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Comprimario
A comprimario is a small supporting role in an opera (or a singer who sings those roles). The word is derived from the Italian "''con primario''", or "with the primary", meaning that the ''comprimario'' role (or singer) is not a principal role (or singer).http://enciclopedia_universal.esacademic.com/172152/comprimario The term usually refers to characters who do not sing any full-length arias or long scenes (although mute characters who do not sing at all, are not considered ''comprimarios''). Many singers began their careers as ''comprimario'' singers; many others end their careers that way when they become too infirm to cope with long roles; some have made a career out of singing such parts. Among these latter are singers such as Anthony Laciura, Jean Kraft, Nico Castel and Charles Anthony of the Metropolitan Opera; others include Plinio Clabassi and Karl Dönch. Some notable ''comprimario'' roles Notable ''comprimario'' roles, in operas which are performed often, includ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Anthony (tenor)
Charles Anthony Caruso (né Calogero Antonio Caruso; July 15, 1929 – February 15, 2012), better known by his stage name of Charles Anthony, was an American actor and tenor noted for his portrayal of comprimario characters in opera. Anthony had the distinction of appearing in more performances at the Metropolitan Opera than any other performer.Woolfe, Zachary (15 February 2012)"Charles Anthony Dies at 82; Sang 2,928 Times at Met" ''The New York Times''. Retrieved 16 February 2012 He celebrated his fiftieth anniversary with the company in 2004, and gave his farewell in the role of the aged Emperor Altoum in ''Turandot'', at the Met, on January 28, 2010.Barron, James (27 January 2010)"After 57 Years at the Met, a Tenor's Swan Song" ''The New York Times'' (City Room). Retrieved 30 January 2010 Early years Anthony was born in New Orleans, Louisiana, the child of immigrants from Sicily. He studied music at Loyola University New Orleans, where he studied under Dorothy Hulse, also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Laciura
Anthony Laciura (born September 27, 1951) is an American actor and operatic tenor. Laciura is often noted for his abilities as a comprimario, and actor. Born in New Orleans, he studied voice there with Charles Paddock, also the teacher of Ticho Parly. He is also well known for playing Eddie Kessler in ''Boardwalk Empire'' (2010–13). Career As a boy soprano, Laciura made his operatic debut in a small role in '' Louise'', in March 1965, at the New Orleans Opera Association, opposite the last performances in this opera of Dorothy Kirsten and Norman Treigle. As an adult, he would give many performances with that company, and would earn music degrees from Loyola University of the South and Tulane University. On the Opening Night of the 1982–83 season, the tenor debuted with the Metropolitan Opera, where he appeared well over 800 times. That first role was the Major-domo in ''Der Rosenkavalier'', with Dame Kiri Te Kanawa. In fact, that production was televised, as were Laciur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Kraft
Jean Kraft (January 9, 1927 – July 15, 2021) was an American operatic mezzo-soprano. She began her career singing with the New York City Opera (NYCO) during the early 1960s, after which she embarked on a partnership with The Santa Fe Opera from 1965 through 1987. In 1970 she joined the roster of singers at the Metropolitan Opera in New York City where she remained a fixture until 1989. She also performed as a guest of many other opera companies throughout the United States. In 2005 ''Opera News'' called her "a gifted mezzo and observant, imaginative actress who lent distinction to a wide range of character roles. By the end of her Met tenure, she had sung nearly 800 performances and become a solid audience favorite." Early life and education Born in Menasha, Wisconsin on January 9, 1927, Kraft began her career working as pianist as a teenager and was also a proficient clarinet and trumpet player. After working as a pianist for four years she decided to reorient her path towa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nico Castel
Nico Castel (August 1, 1931 – May 31, 2015), born Naftali Chaim Castel Kalinhoff, was a comprimario tenor and well-known language and diction coach, as well as a prolific translator of libretti and writer of books on singing diction. Although Castel performed throughout Europe, North America and South America, he was best known for his nearly 800 performances at The Metropolitan Opera, where he also served as staff diction coach for three decades. Biography Castel was born in Lisbon, Portugal, the "scion of a multigenerational dynasty of Sephardic rabbis" with roots in 15th century Castile.Fox, Margalit"Nico Castel, Tenor and Diction Coach at the Met, Dies at 83" ''The New York Times'', June 3, 2015 He was raised in Venezuela by multilingual parents and a German nanny and attended a French school in Caracas. After some vocal study in Caracas and then the University of Mainz in Germany, Castel moved to New York City at the age of 16 to pursue a singing career and to study romanc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Un Ballo In Maschera
''Un ballo in maschera'' ''(A Masked Ball)'' is an 1859 opera in three acts by Giuseppe Verdi. The text, by Antonio Somma, was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, '' Gustave III, ou Le bal masqué''. The plot concerns the assassination in 1792 of King Gustav III of Sweden who was shot, as the result of a political conspiracy, while attending a masked ball, dying of his wounds thirteen days later. It was to take over two years between the commission from Naples, planned for a production there, and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In becoming the ''Un ballo in maschera'' which we know today, Verdi's opera (and his libretto) underwent a significant series of transformations and title changes, caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. Based on the Scribe libretto and begun as ''Gustavo III'' set in Sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektra (opera)
