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Yotsuya Kaidan
, the story of Oiwa and Tamiya Iemon, is a tale of betrayal, murder and onryou, ghostly revenge. Arguably the most famous Kaidan (parapsychology), Japanese ghost story of all time, it has been adapted for film over 30 times and continues to be an influence on Japanese horror today. Written in 1825 by Tsuruya Nanboku IV as a kabuki play, the original title was . It is now generally shortened, and loosely translates as ''Ghost Story of Yotsuya.'' History First staged in July 1825, ''Yotsuya Kaidan'' appeared at the Nakamuraza Theater in Edo (the former name of present-day Tokyo) as a double-feature with the immensely popular ''Forty-seven Ronin, Kanadehon Chushingura''. Normally, with a Kabuki double-feature, the first play is staged in its entirety, followed by the second play. However, in the case of ''Yotsuya Kaidan'' it was decided to interweave the two dramas, with a full staging on two days: the first day started with ''Kanadehon Chushingura'' from Act I to Act VI, followed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuniyoshi Oiwa
Kuniyoshi (written: 国吉 or 國吉) is a Japanese surname. Notable people with the surname include: *Blumio, Fumio Kuniyoshi (国吉 史生, born 1985), Japanese-German rapper *, Japanese footballer *, American painter and photographer *, Japanese baseball player Kuniyoshi (written: 邦嘉, 邦佳, 邦栄, 國義 or 國芳) is also a masculine Japanese given name. Notable people with the name include: *, Japanese mixed martial artist *, Japanese painter, illustrator and photographer *, Japanese educational theorist and publisher *, Japanese scientist *, Japanese ''daimyō'' *, Japanese artist in woodblock printing and painting * Prince Kuni Kuniyoshi (1873–1929), member of the Japanese imperial family and field marshal in the Imperial Japanese Army References {{given name, type=both Japanese-language surnames Japanese masculine given names Masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Onryō
In Japanese traditional beliefs and literature, are a type of ghost () believed to be capable of causing harm in the world of the living, injuring or killing enemies, or even causing natural disasters to exact Revenge, vengeance to "redress" the wrongs it received while alive, then taking their spirits from their dying bodies. are often depicted as wronged women, who are traumatized, envious, disappointed, bitter, or just infuriated by what happened during life and exact revenge in death. These kinds of ghosts appear extremely vengeful, ruthless, heartless, brutal, cruel, deranged, egotistical, selfish, bloodthirsty, and cold-hearted. Emperor Sutoku, Taira no Masakado, and Sugawara no Michizane are called the because they are considered to be the most powerful and revered in Japanese history. After they died with resentment and anger, there was a series of deaths of political opponents, natural disasters, and wars, and the rulers enshrined them as and deified them in Sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netsuke
A is a miniature sculpture, originating in 17th century Japan. Initially a simply-carved button fastener on the cords of an box, later developed into ornately sculpted objects of craftsmanship.Yuji Yamashita (2014), ''Meiji no saimitsu kogei''. pp. 86-87. Heibonsha History Traditionally, Japanese clothing – first the and its later evolution, the kimono – did not have pockets. Though the sleeves of the kimono could be used to store small items, the men who wore kimono needed a larger and stronger container in which to store personal belongings, such as pipes, tobacco, money and seals, resulting in the development of containers known as , which were hung by cords from the robes' sashes (). These containers may have been pouches or small woven baskets, but the most popular were crafted boxes () held shut by , sliding beads on cords. Whatever the form of the container, the fastener which secured the cord at the top of the sash was a carved, button-like toggle called a . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Hundred Ghost Stories
''One Hundred Ghost Stories'' () is a series of ukiyo-e Woodblock printing in Japan, woodblock prints made by Katsushika Hokusai (1760–1849) in the Yūrei-zu genre circa 1830. He created this series around the same time he was creating his most famous works, the ''Thirty-six Views of Mount Fuji'' series. There are only five prints in this series, though as its title suggests, the publisher, Tsuruya Kiemon, and Hokusai wanted to make a series of one hundred prints. Material was copied from this source, which is available under Creative Commons Attribution-ShareAlike 3.0/ref> Hokusai was in his seventies when he worked on this series, and though his most famous impressions are landscape and wild-life works, he was attuned to the superstitions of the Edo period. This culminated in him creating these yokai prints of popular ghost stories being told at the time. The prints show scenes from such stories, that could be recited during the game of Hyakumonogatari Kaidankai. ''The One Hun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katsushika Hokusai
