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Cham Dance
The cham dance () entry: 'cham. is a lively masked and costumed dance associated with some sects of Tibetan Buddhism and Buddhist festivals. The dance is accompanied by music played by bhikkhu, monks using traditional Tibetan musical instruments. The dances often offer moral instruction relating to karuṇā (compassion) for sentient beings (Buddhism), sentient beings and are held to bring merit (Buddhism), merit to all who perceive them. Chams are considered a form of Buddhist meditation, meditation and an offering to the Deva (Buddhism), gods. The leader of the cham is typically a musician, keeping time with a percussion instrument like cymbals, the one exception being Dramyin Cham, where time is kept using dramyin. The term "devil dance" was an early 20th century description of the performance, derived from Western perceptions of the costumes worn by performers. Content Chams often depict incidents from the life of Padmasambhava, the 9th century Nyingmapa teacher, and oth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kamalaśīla
Kamalaśīla (Skt. Kamalaśīla; Tib. པདྨའི་ངང་ཚུལ་, Pemé Ngang Tsul; Wyl. pad+ma'i ngang tshul) (c. 740-795) was an Indian Buddhist monk and philosopher of Nalanda Mahavihara. Notably he accompanied Śāntarakṣita (725–788) to Tibet at the request of Trisong Detsen. Kamalaśīla was a pivotal figure in the development of Indian Mahayana thought and made a number of original contributions in this field that demonstrated his knowledge of both Buddhist and non-Buddhist philosophies. In addition to this, his role as a missionary for Indian Buddhism and his supposed victory in the Debate of Samye helped shape the formation of Tibetan Buddhism. His works spanned several genres and touched upon different schools of Buddhism including Madhyamaka as well as the traditions espoused by Dignāga and Dharmakirti. Biography Much of what we know of Kamalaśīla's life comes from later Tibetan sources which are comparatively late and therefore problematic. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dzong
Dzong architecture is used for dzongs, a distinctive type of fortified monastery (, , ) architectural style, architecture found mainly in Bhutan and Tibet. The architecture is massive in style with towering exterior walls surrounding a complex of courtyards, temples, administrative offices, and monks' accommodation. Characteristics Distinctive features include: * High inward sloping walls of brick and stone painted white with few or no windows in the lower sections of the wall * Use of a surrounding red ochre stripe near the top of the walls, sometimes punctuated by large gold circles * Use of unique style flared roofs atop interior temples * Massive entry doors made of wood and iron * Interior courtyards and temples brightly colored in Buddhist-themed art Motif (visual arts), motifs such as the ashtamangala or swastika Regional differences Bhutan Dzongs serve as the religious, military, administrative, and social centers of their district. They are often the site of an annual ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tshechu
A tshechu (, literally "tenth day") is any of the annual religious Bhutanese festivals held in each district or dzongkhag of Bhutan on the tenth day of a month of the lunar Tibetan calendar. The month depends on the place. Tshechus are religious festivals of the Drukpa Lineage of the Kagyu school of Tibetan Buddhism. Tshechus are large social gatherings, which perform the function of social bonding among people of remote and spread-out villages. Large markets also congregate at the fair locations, leading to brisk commerce.Dancing on the demon's back: the dramnyen dance and song of Bhutan by Elaine Dobson, John Blacking Symposium: Music Culture and Society, Callaway Centre, University of Western Australia, July 2003 The |
Religious Festival
A religious festival is a time of special importance marked by adherents to that religion. Religious festivals are commonly celebrated on recurring cycles in a calendar year or lunar calendar. The science of religious rites and festivals is known as heortology. Ancient Roman Festivals ''(feriae)'' were an important part of Roman religious life during both the Republican and Imperial eras, and were one of the primary features of the Roman calendar. ''Feriae'' ("holidays" in the sense of "holy days") were either public ''(publicae)'' or private ''( privatae)''. State holidays were celebrated by the Roman people and received public funding. ''Feriae privatae'' were holidays celebrated in honor of private individuals or by families. The 1st-century BC scholar Varro defined ''feriae'' as "days instituted for the sake of the gods." A deity's festival often marked the anniversary ('' dies natalis,'' "birthday") of the founding of the deity's temple, or a rededication after a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhutan
Bhutan, officially the Kingdom of Bhutan, is a landlocked country in South Asia, in the Eastern Himalayas between China to the north and northwest and India to the south and southeast. With a population of over 727,145 and a territory of , Bhutan ranks List of countries and dependencies by area, 133rd in land area and List of countries and dependencies by population, 160th in population. Bhutan is a Democracy, democratic constitutional monarchy with a King of Bhutan, King as the head of state and a Prime Minister of Bhutan, prime minister as the head of government. The Je Khenpo is the head of the state religion, Vajrayana Buddhism. The Himalayas, Himalayan mountains in the north rise from the country's lush subtropical plains in the south. In the Mountains of Bhutan, Bhutanese Himalayas, there are peaks higher than above sea level. Gangkhar Puensum is Bhutan's highest peak and is the highest unclimbed mountain in the world. The wildlife of Bhutan is notable for its diversi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jakar Tshechu, Ging Tsholing Cham (15844504202)