''Elektra'', Op. 58, is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama ''Elektra''. The opera was the first of many collaborations between Strauss and Hofmannsthal. It was first performed at the Königliches Opernhaus in Dresden on 25 January 1909. It was dedicated to his friends Natalie and Willy Levin. History While based on ancient Greek mythology and Sophocles' tragedy ''Electra'', the opera is highly modernist and expressionist in style. Hofmannsthal's and Strauss's adaptation of the story focuses tightly on Elektra, thoroughly developing her character by single-mindedly expressing her emotions and psychology as she meets with other characters, mostly one at a time. (The order of these conversations closely follows Sophocles' play.) The other characters are Klytaemnestra, her mother and one of the murderers of her father Agamemnon; her sister, Chrysothemis; her brother, Orestes; and Klytae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turandot
''Turandot'' (; see below) is an opera in three acts by Giacomo Puccini, posthumously completed by Franco Alfano in 1926, and set to a libretto in Italian by Giuseppe Adami and Renato Simoni. ''Turandot'' best-known aria is " Nessun dorma", which became globally popular in the 1990s following Luciano Pavarotti's performance of it for the 1990 FIFA World Cup. Though Puccini first became interested in the subject matter when reading Friedrich Schiller's 1801 adaptation,. ''Freely translated from Schiller by Sabilla Novello:'' . he based his work more closely on the earlier play ''Turandot'' (1762) by Count Carlo Gozzi. The original story is one of the seven stories in the epic '' Haft Peykar''—a work by twelfth-century Persian poet Nizami ( 1141–1209). Nizami aligned his seven stories with the seven days of the week, the seven colors, and the seven planets known in his era. This particular narrative is the story of Tuesday, as told to the king of Iran, Bahram V (), by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madama Butterfly
''Madama Butterfly'' (; ''Madame Butterfly'') is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. It is based on the short story " Madame Butterfly" (1898) by John Luther Long, which in turn was based on stories told to Long by his sister Jennie Correll and on the semi-autobiographical 1887 French novel '' Madame Chrysanthème'' by Pierre Loti.Chadwick Jenna"The Original Story: John Luther Long and David Belasco" on columbia.edu Long's version was dramatized by David Belasco as the one-act play '' Madame Butterfly: A Tragedy of Japan'', which, after premiering in New York in 1900, moved to London, where Puccini saw it in the summer of that year. The original version of the opera, in two acts, had its premiere on 17 February 1904 at La Scala in Milan. It was poorly received, despite having such notable singers as soprano Rosina Storchio, tenor Giovanni Zenatello and baritone Giuseppe De Luca in l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ariadne Auf Naxos
(''Ariadne on Naxos''), Opus number, Op. 60, is a 1912 opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. The opera's unusual combination of elements of low commedia dell'arte with those of high opera seria points up one of the work's principal themes: the competition between high and low art for the public's attention. First version (1912) The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play ''Le Bourgeois gentilhomme.'' Besides the opera, Strauss provided Le bourgeois gentilhomme (Strauss), incidental music to be performed during the play. In the end, the opera occupied ninety minutes, and the performance of play plus opera occupied over six hours. It was first performed at the Staatsoper Stuttgart, Hoftheater Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Godunov (opera)
''Boris Godunov'' ( rus, Борис Годунов, links=no, Borís Godunóv ) is an opera by Modest Mussorgsky (1839–1881). The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar (1598 to 1605) during the Time of Troubles, and his nemesis, the False Dmitriy (reigned 1605 to 1606). The Russian-language libretto was written by the composer, and is based on the 1825 drama ''Boris Godunov'' by Aleksandr Pushkin, and, in the Revised Version of 1872, on Nikolay Karamzin's ''History of the Russian State''. Among major operas, ''Boris Godunov'' shares with Giuseppe Verdi's '' Don Carlos'' (1867) the distinction of having an extremely complex creative history, as well as a great wealth of alternative material. The composer created two versions—the Original Version of 1869, which was rejected for production by the Imper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Der Rosenkavalier
(''The Knight of the Rose'' or ''The Rose-Bearer''), Op. 59, is a comic opera in three acts by Richard Strauss to an original German libretto by Hugo von Hofmannsthal. It is loosely adapted from the novel ''Les amours du chevalier de Faublas'' by Louvet de Couvrai and Molière's comedy ''Monsieur de Pourceaugnac''. It was first performed at the Königliches Opernhaus in Dresden on 26 January 1911 under the direction of Max Reinhardt, Ernst von Schuch conducting. Until the premiere, the working title was ''Ochs auf Lerchenau''. (The choice of the name Ochs is not accidental, for in German "Ochs" means "ox", which describes the character of the Baron throughout the opera.) The opera has four main characters: the aristocratic Marschallin; her very young lover, Count Octavian Rofrano; her brutish cousin Baron Ochs; and Ochs' prospective fiancée, Sophie von Faninal, the daughter of a rich bourgeois. At the Marschallin's suggestion, Octavian acts as Ochs' ''Rosenkavalier'' by prese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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