, known mononymously as Hokusai, was a Japanese ukiyo-e artist of the Edo period, active as a painter and printmaker. His woodblock print series '' Thirty-Six Views of Mount Fuji'' includes the iconic print ''The Great Wave off Kanagawa''. Hokusai was instrumental in developing ''ukiyo-e'' from a style of portraiture largely focused on courtesans and actors into a much broader style of art that focused on landscapes, plants, and animals. His works had a significant influence on Vincent van Gogh and Claude Monet during the wave of Japonisme that spread across Europe in the late 19th century. Hokusai created the monumental ''Thirty-Six Views of Mount Fuji'' as a response to a domestic travel boom in Japan and as part of a personal interest in Mount Fuji. It was this series, specifically, ''The Great Wave off Kanagawa'' and '' Fine Wind, Clear Morning'', that secured his fame both in Japan and overseas. Hokusai was best known for his woodblock ukiyo-e prints, but he worked in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tsukioka Yoshitoshi
Tsukioka Yoshitoshi (; also named Taiso Yoshitoshi ; 30 April 1839 – 9 June 1892) was a Japanese printmaker.Louis-Frédéric, Nussbaum, Louis Frédéric. (2005)"Tsukoka Kōgyō"in ''Japan Encyclopedia,'' p. 1000. Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of Woodblock printing in Japan, woodblock printing and painting. He is also regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing. By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osaka
is a Cities designated by government ordinance of Japan, designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the List of cities in Japan, third-most populous city in Japan, following the special wards of Tokyo and Yokohama. With a population of 2.7 million in the 2020 census, it is also the largest component of the Keihanshin, Keihanshin Metropolitan Area, which is the List of metropolitan areas in Japan, second-largest metropolitan area in Japan and the 10th-List of urban areas by population, largest urban area in the world with more than 19 million inhabitants. Ōsaka was traditionally considered Japan's economic hub. By the Kofun period (300–538) it had developed into an important regional port, and in the 7th and 8th centuries, it served briefly as the imperial capital. Osaka continued to flourish during the Edo period (1603–1867) and became known as a center of Japanese culture. Following the M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock printing, woodblock prints and Nikuhitsu-ga, paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. In 1603, the city of Edo (Tokyo), Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth. They began to indulge in and patronize the entertainment of kabuki theatre, geisha, and oiran, courtesans of the Yūkaku, pleasure districts. The term ('floating world') came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the class, who had become wealthy enough to afford to decorate their homes wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ju-On
is a Japanese horror media franchise, franchise created by Takashi Shimizu. The franchise began in 1998 with the release of the short films Katasumi and 4444444444, ''Katasumi'' and ''4444444444''. Shimizu attended the Film School of Tokyo, where he studied under Kiyoshi Kurosawa. Kurosawa helped Shimizu shepherd the ''Ju-On'' projects to fruition. The ''Ju-On'' films generally revolve around a curse created in a house in Nerima, Tokyo, when Takeo Saeki, convinced that his wife, Kayako Saeki, Kayako, is having an affair with another man, murders her, their son, Toshio Saeki, Toshio, and Toshio's pet cat in a jealous fit of rage. According to ''Ju-On'', when a person dies with a deep and powerful rage, a curse is born. The curse gathers in the place where that person has died or which they frequented, and repeats itself there. The spirits of the deceased haunt the location, potentially killing anyone who encounters the curse by any means, such as entering a cursed house or bein ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homage (arts)
Homage ( or ) is a show or demonstration of respect or dedication to someone or something, sometimes by simple declaration but often by some more oblique reference, artistic or poetic. The term is often used in the arts The arts or creative arts are a vast range of human practices involving creative expression, storytelling, and cultural participation. The arts encompass diverse and plural modes of thought, deeds, and existence in an extensive range of m ..., where one author or artist shows respect to another by allusion or imitation; this is often spelled like and pronounced similar to the original French ''hommage'' (). Description It was originally a Homage (feudal), declaration of fealty in the feudal system – swearing that one was the man (French: ''homme''), or subordinate, of the feudal lord. The concept then became used figuratively for an acknowledgement of quality or superiority. For example, a man might give homage to a lady, so honouring her beauty and ot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ring (film)
is a 1998 Japanese supernatural psychological horror film directed by Hideo Nakata and written by Hiroshi Takahashi, based on the 1991 novel by Koji Suzuki. The film stars Nanako Matsushima, Miki Nakatani, and Hiroyuki Sanada, and follows a reporter who is racing to investigate the mystery behind a cursed video tape; whoever watches the tape dies seven days after doing so. The film is also titled ''The Ring'' (stylized as ''the Ring'') in Japan and was released in North America as ''Ringu''. Production took approximately nine months, and the film was shot back-to-back with a sequel, ''Spiral'', featuring much of the same cast but involving neither Nakata or Takahashi; both films were released together in Japan on January 31, 1998, with the studio hoping for the popularity of the novel to make both films successful. After its release, ''Ring'' was a box office hit in Japan and internationally and was acclaimed by critics, who praised its atmosphere, slow-paced horror and themes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