Jakar () is a town in the central-eastern region of Bhutan. It is the district capital (dzongkhag thromde) of Bumthang District and the location of Jakar Dzong, the regional dzong fortress. The name Jakar roughly translates as "white bird" in reference to its foundation myth, according to which a roosting white bird signalled the proper and auspicious location to found a monastery around 1549. History The town is the site of Chakhar Lhakhang, a small and unassuming temple which marks the site of the "Iron Palace" of Sindhu Raja, the Indian monarch who is believed to have first invited Guru Rinpoche to Bhutan in 746. The current building is said to have been constructed by Tertön Dorje Lingpa in the 14th century. According to the Jakar foundation myth, a roosting white bird signaled the proper and auspicious location to found a monastery around 1549. The settlement thus earned the moniker Jakar, meaning "white bird." There are many significant Buddhist sacred sites nearby th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phurba
The phurba (; alternate transliterations: ''phurpa'', ''phurbu'', ''purbha'', or ''phurpu'') or ''kīla'' (Sanskrit Devanagari: कील; IAST: kīla) is a three-sided peg, stake, knife, or nail-like ritual implement deeply rooted in Indo-Tibetan Buddhism and Bön traditions. Its primary association is with the meditational deity Vajrakīlaya (Dorje Phurba), embodying the essence of transformative power. The etymology and historical context of the term reveal some debate. Both the Sanskrit word ''kīla'' and the Tibetan ''phurba'' are used interchangeably in sources. The construction of the phurba is diverse, featuring a pommel, handle, and a blade with three triangular facets. The composition often revolves around the numerological significance of three and nine, with materials ranging from wood and metal to bone and crystal. Phurba blades can be made from meteoric iron, which holds symbolic importance. The pommel typically displays faces of Vajrakīlaya or other sacred m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Himalayan Art Resources
The Himalayan Art Resources (HAR) website is a virtual museum of Himalayan and Tibetan art, cataloging and exhibiting images of paintings, sculptures, textiles, ritual objects, murals, and other art from museums, universities and private collections throughout the world. History Himalayan Art Resources started out as a digital library known as the Tibet Art Project. The website was created with funding from the Shelley & Donald Rubin Foundation in 1997, as an education and research database of Himalayan Art. Since 1998, Jeff Watt, a Himalayan and Tibetan art scholar, has been the director and chief Curator of the HAR website. By 2013, the website included about 45,000 images from public and private collections;Stefan Larsson. Crazy for Wisdom: The Making of a Mad Yogin in Fifteenth-Century Tibet'. BRILL; 14 September 2012. . p. 293–. this number of images more than doubled by 2018, and included images from about 1000 collections and repositories. Scholars of Himalayan art make r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vajrakilaya
In Tibetan Buddhism, Vajrakilaya (, also ; or Vajrakumara (; ) is a wrathful heruka yidam deity who embodies the enlightened activity of all the Buddhas. His practice is known for being the most powerful for removing obstacles and destroying the forces hostile to compassion. Vajrakilaya is one of the eight deities of Kagyé. Vajrakilaya is a wrathful form of the Buddha Vajrasattva. His distinctive iconographic trait is that he holds the dagger called ''phurba'' or '' kīla''. Vajrakilaya is commonly represented with three faces of different colors in a crown of skulls. The central face is blue, the left is red and the right is white. He also has six arms: two hold the ''phurba'', two hold one ''vajra'' each, one holds a flaming snare, and one a trident. He crushes under his feet demons representing the obstacles to spiritual realization. As deity Vajrakilaya is a significant Vajrayana deity who transmutes and transcends obstacles and obscurations. Padmasambhava achieved realis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lhalung Pelgyi Dorje
Lhalung Pelgyi Dorje ( Wylie: ''lha lung dpal gyi rdo rje'') was a Tibetan Buddhist monk and Padmasambhava Padmasambhava ('Born from a Lotus'), also known as Guru Rinpoche ('Precious Guru'), was a legendary tantric Buddhist Vajracharya, Vajra master from Oddiyana. who fully revealed the Vajrayana in Tibet, circa 8th – 9th centuries... He is consi ...'s student. He is credited with assassinating the Tibetan King Langdarma in 842 CE in order to protect the buddhadharma. According to Tibetan sources, King Langdarma persecuted Vajrayana Buddhism in Tibet. To end this persecution, Pelgyi Dorje traveled to the King's palace, where he surprised the King and killed him with a bow and arrow. Escaping by turning his black cloak inside out to show its white lining and riding his white horse into the river to wash off the charcoal with which he had made it appear black, he then fled to Amdo or Yerpa, where he lived out the rest of his life as a recluse. Another version relates ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Langdarma
Darma U Dum Tsen (), better known as Langdarma (, "Mature Bull" or "Darma the Bull"), was the 41st and last king of the Tibetan Empire who in 838 killed his brother, King Ralpachen, then reigned from 841 to 842 CE before he himself was assassinated.Arthur Mandelbaum, "Lhalung Pelgyi Dorje", Treasury of Lives, 2007. His reign led to the dissolution of the Tibetan Empire, which had extended beyond the Tibetan Plateau to include the Silk Roads with the Tibetan imperial manuscript center at Sachu (Dunhuang), and neighbouring regions in China, East Turkestan, Afghanistan, and India.Samten Karmay ''in'' , pg. 57 History Earlier in his life as a Tibetan prince, Langdarma was Buddhist, but under the influence of Wégyel Toré (), he became a follower of Bon, after which he assassinated his brother King Ralpachen, in 838. Following this, he widely persecuted Tibetan monks, nuns, and destroyed their monasteries"History of Meru Nyingpa Monastery", ''Places'', ''Monasteries'', The H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
