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Yürük Semai
A ''yürük semai'' (also spelled ''yürük sema'i'', ''yürük sema i'', or ''yürük semâ'î'') is a musical form in Ottoman classical music. It was a movement of a ''fasıl'' (suite). It is generally composed in an '' usul'' (rhythmic structure) of 6/8 or 6/4. Tanburi Cemil Bey was a noted composer of ''yürük semai''. In Arabic music, there is an '' iqa''' (rhythmic mode) called ''yūruk samā'ī'' (يورك سماعي), which is commonly used in the '' muwashshah'' genre. See also *''Saz semai'' *''Sama'i ''Sama'i'' (also known as ''usul semai'') is a vocal piece of Ottoman Turkish music composed in meter. This form and meter ('' usul'' in Turkish) is often confused with the completely different '' saz semaisi'', an instrumental form consisting of ...'' External links''Yürük semai'' page [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Classical Music
Ottoman music () or Turkish classical music (, or more recently ) is the tradition of Art music, classical music originating in the Ottoman Empire. Developed in the palace, major Ottoman cities, and Sufi lodges, it traditionally features a solo singer with a small to medium-sized instrumental ensemble. A tradition of music that reached its Golden Age, golden age around the early 18th century, Ottoman music traces its roots back to the music of the Hellenic Culture, Hellenic and Persianate society, Persianate world, a distinctive feature of which is the usage of a modal melodic system. This system, alternatively called ''Turkish makam, makam'', ''dastgah'' or ''echos'', is a large and varied system of melodic material, defining both scales and melodic contour. In Ottoman music alone, List of makams, more than 600 makams have been used so far, and out of these, at least 120 makams are in common use and formally defined. Rhythmically, Ottoman music uses the ''zaman'' and ''usûl'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fasıl
The ''fasıl'' is a suite in Ottoman classical music. It is similar to the Arabic '' nawba'' and '' waslah''. A classical ''fasıl'' generally includes movements such as '' taksim'', '' peşrev'', '' kâr'', '' beste'', ''ağır semâ'î'', '' yürük semâ'î'', '' gazel'', ''şarkı'' and '' saz semâ'î'', played continuously without interludes and interconnected through aranağme arrangements. A modern ''fasıl'' typically includes movements such as '' taksim'', '' peşrev'', ''şarkı (ağır aksak)'', '' yürük semâ'î'', ''Türk aksağı'', '' taksim'', ''şarkı (a few with increasing tempo)'' and '' saz semâ'î''. Traditional Fasıl (both classical and modern) is a musical act distinct from the performance of "oriental" or "arabesque" pop and folk songs found at meyhanes and taverns, which have come to be sometimes referred to by the same name. Şarkı A ''şarkı'' is an art song in Ottoman classical music which forms one of the movements of a ''fasıl'' (sui ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Usul (music)
{{more citations needed, date=January 2011 In Ottoman classical music, ''usul'' is an underlying rhythmic cycle that complements the melodic rhythm and sometimes helps shape the overall structure of a composition. An usul can be as short as two beats or as long as 128 beats. Usul is often translated as "meter", but usul and meter are not exactly the same. Both are repeating rhythmic patterns with more or less complex inner structures of beats of differing duration and weight. But a student learning Turkish music in the traditional ''meşk'' system first memorizes the usul kinetically by striking the knees with the hands. The student then sings the vocal or instrumental composition while performing the underlying usul. This pedagogical system helps the student memorize the composition while internalizing the underlying rhythmic structure. Usul patterns have standard pronounceable vocables built from combinations of the syllables ''düm'', ''dü-üm'', ''tek'', ''tekkyaa'', ''teke'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanburi Cemil Bey
Tanburi Cemil Bey (1873, Istanbul – July 28, 1916, Istanbul) was an Ottoman tanbur, Turkish tambur, yaylı tambur, kemençe, and lavta virtuoso and composer, who has greatly contributed to the ''taksim'' (improvisation on a makam/maqam) genre in Ottoman classical music. His son, Mesut Cemil Bey, was an equally renowned Turkish tambur virtuoso. Biography Cemil Bey was born in Istanbul, Ottoman Empire, in 1871 or 1873; his birth date is uncertain. He took his first lessons in music from Kanuni Ahmet Bey and the violin player Kemani Aleksan, his first instruments thus being the violin and the kanun. After completing middle school, he continued in a school for civil servants (''Mülkiye''), but then devoted himself to music and abandoned his education. He began to play the tanbur quite early in his youth and by the age of 20, his renown had already spread among the tamburis of Istanbul. Reforming the traditional playing technique of the tambur, he developed an energetic tech ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic Music
Arabic music () is the music of the Arab world with all its diverse List of music styles, music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic Varieties of Arabic, dialects, with each country and region having their own Folk music, traditional music. Arabic music has a long history of interaction with many other regional Music genre, musical styles and genres. It represents the music of all the Member states of the Arab League, peoples that make up the Arab world today. History Pre-Islamic period Pre-Islamic Arabia was the cradle of many intellectual achievements, including music, Music theory, musical theory and the development of musical instruments. In Yemen, the main center of pre-Islamic Arab sciences, literature and arts, musicians benefited from the patronage of the Kings of Sabaeans, Sabaʾ who encouraged the development of music. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iqa'
