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Crotales
Crotales (, ), sometimes called antique cymbals, are percussion instruments consisting of small, tuned bronze or brass disks. Each is about in diameter with a flat top surface and a nipple on the base. They are commonly played by being struck with hard mallets. However, they may also be played by striking two disks together in the same manner as finger cymbals, or by bowing. Their sound is rather like a small tuned bell, only with a much brighter sound and a much longer resonance. Similar to tuned finger cymbals, crotales are thicker and larger; they also have slight grooves in them. The name comes from the Greek '' crotalon'', for a castanet or rattle. Modern crotales are arranged chromatically and have a range of up to two octaves. They are typically available in sets (commonly one octave) but may also be purchased individually. Crotales are treated as transposing instruments; music for crotales is written two octaves lower than the sounding pitch to minimize ledger line ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paiste
Paiste (English pronunciation: , ) is a Switzerland, Swiss musical instrument manufacturing company. It is the world's third largest manufacturer of cymbals, gongs, and metal percussion. is an Estonian language, Estonian and Finnish language, Finnish word that means "shine". Apart from cymbals and gongs, Paiste has also manufactured other percussion instruments, including crotal bells, zill, finger cymbals, and cowbells, which were later discontinued. History The first Paiste cymbals were produced in 1906 by Estonian musician Toomas Paiste in his instrument repair shop in Saint Petersburg, Russian Empire. Toomas had served in the Imperial Guard (Russia), Russian Imperial Guard and retired in 1901 to open a music shop and publishing business.History on Paiste website, 07 Nov 2023 The cymba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Transposing Instrument
A transposing instrument is a musical instrument for which music notation is not written at concert pitch (concert pitch is the pitch on a non-transposing instrument such as the piano). For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of transposition when describing the instrument. Playing a written C on clarinet or soprano saxophone produces a concert B (i.e. B at concert pitch), so these are referred to as B instruments. Providing transposed music for these instruments is a convention of musical notation. The instruments do not transpose the music; rather, their music is written at a transposed pitch. Where chords are indicated for improvisation they are also written in the appropriate transposed form. For some instruments, a written C sounds as a C but is in a different octave; these instruments are said to transpose "at the octave". Pitches on the double bass sound an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Short Ride In A Fast Machine
''Short Ride in a Fast Machine'' is a 1986 orchestral work by John Adams (composer), John Adams. Adams applies the description "fanfare for orchestra" to this work and to the earlier ''Tromba Lontana'' (1986). The former is also known as ''Fanfare for Great Woods'' because it was commissioned for the Great Woods Festival of the Pittsburgh Symphony Orchestra. As a commentary on the title, Adams inquires, "You know how it is when someone asks you to ride in a terrific sports car, and then you wish you hadn't?" The work is an example of Adams's Postminimalism, postminimal style, which is utilized in other works like ''Phrygian Gates'', ''Shaker Loops'', and ''Nixon in China''. This style derives from minimalism as defined by the works of Steve Reich, Terry Riley, and Philip Glass, although it proceeds to "make use of minimalist techniques in more dramatic settings." A typical performance of ''Short Ride'' lasts about four and a half minutes. Popularity, performance and cancellation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tout Un Monde Lointain
''Tout un monde lointain...'' (''A whole distant world...'') is a concertante work for cello and orchestra composed by Henri Dutilleux between 1967 and 1970 for Mstislav Rostropovich. It is considered one of the most important 20th-century additions to the cello repertoire and several major cellists have recorded it. Despite the fact that the score does not state that it is a cello concerto, ''Tout un monde lointain...'' has always been considered as such. Each of the five movements was inspired by the poetry of Charles Baudelaire, and the overall feel of the work is mysterious and oneiric. A typical performance runs approximately 27 minutes. Composition The work was initially commissioned by Igor Markevitch for the Concerts Lamoureux and Mstislav Rostropovich around 1960. Occupied with other projects, Dutilleux only completed the concerto in 1970. Since Markevitch had left the Concerts Lamoureux in 1961, Rostropovich was accompanied for the premiere by the Orchestre d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prélude à L'après-midi D'un Faune
''Prélude à l'Après-midi d'un faune'' ( L. 86), known in English as ''Prelude to the Afternoon of a Faun'', is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in 1894 and first performed in Paris on 22 December 1894, conducted by Gustave Doret. The flute solo was played by Georges Barrère. The composition was inspired by the poem '' L'après-midi d'un faune'' by Stéphane Mallarmé. It is one of Debussy's most famous works and is considered a turning point in the history of Western art music, as well as a masterpiece of Impressionist composition. Pierre Boulez considered the score to be the beginning of modern music, observing that "the flute of the faun brought new breath to the art of music." The work is dedicated to the composer Raymond Bonheur, son of the painter Auguste Bonheur. Debussy's work later provided the basis for the ballet '' Afternoon of a Faun'' choreographed by Vaslav Nijinsky and a later versio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roméo Et Juliette (Berlioz)
