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Yvonne, Princesse De Bourgogne
''Yvonne, princesse de Bourgogne'' is a 2009 opera by Philippe Boesmans to a libretto by Swiss dramatist and director Luc Bondy based on the anti-conformist play ''Iwona, księżniczka Burgunda'' by Witold Gombrowicz.''Droit & littérature'', Koen Lemmens, François Ost, François Jongen – 2874550701 (2007): "En 1965, ''Yvonne, princesse de Bourgogne'' est traduite en français et mise en scène au ... Au printemps 2009, cette pièce sera transformée en opéra à Paris sur une musique de Philippe Boesmans et un livret de Luc Bondy." ''Yvonne'' is the fourth in a series of operas with librettos by Luc Bondy, and the first of the four to be written in French not German. The libretto for Boesmans' subsequent French opera, ''Au monde'' (2014), was provided by . Recordings *Dorte Lyssewski (Yvonne), Mireille Delunsch (Le Reine Marguerite), Paul Gay (Le Roi Ignace), Yann Beuron (Le Prince Philippe), Victor von Halem (Le Chambellan), Hannah Esther Minutillo (Isabelle), Jason Bridg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philippe Boesmans
Philippe Boesmans (17 May 1936 – 10 April 2022) was a Belgian pianist, composer and academic teacher. He studied to be a pianist at the Royal Conservatory of Liège, and was self-taught as a composer, influenced by the Liège Group of Henri Pousseur, André Souris, and Célestin Deliège, and by attending the Darmstädter Ferienkurse. He worked for the Radio Télévision Belge de la Communauté Française (RTBF) from 1961, as a producer from 1971. Boesman became primarily recognised for his operas, with works written for the Royal Opera House La Monnaie in Brussels as composer in residence since 1985. Four operas were written in collaboration with Luc Bondy who adapted plays for him, Schnitzler's ''La Ronde'', Shakespeare's ''The Winter's Tale'', Strindberg's ''Miss Julie'' and ''Iwona, księżniczka Burgunda'' by Witold Gombrowicz, and who directed the world premieres of the operas. '' Au monde'' was honoured with an International Opera Award in 2015. His last opera will recei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Luc Ballestra
Jean-Luc Ballestra (born 1976 in Nice) is a French contemporary baritone. Career Ballestra was formed at the trumpet and singing at the music conservatory of his hometown. He quickly made contact with the stage and the public, and at the age of 20, he embodied Mars in Offenbach's ''Orphée aux enfers ''Orpheus in the Underworld'' and ''Orpheus in Hell'' are English names for (), a comic opera with music by Jacques Offenbach and words by Hector Crémieux and Ludovic Halévy. It was first performed as a two-act " opéra bouffon" at the Théâ ...'' and Mercutio in Gounod's ''Roméo et Juliette'' at the Opéra de Nice. In the following years, in several lyrical festivals, he approached a very broad repertoire: Moralès in Bizet's ''Carmen'', Schaunard in Puccini's ''La Bohème'', Johann in Massenet's ''Werther''. Invited at the Opéra Bastille, he played Pantalon in Prokoviev's ''The Love for Three Oranges'' and the Pilot in Wagner's ''Tristan und Isolde, Tristan and Isold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two style ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Philippe Boesmans
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles of sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Operas
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Blacher
Boris Blacher (30 January 1975) was a German composer and librettist. Life Blacher was born when his parents (of German-Estonian and Russian backgrounds) were living within a Russian-speaking community in the Manchurian town of Niuzhuang () (hence the use of the Julian calendar on his birth record). He spent his first years in China and in the Asian parts of Russia, and in 1919, he eventually came to live in Harbin. In 1922 he went to Berlin where he began to study first architecture, mathematics, and then music at the Berlin Hochschule fuer Musik. He found work arranging popular and film music. Two years later, he turned to music and studied composition with Friedrich Koch. His career was interrupted by National Socialism. He was accused of writing degenerate music and lost his teaching post at the Dresden Conservatory. His career resumed after 1945, and he later became president of the Academy of Arts, Berlin, and is today regarded as one of the most influential mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yvonne, Prinzessin Von Burgund
