notes inégales'' is a performance practice, mainly from the Baroque music, Baroque and Classical music era, Classical music eras, in which some notes with equal written time values are performed with unequal durations, usually as alternating long and short. The practice was especially prevalent in France in the 17th and 18th centuries, with appearances in other European countries at the same time. It reappeared as the standard performance practice in the 20th century in jazz. The phrase notes inégales means "unequal notes" in French. History Pre-modern era The practice of notating pairs of unequal note lengths as pairs with equal notated value may go as far back as the earliest music of the Medieval music, Middle Ages; indeed some scholars believe that some plainchant of the Roman Catholic Church, including Ambrosian chant, Ambrosian hymns, may have been performed as alternating long and short notes. This interpretation is based on a passage in Augustine of Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam Carse
Adam Von Ahnen Carse (19 May 1878 – 2 November 1958) was an English composer, academic, music writer and editor, remembered today for his studies on the history of instruments and the orchestra, and for his educational music. His collection of around 350 antique wind instruments is now in the Horniman Museum.Grove Music Online Life Born in Newcastle upon Tyne, Carse received his first musical education in Hanover in 1893, and from 1894-1903 was a Macfarren scholar at the Royal Academy of Music, London where he studied composition with Frederick Corder. He received the 1902 medal from the Worshipful Company of Musicians, handed to the best student of the academy. He was assistant music master at Winchester College between 1909 and 1922, then returning to the Academy as Professor of Harmony and Counterpoint until 1940. During and after the war Carse concentrated on writing and editing. His books (described in ''The Musical Times'' as "of first rate importance") include ''Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Overture
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in style (slow in dotted rhythms and fast in fugal style), and the first ends with a half-cadence (i.e., on a dominant harmony) that requires an answering structure with a tonic ending. The second section often but not always ends with a brief recollection of the first, sometimes even repeating some of its melodic content. The form is first encountered in Jean-Baptiste Lully's ballet overtures from the 1650s. Later examples can be found as the opening movement of each of Johann Sebastian Bach's orchestral suites, Partita in D major, BWV 828, C minor Cello Suite, BWV 1011, and as an opening to many operas and oratorios by George Frideric Handel (including ''Messiah In Abrahamic religions, a messiah or messias (; , ; , ; ) is a saviour or liberator of a group of people. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
ABRSM
The ABRSM (Associated Board of the Royal Schools of Music) is an examination board and registered charity based in the United Kingdom. ABRSM is one of five examination boards accredited by Ofqual to award graded exams and diploma qualifications in music within the UK's National Qualifications Framework (along with the London College of Music, RSL Awards (Rockschool Ltd), Trinity College London, and the Music Teachers' Board). 'The Associated Board of the Royal Schools of Music' was established in 1889 and rebranded as ABRSM in 2009. The clarifying strapline "the exam board of the Royal Schools of Music" was introduced in 2012. More than 600,000 candidates take ABRSM exams each year in over 90 countries. ABRSM also provides a publishing house for music which produces syllabus booklets, sheet music and exam papers and runs professional development courses and seminars for teachers. ABRSM is one of the UK's 200 largest charitable organisations ranked by annual expenditure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meditation -- Josef Haydn
Meditation is a practice in which an individual uses a technique to train attention and awareness and detach from reflexive, "discursive thinking", achieving a mentally clear and emotionally calm and stable state, while not judging the meditation process itself. Techniques are broadly classified into focused (or concentrative) and open monitoring methods. Focused methods involve attention to specific objects like breath or mantras, while open monitoring includes mindfulness and awareness of mental events. Meditation is practiced in numerous religious traditions, though it is also practised independently from any religious or spiritual influences for its health benefits. The earliest records of meditation (''dhyana'') are found in the Upanishads, and meditation plays a salient role in the contemplative repertoire of Jainism, Buddhism and Hinduism. Meditation-like techniques are also known in Judaism, Christianity and Islam, in the context of remembrance of and prayer and devoti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation (music)
In music, variation is a musical form, formal technique where material is musical repetition, repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation is often contrasted with musical Development (music), development, which is a slightly different means to the same end. Variation depends upon ''one'' type of presentation at a time, while development is carried out upon portions of material treated in ''many'' different presentations and combinations at a time. Variation techniques Wolfgang Amadeus Mozart, Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), a French folk song known in the English-speaking world as "Twinkle, Twinkle, Little Star", exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of String Quartets By Joseph Haydn
Joseph Haydn wrote sixty-eight string quartets. (The number was previously thought to be eighty-three, but this includes some arrangements and spurious works.) They are usually referred to by their opus numbers, not Anthony van Hoboken's catalogue numbers or their publication order in the First Haydn Edition (FHE). Opus 1 (1755–57) Source: *Quartet No. 1 in B major ("La Chasse"), Op. 1, No. 1, FHE No. 52, Hoboken No. III:1 *Quartet No. 2 in E major, Op. 1, No. 2, FHE No. 53, Hoboken No. III:2 *Quartet No. 3 in D major, Op. 1, No. 3, FHE No. 54, Hoboken No. III:3 *Quartet No. 4 in G major, Op. 1, No. 4, FHE No. 55, Hoboken No. III:4 *Quartet No. 5 in E major, Op. 1, No. 0, Hoboken No. II:6 (also referred to as Opus 0) *Quartet in B major, Op. 1, No. 5, FHE No. 56, Hoboken No. III:5 (later found to be the Symphony A, Hob. I/107) *Quartet No. 6 in C major, Op. 1, No. 6, FHE No. 57, Hoboken No. III:6 Opus 2 (1757–59) Source: The two quartets numbered 3 and 5 are spurious a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony, or Mahler's Second Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Haydn
Franz Joseph Haydn ( ; ; 31 March 173231 May 1809) was an Austrian composer of the Classical period (music), Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String quartet". Haydn arose from humble origins, the child of working people in a rural village. He established his career first by serving as a chorister at St. Stephen's Cathedral, Vienna, then through an arduous period as a freelance musician. Eventually he found career success, spending much of his working life as Kapellmeister, music director for the wealthy Esterházy family at their palace of Eszterháza in rural Hungary. Though he had his own orchestra there, it isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". During this period his music circulated widely in publication, eventuall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