''Roméo et Juliette'' is a seven- movement ''symphonie dramatique'' for orchestra and three choruses, with vocal solos, by French composer Hector Berlioz. Émile Deschamps wrote its libretto with Shakespeare's play as his base. The work was completed in 1839 and first performed on 24 November of that year, but it was modified before its first publication, in 1847, and modified again for the ''2ème Édition'' of 1857, today's reference. It bears the catalogue numbers Op. 17 and H. 79. Regarded as one of Berlioz's finest achievements, ''Roméo et Juliette'' is also among his most original in form and his most comprehensive and detailed to follow a program. The vocal forces are used in the 1st, 5th and 7th movements. Composition Genesis Initial inspiration came from a performance he witnessed in 1827 of ''Romeo and Juliet'' (in David Garrick's edited version) at the Odéon Theatre in Paris. The cast included Harriet Smithson, who also inspired Berlioz's '' Symphonie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neil Peart
Neil Ellwood Peart ( ; September 12, 1952 – January 7, 2020) was a Canadian and American musician, known as the drummer, percussionist, and primary lyricist of the rock band Rush (band), Rush. He was known to fans by the nickname "the Professor", derived from the ''Gilligan's Island'' The Professor (Gilligan's Island), character of the same name. His drumming was renowned for its technical proficiency and his live performances for their exacting nature and stamina. Peart earned numerous awards for his musical performances, including an induction into the ''Modern Drummer'' Modern Drummer#Readers poll, Readers Poll Hall of Fame in 1983 at the age of thirty, making him the youngest person ever so honoured. Peart was born in Hamilton, Ontario, and grew up in Port Dalhousie, Ontario, Port Dalhousie (now part of St. Catharines). During adolescence, he floated between regional bands in pursuit of a career as a full-time drummer. After a discouraging stint in England, Peart return ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zill
Zills, zils, or sagat, also known as finger cymbals, are small metallic cymbals used in belly dance, belly dancing and similar performances. They are similar to Tibetan tingsha bells. In Western music, several pairs can be set in a frame to make a tambourine. Other names include ''nuqaisāt'' (after the ''Semantron#Naqus, naqus'') and ''ṣunnūj ṣaghīra'' in Arabic, ''sanj angshati'' in Persian, ''çeng'' in Turkish. History Zills, or finger cymbals, are part of a family of musical instruments known as ''clappers''. Clappers are musical instruments made of wood, bone, metal, and other substances that are played by being struck against each other. Clappers come in pairs and are often held in the hands, fastened together, or strapped to the performer's fingers. The clapper family also includes spoons, bones and castanets. One of the earliest forms of clappers are wooden ''krotala'' already present in Greece around 500 BC. Ancient Greek potteries depict men and women celebr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a percussion mallet, beater including attached or enclosed beaters or Rattle (percussion beater), rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding Zoomusicology, zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and String instrument, chordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuned Percussion
A pitched percussion instrument (also known as a melodic or tuned percussion instrument) is a percussion instrument used to produce musical notes of one or more pitches, as opposed to an unpitched percussion instrument which is used to produce sounds of indefinite pitch. Pitching of percussion instruments is achieved through a variety of means. *Membranophones (such as timpani) are tuned by altering the surface tension of the face that is struck. *Idiophones (such as xylophone) gain their pitch through the physical characteristics (such as composition, density, and physical dimensions) of each respective bar. The term ''pitched percussion'' is now preferred to the traditional term ''tuned percussion'': * Many ''untuned'' percussion instruments (such as the bass drum) are ''tuned'' by the player, but this tuning does not relate to a particular pitch. * ''Untuned'' percussion instruments can and frequently do make sounds that could be used as pitched notes in an appropriate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crotalum
In classical antiquity, a crotalum, ( κρόταλον ''krotalon'') plural crotala, was a kind of clapper or castanet used in religious dances by groups in ancient Greece and elsewhere, including the Korybantes. The term has been erroneously supposed by some writers to be the same as the sistrum. These mistakes are refuted at length by Friedrich Adolph Lampe (1683–1729) in ''De cymbalis veterum''. From the '' Suda'' and the Scholiast on Aristophanes (''Nubes'', 260), it appears to have been a split reed or cane, which clattered when shaken with the hand. According to Eustathius (''Il.'' XI.160), it was made of shell and brass, as well as wood. Clement of Alexandria Titus Flavius Clemens, also known as Clement of Alexandria (; – ), was a Christian theology, Christian theologian and philosopher who taught at the Catechetical School of Alexandria. Among his pupils were Origen and Alexander of Jerusalem. A ... attributes the instruments invention to the Sicilians ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fire In My Mouth
''Fire in my mouth'' is an oratorio for girls' choir, women's choir, and orchestra by the American composer Julia Wolfe. The work was commissioned by the New York Philharmonic under the direction of Jaap van Zweden and was completed in August 2018. Its world premiere was given by the Philadelphia-based chamber choir The Crossing, the Young People’s Chorus of New York City, and the New York Philharmonic led by Jaap van Zweden at David Geffen Hall, New York City, on January 24, 2019. The piece was inspired by the infamous Triangle Shirtwaist Factory fire, which claimed the lives of 146 New York City garment workers—most of whom were young immigrant women—in 1911, and the political unrest surrounding it. The title of the piece comes from a quote by the labor activist Clara Lemlich, who later reflected on her years of activism saying, “Ah, then I had fire in my mouth.” Composition Wolfe utilized a number of unconventional sounds in ''Fire in my mouth''. The composer tou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