''Yvonne, Prinzessin von Burgund'' (''Yvonne, Princess of Burgundy'') is an opera in four acts composed by Boris Blacher to a German-language libretto by the composer based on Witold Gombrowicz's 1935 Polish play ' (Yvonne, Burgundy Princess). Composed in 1972, it was Blacher's last opera.Kuharski, Allen J. (April 2009)"Ivona Buffa, Ivona Seria: Philippe Boesmans's ''Yvonne Princesse De Bourgogne'', Opera National De Paris, Palais Garnier, February 5, 2009" ''Slavic and East European Performance'', Vol. 29, No. 2. Retrieved online via HighBeam Research 11 July 2013 . It premiered on 15 September 1973 at the Opernhaus Wuppertal, Griffel, Margaret Ross (1990)''Operas in German: A Dictionary'' p. 340. Greenwood Press. directed by Kurt Horres.Boosey & HawkesBlacher, Boris: ''Yvonne, Prinzessin von Burgund'' Retrieved 11 July 2013 The story is set in the royal court of an imaginary country and combines elements of tragic farce, fantasy, and moral criticism. The title role is portrayed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sylvain Cambreling
Sylvain Cambreling (born 2 July 1948 in Amiens, France) is a French conductor. Biography Trained as a trombone player, Cambreling studied at the Paris Conservatoire. He joined l' Orchestre Symphonique de Lyon (OSL) as a trombonist in 1971. In 1974, he took second prize in the International Besançon Competition for Young Conductors. His conducting debut was with the OSL in 1975, leading Robert Schumann's ''Scenes from Goethe's Faust''. At the invitation of Pierre Boulez, he began to guest-conduct the Ensemble Intercontemporain regularly from 1976. Cambreling was the music director of the Théâtre de la Monnaie, Brussels from 1981 to 1991, during Gerard Mortier's tenure. He served as artistic director and general music director of the Frankfurt Opera from 1993 to 1997. During his Frankfurt tenure, he encountered controversy over proposed budget cuts from the city of Frankfurt and the director for opera and ballet, Martin Steinhoff. From 1997 to 2004, he served as principal gue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Von Halem
Victor von Halem (26 March 1940 – 28 May 2022) was a German operatic bass. He was a member of the Deutsche Oper Berlin for nearly 30 years as well as a guest singer in the major opera houses and festivals of Europe and North America. He sang a wide repertoire encompassing over 100 roles, including King Philipp in Verdi's ''Don Carlo'' and Hans Sachs in Wagner's ''Die Meistersinger von Nürnberg''. Life and career Von Halem was born in Berlin but spent his childhood in Portugal and Italy. He studied singing at the Musikhochschule München under Else Domberger. Recommended by Herbert von Karajan, he made his stage debut in 1965 at the Deutsche Oper Berlin, and was a member of the company for the next 30 years, singing many leading bass roles and described as "a defining singer" of the house. His roles included Sarastro in Mozart's ''Die Zauberflöte'', Rocco in Beethoven's ''Fidelio'', Saint-Bris in Meyerbeer's Les Huguenots. Verdi's Ramfis in ''Aida'' and King Philipp in ''Don ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luc Bondy
Luc Bondy (17 July 1948 – 28 November 2015) was a Swiss theatre and film director. Life and career upright=1.3, '' Charlotte Salomon'' at the Salzburg Festival 2014 Trained in Paris with the theatre teacher Jacques Lecoq, he received a job in 1969 as an assistant at the Hamburg Thalia Theatre. In a surprise, he took over in 1985 after the resignation of Peter Stein at the Schaubühne in Berlin. He also worked as a producer of both plays and operas at the Salzburg Festival, and in 1985 as a director at the Vienna Festival. He was the director of the most recent version of ''Tosca'', by Puccini, at the Metropolitan Opera in New York. Both the opera, as well as the director, were greeted by loud boos on opening night, 21 September 2009. The reception was generally negative. James Levine, the music director at the Metropolitan Opera likened the production to a 'Hitchcock movie' and the cultural critic for the ''New York Times'', Charles McGrath, felt that the new product ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mireille Delunsch
Mireille Delunsch (born 2 November 1962) is a French soprano. She was born in Mulhouse, and studied musicology and voice at the Conservatoire de Strasbourg. Her debut was at the Opéra national du Rhin in Mulhouse, in Mussorgsky's ''Boris Godunov''. Her repertory is wide, from Baroque opera to 20th-century art songs, with an emphasis on French music. She is well known for the operas she has sung under the direction of French conductor Marc Minkowski. Recordings Among the operas Delunsch has recorded with Minkowski are: *''La dame blanche'' by Boïeldieu (1996, released 1997, EMI Classics) - ''Jenny'' *'' Armide'' by Gluck (1996, released 1999, Archiv) - ''Armide'' *'' Dardanus'' by Rameau (1998, released 2000, Archiv) - ''Vénus'' *''Iphigénie en Tauride'' by Gluck (1999, released 2001, Archiv) - ''Iphigénie'' *''Orphée et Eurydice'' (French version) by Gluck (2002, released 2004, Archiv) - ''Eurydice'' and DVD/TV broadcast *''L'incoronazione di Poppea'' by Monteverdi (200 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