Rhythms in Arabic music are rich and very diverse, as they cover a huge region and peoples from Northern Africa to Western Asia. Rhymes are mainly analysed by means of rhythmic units called ''awzan'' and ''iqa'at''. Wazn and Iqa' A rhythmic pattern or cycle in Arabic music is called a "wazn" (; plural أوزان / ''awzān''), literally a " measure". A ''wazn'' is only used in musical genres with a fixed rhythmic-temporal organization including recurring measures, motifs, and meter or pulse. It consists of two or more regularly recurring time segments, each time segment consisting of at least two beats (''naqarāt'', plural of ''naqrah''). There are approximately one hundred different cycles used in the repertoire of Arabic music, many of them shared with other regional music, also found in some South European styles like Spanish music. They are recorded and remembered through onomatopoetic syllables and the written symbols O and I. ''Wazn'' may be as large as 176 units of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muwashshah
''Muwashshah'' ( ' ' girdled'; plural '; also ' 'girdling,' pl. ') is a strophic poetic form that developed in al-Andalus in the late 10th and early 11th centuries. The ', embodying the Iberian rhyme revolution, was the major Andalusi innovation in Arabic poetry, and it was sung and performed musically. The ''muwaššaḥ'' features a complex rhyme and metrical scheme usually containing five ' ( 'branches'; sing. '), with uniform rhyme within each strophe, interspersed with ' ( 'threads for stringing pearls'; sing. ') with common rhyme throughout the song, as well as a terminal '' kharja'' ( 'exit'), the song's final ''simṭ'', which could be in a different language. Sephardic poets also composed ' in Hebrew, sometimes as ''contrafacta'' imitating the rhyme and metrical scheme of a particular poem in Hebrew or in Arabic. This poetic imitation, called ' ( 'contrafaction'), is a tradition in Arabic poetry. The '' kharja'', or the ''markaz'' ( 'center') of the ', its fin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saz Semai
The ''saz semai'' (also spelled in Turkish language, Turkish as ''saz sema'i'', ''saz sema-i'', ''saz sema i'', ''saz semaī'', ''saz semâ'î'', ''sazsemai'', ''saz semaisi'', or ''sazsemaisi'' and in the Arab world as ''samâi'') is an instrumental musical form, form in Ottoman classical music. It was typically the closing movement of a ''fasıl'' (i.e. suite). The saz semai is metered and typically uses the Usul (music), usul (rhythmic structure) called ''aksak semai''. A saz semai is typically in 4 movement (music), movements, called ''hane'' (lit. "house"), each movement followed by a ''teslim'' (refrain). The ''teslim'' and the first three ''hane'' are usually in rhythm structure 10/8, unlike the fourth ''hane'' which is usually in 6/4, 3/4, or 6/8. Common Saz Semaisi Some Saz Semaisi are very well-known and played in the all makam music area (From Greece to Iraq, and from Iraq to Morocco). Here a few of them : *Semâi al Thakil - also called : Arap saz semai. This sama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sama'i
''Sama'i'' (also known as ''usul semai'') is a vocal piece of Ottoman Turkish music composed in meter. This form and meter ('' usul'' in Turkish) is often confused with the completely different '' saz semaisi'', an instrumental form consisting of three to four sections, in meter, or ''usul aksak semai'' (broken ''semai'' in Turkish). ''Semai'' is one of the most important forms in Ottoman Turkish Sufi music. Sample songs See also *'' Saz semai'' *'' Yürük semai'' *Waltz The waltz ( , meaning "to roll or revolve") is a ballroom dance, ballroom and folk dance, in triple (3/4 time, time), performed primarily in closed position. Along with the ländler and allemande, the waltz was sometimes referred to by the ... * Dede Efendi References * ''The Music of the Ottoman Court'' - Walter Feldman * ''Sufism, Music and Society'' - Swedish Research Institute * ''Makam'' - Karl Signell * ''Meaning in Turkish Musical Culture'' - Eugenia Popescu-Judetz External linksmany pie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Turkey
The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization. Ashik, Âşık, Aytysh, atışma, singing culture, wedding dance continued way of having fun with family and friends as before. Due to industry music and music in daily life aren't same. Turkish people including new generations have nostalgia music culture., pp 396-410. With the assimilation of immigrants from various regions the diversity of musical genres and musical instrumentation also expanded. Turkey has also seen documented folk music and recorded popular music produced in the ethnic styles of Music of Greece, Greek, Music of Armenia, Armenian, Music of Albania, Albanian, Music of Poland, Polish, Music of Azerbaijan, Azeri and Jewish communities, among ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Turkish Words And Phrases
Turkish may refer to: * Something related to Turkey ** Turkish language *** Turkish alphabet ** Turkish people, a Turkic ethnic group and nation *** Turkish citizen, a citizen of Turkey *** Turkish communities in the former Ottoman Empire * The word that Iranian Azerbaijanis use for the Azerbaijani language * Ottoman Empire (Ottoman Turkey), 1299–1922, previously sometimes known as the Turkish Empire ** Ottoman Turkish, the Turkish language used in the Ottoman Empire * Turkish Airlines, an airline * Turkish music (style), a musical style of European composers of the Classical music era * Turkish, a character in the 2000 film '' Snatch'' See also * * * Turk (other) * Turki (other) * Turkic (other) * Turkey (other) * Turkiye (other) * Turkish Bath (other) * Turkish population, the number of ethnic Turkish people in the world * Culture of Turkey * History of Turkey ** History of the Republic of Turkey * Turkic languages ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Forms
In music, ''form'' refers to the structure of a musical composition or performance. In his book, ''Worlds of Music'', Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of solos in a jazz or bluegrass performance), or the way a symphonic piece is orchestrated", among other factors. It is, "the ways in which a composition is shaped to create a meaningful musical experience for the listener."Kostka, Stefan and Payne, Dorothy (1995). ''Tonal Harmony'', p.152. McGraw-Hill. . These organizational elements may be broken into smaller units called phrases, which express a musical idea but lack sufficient weight to stand alone. Musical form unfolds over time through the expansion and development of these ideas. In tonal harmony, form is articulated prim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
