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Cantiga
A ''cantiga'' (''cantica'', ''cantar'') is a medieval monophonic song, characteristic of the Galician-Portuguese lyric. Over 400 extant ''cantigas'' come from the ''Cantigas de Santa Maria'', narrative songs about miracles or hymns in praise of the Holy Virgin. There are near 1700 secular ''cantigas'' but music has only survived for a very few: six cantigas de amigo by Martín Codax and seven ''cantigas de amor'' by Denis of Portugal. Cantiga is also the name of a poetic and musical form of the Renaissance, often associated with the villancico and the canción. See also *Cantigas de Santa Maria * Galician-Portuguese lyric * Martin Codax *Pergaminho Sharrer *Pergaminho Vindel References * Rip Cohen. ''500 Cantigas d’Amigo,'' edição crítica/critical edition. Porto: Campo das Letras, 2003. * Giulia Lanciani and Giuseppe Tavani (edd.). ''Dicionário da Literatura Medieval Galega e Portuguesa''. Lisbon: Caminho, 1993. * Manuel Pedro Ferreira. ''O Som de Martin Codax. Sob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galician-Portuguese Lyric
In the Middle Ages, the Galician-Portuguese lyric, also known as troubadorism, from ''trovadorismo'' in Portuguese and ''trobadorismo'' in Galician, was a lyric poetic school or movement. All told, there are around 1680 texts in the so-called secular lyric or ''lírica profana'' (see Cantigas de Santa Maria for the religious lyric). At the time Galician-Portuguese was the language used in nearly all of Iberia for lyric (as opposed to epic) poetry. From this language derives both modern Galician and Portuguese. The school, which was influenced to some extent (mainly in certain formal aspects) by the Occitan troubadours, is first documented at the end of the twelfth century and lasted until the middle of the fourteenth, with its zenith coming in the middle of the thirteenth century, centered on the person of Alfonso X, ''The Wise King''. It is the earliest known poetic movement in Galicia or Portugal and represents not only the beginnings of but one of the high points of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantigas De Amigo
''Cantiga de amigo'' (, ) or ''cantiga d'amigo'' ( Galician-Portuguese spelling), literally "friend song", is a genre of medieval lyric poetry, more specifically the Galician-Portuguese lyric, apparently rooted in a female-voiced song tradition native to the northwest quadrant of the Iberian Peninsula. According to Rip Cohen, “In 98% of the poems, the speaker is a girl, her mother, the girl’s girlfriend, or a boy (who is given a voice only in dialogues with the girl—which she begins). The girl can speak to any of the other three personae, but they can only address her (there is no directly represented communication between the other three personae: mother, girlfriend and boy do not speak with one another onstage). There are a dozen cantigas with an outside narrative voice, but most of them include words from a girl’s song.” Much has been made of nature symbolism in this genre, but “Erotic symbolism, though it has rightly attracted attention ��is not as common as mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music
Medieval music encompasses the sacred music, sacred and secular music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. It is the Dates of classical music eras, first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period. Following the traditional division of the Middle Ages, medieval music can be divided into #Early medieval music (500–1000), Early (500–1000), #High medieval music (1000–1300), High (1000–1300), and #Late medieval music (1300–1400), Late (1300–1400) medieval music. Medieval music includes liturgical music used for the church, other sacred music, and secular music, secular or non-religious music. Much medieval music is purely vocal music, such as Gregorian chant. Other music used only instruments or both voices and instruments (typically with the instruments accompanime ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantigas De Santa Maria
The ''Cantigas de Santa Maria'' (, ; "Canticles of Holy Mary") are 420 poems with musical notation, written in the medieval Galician-Portuguese language during the reign of Alfonso X of Castile, Alfonso X of Castile ''El Sabio'' (1221–1284). Traditionally, they are all attributed to Alfonso, though scholars have since established that the musicians and poets of his court were responsible for most of them, with Alfonso being credited with a few as well. It is one of the largest collections of monophonic (solo) songs from the Middle Ages and is characterized by the mention of the Mary, the mother of Jesus, Virgin Mary in every song, while every tenth song is a hymn. The ''Cantigas'' have survived in four manuscript codices: two at El Escorial, one at Madrid, Madrid's Biblioteca Nacional de España, National Library, and one in Florence, Italy. The E codex from El Escorial is illuminated with colored Miniature (illuminated manuscript), miniatures showing pairs of musicians playin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pergaminho Vindel
