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Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and in modern forms is usually made of plastic, where early membranes were made of animal skin. Early forms of the instrument were fashioned by African Americans and had African antecedents. In the 19th century, interest in the instrument was spread across the United States and United Kingdom by traveling shows of the 19th-century minstrel show fad, followed by mass production and mail-order sales, including instructional books. The inexpensive or home-made banjo remained part of rural folk culture, but five-string and four-string banjos also became popular for home parlor music entertainment, college music clubs, and early 20th century jazz bands. By the early 20th century, the banjo was most frequently associated with folk, cowboy music, and country music. By mid-century it had come to be strongly associated with bluegrass. Eventu ...
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Earl Scruggs
Earl Eugene Scruggs (January 6, 1924 – March 28, 2012) was an American musician noted for popularizing a three-finger banjo picking style, now called "Scruggs style", which is a defining characteristic of bluegrass music. His three-finger style of playing was radically different from the traditional way the five-string banjo had previously been played. This new style of playing became popular and elevated the banjo from its previous role as a background rhythm instrument to featured solo status. He popularized the instrument across several genres of music. Scruggs played in Bill Monroe's band, the Blue Grass Boys. "Bluegrass" eventually became the name for an entire genre of country music. Despite considerable success with Monroe, performing on the Grand Ole Opry and recording classic hits such as "Blue Moon of Kentucky", Scruggs resigned from the group in 1948 because of their exhausting touring schedule. Fellow band member Lester Flatt resigned as well, and he and Scrug ...
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Old-time Music
Old-time music is a genre of North American folk music. It developed along with various North American folk dances, such as square dancing, contra dance, clogging, and buck dancing. It is played on acoustic instruments, generally centering on a combination of fiddle (see old time fiddling) and plucked string instruments, most often the banjo, guitar, and mandolin. Together, they form an ensemble called the string band, which along with the simple banjo–fiddle duet have historically been the most common configurations to play old-time music. The genre is considered a precursor to modern country music. History Reflecting the cultures that settled North America, the roots of old-time music are in the traditional musics of the British Isles, Europe, and Africa. African influences are notably found in vocal and instrumental performance styles and dance, as well as the often cited use of the banjo; in some regions, Native American, Spanish, French and German sources are al ...
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Ralph Stanley
Ralph Edmund Stanley (February 25, 1927 – June 23, 2016) was an American bluegrass artist, known for his distinctive singing and banjo playing. He began playing music in 1946, originally with his older brother Carter Stanley as part of The Stanley Brothers, and most often as the leader of his band, The Clinch Mountain Boys. Ralph was also known as Dr. Ralph Stanley. He was part of the first generation of bluegrass musicians and was inducted into both the International Bluegrass Music Hall of Honor and the Grand Ole Opry. Biography Stanley was born, grew up, and lived in rural Southwest Virginia—"in a little town called McClure at a place called Big Spraddle Creek, just up the holler" from where he moved in 1936. Before that he lived in another part of Dickenson County."Old-Time Man" interview by Don Harrison June 2008 '' Virginia Living'', p. 55. The son of Lee and Lucy Smith Stanley, Ralph did not grow up around a lot of music in his home. As he said, his "daddy did ...
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Scruggs Style
Scruggs style is the most common style of playing the banjo in bluegrass music. It is a fingerpicking method, also known as three-finger style. It is named after Earl Scruggs, whose innovative approach and technical mastery of the instrument have influenced generations of bluegrass banjoists ever since he was first recorded in 1946. It contrasts with earlier styles such as minstrel, Banjo#Classic_era%2C_1880s–1910s, classic, or parlor style (a late 19th-century finger-style played without picks), clawhammer/frailing/two-finger style (played with thumb and nail of the first or middle finger), jazz styles played with a plectrum, and more modern styles such as Keith style, Keith/melodic/chromatic/arpa style and single-string/Reno style. The influence of Scruggs is so pervasive that even bluegrass players such as Bill Keith (musician), Bill Keith and Don Reno, who are credited with developing these latter styles, typically work out of the Scruggs style much of the time. Technique ...
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Black American Music
African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their culture. Its origins are in musical forms that developed as a result of the enslavement of African Americans prior to the American Civil War. It has been said that "every genre that is born from America has black roots." White slave owners subjugated their slaves physically, mentally, and spiritually through brutal and demeaning acts. Some White Americans considered African Americans separate and unequal for centuries, going to extraordinary lengths to keep them oppressed. African-American slaves created a distinctive type of music that played an important role in the era of enslavement. Slave songs, commonly known as work songs, were used to combat the hardships of the physical labor. Work songs were also used to communicate with other slaves without the slave owner hearing. The song "Wade in the Water" was sung by slaves to warn others trying to l ...
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Dixieland Jazz
Dixieland jazz, also referred to as traditional jazz, hot jazz, or simply Dixieland, is a style of jazz based on the music that developed in New Orleans at the start of the 20th century. The 1917 recordings by the Original Dixieland Jass Band (which shortly thereafter changed the spelling of its name to "Original Dixieland Jazz Band") fostered awareness of this new style of music. History The Original Dixieland Jazz Band, recording its first disc in 1917, was the first instance of jazz music being called "Dixieland", though at the time, the term referred to the band, not the genre. The band's sound was a combination of African American/New Orleans ragtime and Sicilian music. The music of Sicily was one of the many genres in the New Orleans music scene during the 1910s, alongside sanctified church music, brass band music and blues. Much later, the term "Dixieland" was applied to early jazz by traditional jazz revivalists, starting in the 1940s and 1950s. In his book ''Jazz' ...
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Flatt And Scruggs
Flatt and Scruggs were an American bluegrass duo. Singer and guitarist Lester Flatt and banjo player Earl Scruggs, both of whom had been members of Bill Monroe's band, the Bluegrass Boys, from 1945 to 1948, formed the duo in 1948. Flatt and Scruggs are viewed by music historians as one of the premier bluegrass groups in the history of the genre.Rosenberg, Neil V. (1998)"Flatt & Scruggs and the Foggy Mountain Boys" ''The Encyclopedia of Country Music'', Oxford University Press, pp. 173-4 Flatt and Scruggs recorded and performed together until 1969. Their backing band, the Foggy Mountain Boys, included fiddle player Paul Warren, a master player in both the old-time and bluegrass fiddling styles whose technique reflected all qualitative aspects of "the bluegrass breakdown" and fast bowing style; dobro player Uncle Josh Graves, an innovator of the advanced playing style of the instrument now used in the genre; stand-up bass player Cousin Jake Tullock; and mandolinist Curly Seckler. ...
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Minstrel Show
The minstrel show, also called minstrelsy, was an American form of theater developed in the early 19th century. The shows were performed by mostly white actors wearing blackface makeup for the purpose of portraying racial stereotypes of African Americans. There were very few African-American performers and black-only minstrel groups that also formed and toured. Minstrel shows stereotyped blacks as dimwitted, lazy, buffoonish, cowardly, superstitious, and happy-go-lucky.The Coon Character
, Jim Crow Museum of Racist Memorabilia, Ferris State University. Retrieved 29 January 2016.
John Kenrick

, musicals101.com. 1996, revised 2003. Retrieved 9 November 2011.
A recurring character was Jim Crow, an exaggerated portray ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ...
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Country Music
Country (also called country and western) is a popular music, music genre originating in the southern regions of the United States, both the American South and American southwest, the Southwest. First produced in the 1920s, country music is primarily focused on singing Narrative, stories about Working class in the United States, working-class and blue-collar worker, blue-collar American life. Country music is known for its ballads and dance tunes (i.e., "Honky-tonk#Music, honky-tonk music") with simple form, folk lyrics, and harmonies generally accompanied by instruments such as banjos, fiddles, harmonicas, and many types of guitar (including acoustic guitar, acoustic, electric guitar, electric, steel guitar, steel, and resonator guitar, resonator guitars). Though it is primarily rooted in various forms of American folk music, such as old-time music and Appalachian music, many other traditions, including African-American, Music of Mexico, Mexican, Music of Ireland, Irish, and ...
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Folk Music
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ...
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Vess Ossman
Sylvester Louis "Vess" Ossman (August 21, 1868 – December 7, 1923) was a leading five-string banjoist and popular recording artist of the early 20th century. Biography Sylvester Louis Ossman was born in Hudson, New York, and made his first recordings in 1893. He became one of the most recorded musicians of his day, recording marches, cakewalks, and rags. He also accompanied popular singers, such as Arthur Collins and Len Spencer. Ossman married Eunice Smith and they had three children, Vess Jr., Raymond, and Annadele.Gracyk, Hoffmann 2000, p. 266. In 1900 and 1903, when Ossman's reputation and fame had spread internationally, he toured England and recorded. With the brothers Audley and George Dudley he performed in the Ossman-Dudley Trio. He led his own dance band, the Ossman's Singing and Playing Orchestra, in Dayton, Ohio, and Indianapolis, Indiana. The increasing popularity of his rival Fred Van Eps, after 1910, made Ossman's name appear less frequently in r ...
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