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Zaïde, Reine De Grenade
''Zaïde, reine de Grenade'' (Zaïde, Queen of Grenada) is a '' ballet-héroïque'' written by the French Baroque composer Joseph-Nicolas-Pancrace Royer, to a text by the Abbé de La Marre, first performed in 1739. Royer's "sparse but sensuous orchestral textures with flutes and oboes very prominent" have been praised in ''Zaïde'' together with "his exuberant choral writing and his fluid treatment of recitative and aria"., reviewing a concert at St John's, Smith Square Performance history ''Zaïde'' was first performed, under the direction of the composer, on 3 September 1739 for the wedding of King Louis XV's daughter, when it ran for 44 performances, and was revived for the wedding of the Dauphin in 1745, and again for the wedding of Marie Antoinette in 1770. It has been performed at concert in 2005 in London in a new edition by Lionel Sawkins. Roles Synopsis The plot is quite simple. Queen Zaïde in the Alhambra has to decide between the love of two rival Moorish The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conducting
Conducting is the art of directing a musical performance, such as an orchestral or Choir, choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the Sheet music, score in a way that reflects the specific indications in that score, set the tempo, ensure correct entries by Musical ensemble, ensemble members, and "shape" the musical phrasing, phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a Baton (conducting), baton, and may use other gestures or signals such as facial expression and eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas Set In Spain
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Joseph-Nicolas-Pancrace Royer
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French-language Operas
French opera is both the art of opera in France and opera in the French language. It is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part in the French tradition, including Lully, Gluck, Salieri, Cherubini, Spontini, Meyerbeer, Rossini, Donizetti, Verdi and Offenbach. French opera began at the court of Louis XIV with Jean-Baptiste Lully's (1673), although there had been various experiments with the form before that, most notably by Robert Cambert. Lully and his librettist Quinault created , a form in which dance music and choral writing were particularly prominent. Lully's most important successor was Rameau. After Rameau's death, Christoph Willibald Gluck was persuaded to produce six operas for the Paris Opera in the 1770s. They show the influence of Rameau, but simplified and with gre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moors
The term Moor is an Endonym and exonym, exonym used in European languages to designate the Muslims, Muslim populations of North Africa (the Maghreb) and the Iberian Peninsula (particularly al-Andalus) during the Middle Ages. Moors are not a single, distinct or Ethnonym, self-defined people. Europeans of the Middle Ages and the early modern period variously applied the name to Arabs, Berbers, and Islam in Europe, Muslim Europeans. The term has been used in a broader sense to refer to Muslims in general,Menocal, María Rosa (2002). ''Ornament of the World: How Muslims, Jews and Christians Created a Culture of Tolerance in Medieval Spain''. Little, Brown, & Co. , p. 241 especially those of Arab or Berber descent, whether living in al-Andalus or North Africa. The 1911 ''Encyclopædia Britannica'' observed that the term had "no real ethnological value." The word has racial connotations and it has fallen out of fashion among scholars since the mid-20th century. The word is also used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alhambra
The Alhambra (, ; ) is a palace and fortress complex located in Granada, Spain. It is one of the most famous monuments of Islamic architecture and one of the best-preserved palaces of the historic Muslim world, Islamic world. Additionally, the palace contains notable examples of Spanish Renaissance architecture. The complex was begun in 1238 by Muhammad I of Granada, Muhammad I Ibn al-Ahmar, the first Nasrid dynasty, Nasrid emir and founder of the Emirate of Granada, the last Muslim state of Al-Andalus. It was built on the Sabika hill, an outcrop of the Sierra Nevada (Spain), Sierra Nevada which had been the site of earlier fortresses and of the 11th-century palace of Samuel ibn Naghrillah. Later Nasrid rulers continuously modified the site. The most significant construction campaigns, which gave the royal palaces much of their defining character, took place in the 14th century during the reigns of Yusuf I of Granada, Yusuf I and Muhammad V of Granada, Muhammad V. After the conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marie Sallé
Marie Sallé (1707–1756) was a French dancer and choreographer in the 18th century known for her expressive, dramatic performances rather than a series of "leaps and frolics" typical of ballet of her time. Biography Marie Sallé was a prominent dancer and choreographer in early 18th-century dance. She helped to create ''ballet d'action'' (a form continued by her student, Jean-Georges Noverre); she reformed traditional "feminine" costumes. Born to fairground performers and tumblers in 1707, Marie grew up performing around France with her family. She made her first public performance with her brother, Francis, at London's Lincoln's Inn Fields Theatre in 1716. They made their Paris debut at the Saint Laurent fair in 1718 performing ''La Princesse Charisme'', created by Véronique Lesage. In 1725, their family returned to England, but they stayed. The pair is said to have studied with Claude Balon, star of the Académie Royale de Musique, Paris Opéra, as well as his partner, Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Jélyotte
Pierre Jélyotte (13 April 1713 – 11 September 1797) was a French operatic tenor, particularly associated with works by Rameau, Lully, Campra, Mondonville and Destouches. Life and career Born Pierre Grichon in Lasseube, he studied in Toulouse (voice, harpsichord, guitar, violin, composition) and made his stage debut in Paris as a singer at the Concert Spirituel in 1733. That same year, he made his debut at the Opéra de Paris, in ''Les fêtes grecques et romaines'', by François Colin de Blamont. He thereafter created several roles in opera by Jean-Philippe Rameau, such as; '' Hippolyte et Aricie'', '' Les Indes galantes'', '' Dardanus'', and '' Zoroastre'', as well as in opera by Jean-Baptiste Lully, André Campra, and André Cardinal Destouches. In all he sang some 150 roles. He often appeared at Court in Fontainebleau, where he sang Daphnis in '' Daphnis et Alcimadure'' by Jean-Joseph de Mondonville, and Colin in '' Le devin du village'' by Jean-Jacques ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haute-contre
The ''haute-contre'' (plural ''hautes-contre'') was the primary French operatic tenor voice, predominant in French Baroque and Classical opera, from the middle of the seventeenth century until the latter part of the eighteenth century. History This voice was predominantly used in male solo roles, typically heroic and amatory ones, but also in comic parts, even '' en travesti'' (see apropos the portrait reproduced below and representing Pierre Jélyotte made up for the female title role of Rameau's ''Platée ''Platée'' is an opera in a prologue and three acts by Jean-Philippe Rameau with a libretto by Adrien-Joseph Le Valois d'Orville. Rameau bought the rights to the libretto ''Platée ou Junon jalouse'' (''Plataea, or Juno Jealous'') by Jacques Autr ...''). Lully wrote 8 out of 14 leading male roles for the voice; Charpentier, who was an haute-contre himself, composed extensively for the voice-part, as did Rameau and, later, Gluck. The leading ''hautes-contre'' of the A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. Composers typically write music for this voice in the range from the second B below middle C to the G above middle C (i.e. B2 to G4) in choral music, and from the second B flat below middle C to the C above middle C (B2 to C5) in operatic music, but the range can extend at either end. Subtypes of tenor include the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As noted in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normally calculated in relation to the ten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