Martin Codax or Codaz, Martín Codax () or Martim Codax was a Galician medieval ''joglar'' (non-noble composer and performer, as opposed to a ''trobador''), possibly from Vigo, Galicia in present-day Spain. He may have been active during the middle of the thirteenth century, judging from scriptological analysis. He is one of only two out of a total of 88 authors of ''cantigas d'amigo'' who used ''only'' the archaic strophic form (a rhymed distich followed by a refrain). He employed an archaic rhyme scheme whereby ''i~o / a~o'' were used in alternating strophes. In addition Martin Codax consistently utilised a strict parallelistic technique known as ''leixa-pren'' (see the example below; the order of the third and fourth strophes is inverted in the Pergaminho Vindel but the correct order appears in the Cancioneiro da Biblioteca Nacional in Portugal, and the Cancioneiro da Vaticana). There is no documentary biographical information concerning the poet, dating the work at pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pergaminho Sharrer
The Pergaminho Sharrer (; ; "Sharrer Parchment") is a mediaeval parchment fragment containing seven songs by King Denis of Portugal, with lyrics in the Galician-Portuguese language and musical notation. The fragment was discovered in 1990 by United States, American scholar Harvey L. Sharrer, of University of California, Santa Barbara. Sharrer was analysing documents in the Torre do Tombo archive in Lisbon, when he found the folio in the bookbinding, binding of a 16th-century book. Before Sharrer's discovery, the only known Galician-Portuguese mediaeval manuscript with love (non-religious) songs and musical notation was the Vindel Parchment, which contains seven songs by troubadour Martim Codax. Several songbooks covering the period exist, but all of them lack musical notation except the ''Cantigas de Santa Maria'', which are religious in tone. The text and musical notation of the Sharrer Parchment are fragmentary, due to damage done to the folio during the centuries; but further ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Villancico
The ''villancico'' ( Spanish, ) or vilancete ( Portuguese, ) was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. Important composers of villancicos were Juan del Encina, Pedro de Escobar, Francisco Guerrero, Manuel de Zumaya, Juana Inés de la Cruz, Gaspar Fernandes, and Juan Gutiérrez de Padilla.Pope, "Villancico." Derived from medieval dance forms, the 15th century Spanish villancico was a type of popular song sung in the vernacular and frequently associated with rustic themes. The poetic form of the Spanish villancico was that of an estribillo (or refrain) and coplas (stanzas), with or without an introduction. While the exact order and number of repetitions of the estribillo and coplas varied, the most typical form was a loose ABA framework, often in triple meter. The villancico developed as a secular polyphonic genre until religious villancicos gained popularity in the second half of the 16th ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denis Of Portugal
Denis (, ; 9 October 1261 – 7 January 1325), called the Farmer King (''Rei Lavrador'') and the Poet King (''Rei Poeta''), was King of Portugal from 1279 until his death in 1325. Dinis was the eldest son of Afonso III of Portugal by his second wife, Beatrice of Castile, and grandson of Afonso II of Portugal, Denis succeeded his father in 1279. He was married to Elizabeth of Aragon, who was later canonised as a saint of the Roman Catholic Church. Denis ruled Portugal for over 46 years. He worked to reorganise his country's economy and gave an impetus to Portuguese agriculture. He ordered the planting of a large pine forest (that still exists today) near Leiria to prevent the soil degradation that threatened the region and to serve as a source of raw materials for the construction of the royal ships. He was also known for his poetry, which constitutes an important contribution to the development of Portuguese as a literary language. Reign In 1290, Denis began to pursue the sys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canción
''Canción'' ("song") is a popular genre of Latin American music, particularly in Cuba, where many of the compositions originate.Orovio, Helio 2004. ''Cuban music from A to Z''. p42 Its roots lie in Spanish popular song forms, including tiranas, Polo (flamenco palo), polos and Bolero (Spanish dance), boleros; also in Italian light operetta, French romance (music), romanza, and the slow waltz. Initially, even when written by the creole population of Cuba, who opposed the ruling hierarchy, the music retained its European style of "intricate melodies, and dark, enigmatic and elaborate lyrics". Later, in the latter part of the nineteenth century, the canción came under the influence of the trovador movement. This resulted in the lyrical expression of the feelings and aspirations of the population. The accompaniment of the guitar followed naturally, and the canción gradually fused with other forms of Cuban (and therefore Latin American) music such as the bolero.Leon, Argeliers 1964. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Song Forms
A song is a musical composition performed by the human voice. The voice often carries the melody (a series of distinct and fixed pitches) using patterns of sound and silence. Songs have a structure, such as the common ABA form, and are usually made of sections that are repeated or performed with variation later. A song without instruments is said to be a cappella. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in the classical tradition, it is called an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally by ear are often referred to as folk songs. Songs composed for the mass market, designed to be sung by professional singers who sell their recordings or live shows, are called popular songs. These songs, which have broad appeal, are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
