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We Can't Be Stopped
''We Can't Be Stopped'' is the third studio album by Geto Boys, released on July 9, 1991. It was among their most successful records in terms of units sold. The album is analysed track-by-track by Geto Boys in Brian Coleman's book '' Check the Technique''.Coleman, Brian. '' Check The Technique: Liner Notes For Hip-Hop Junkies''. New York: Villard/Random House, 2007. pp. 225-231. ''We Can't Be Stopped'' was certified Platinum in early 1992.Bush, John"Geto Boys" AllMusic. Retrieved June 17, 2011 Recording ''We Can't Be Stopped'' took only a few weeks to record. During the recording of the album, DJ Ready Red, one of the original Geto Boys members, left the group for personal reasons. In ''We Can't Be Stopped'', each member of the group has three solo tracks. Three tracks have all three members on the rapping roster, including a short verse from DJ Ready Red on the title track. Album cover The album cover is a graphic picture of member Bushwick Bill in the hospital. Bill was shot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entertainment Weekly
''Entertainment Weekly'' (sometimes abbreviated as ''EW'') is an American online magazine, digital-only entertainment magazine based in New York City, published by Dotdash Meredith, that covers film, television, music, Broadway theatre, books, and popular culture. The print magazine debuted on February 16, 1990, in New York City, and ceased publication in 2022. Different from celebrity-focused publications such as ''Us Weekly'', ''People (magazine), People'' (a sister magazine to ''EW''), and ''In Touch Weekly'', ''EW'' primarily concentrates on entertainment media news and critical reviews; unlike ''Variety (magazine), Variety'' and ''The Hollywood Reporter'', which were primarily established as trade magazines aimed at industry insiders, ''EW'' targets a more general audience. History Formed as a sister magazine to ''People'', the first issue of ''Entertainment Weekly'' was published on February 16, 1990. Created by Jeff Jarvis and founded by Michael Klingensmith, who serve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West Coast Poplock
"West Coast Poplock" is one of the most popular singles by Ronnie Hudson And The Street People and was released in 1982. Immediately adopted as an anthem by KDAY, "West Coast Poplock" has rarely left radio since its release nearly 40 years ago. It contains elements from the 1981 song "So Ruff, So Tuff", performed by Roger Troutman and co-written by himself and brother Larry Troutman. Various rappers have sampled it, from N.W.A, Snoop Dogg and Dr. Dre to Scarface and Mos Def. The song is notable for its sample in "California Love" by 2Pac featuring Dr. Dre and Roger Troutman, which was released on Death Row Records record label in 1996. Ronnie Hudson made a comeback with his album entitled '' Westcoastin''', in which the "West Coast Poplock" was renamed to "West Coast Poplock 2020" and was re-mastered. Legacy West Coast Poplock was later sampled by Dr. Dre & 2Pac on "California Love". Hudson's work is featured in films including ''The Social Network'', '' South Central'', ''Chef & ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zapp & Roger
Zapp (also known as the Zapp Band, Zapp & Roger) is an American funk band that emerged from Dayton, Ohio, United States, in 1977. Particularly influential in the electro subgenre of funk, Zapp were known for their trademark use of the talk-box effect. The original line-up consisted of four Troutman brothers—frontman Roger, Larry, Lester and Terry—first cousin, Sherman Fleetwood—and non-Troutman family members Bobby Glover, Gregory Jackson, Jerome Derrickson, Eddie Barber, Jannetta Boyce and Shirley Murdock. Zapp also worked closely with George Clinton and Bootsy Collins of Parliament-Funkadelic during its early stages, their support being a factor in the group gaining a record deal with Warner Bros. Records in 1979. Zapp released its eponymous debut album in 1980, and achieved mainstream recognition with the single "More Bounce to the Ounce". The group's 1982 follow-up ''Zapp II'' sold well and was certified gold. In the 1990s, Zapp would also influence the G-funk sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
More Bounce To The Ounce
"More Bounce to the Ounce" is the debut single by American funk band Zapp. It is the opening track on their eponymous debut album and serves as the album's first single. The song was produced by Bootsy Collins, arranged, composed and produced by Roger Troutman; and it peaked at No. 86 on the ''Billboard'' Hot 100 in 1980. The song title was taken from a 1950s Pepsi ad campaign of the same name. Legacy The song was the inspiration behind the Tom Tom Club's 1981 hit " Genius of Love", itself one of the most sampled tracks of the new wave era. "We loved More Bounce'in part because it was played at a slower, funkier tempo by far than so many other dance tracks of the period," said Tom Tom Club's Chris Frantz. "It was very relaxed and sexy while still maintaining a raw, hard edge." The song has been sampled many times by numerous hip hop artists; notable examples include " You Gots to Chill" by EPMD (1988 & 1997), "Friday" by Ice Cube O'Shea Jackson Sr. (born June 15, 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funkadelic
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s.John, Bush. Funkadelic: Biography ''AllMusic''. Funkadelic initially formed as a backing band for Clinton's vocal group the Parliaments (later the full-fledged band Parliament), but eventually pursued a heavier, psychedelic rock-oriented sound in their own recordings. They released acclaimed albums such as '' Maggot Brain'' (1971) and '' One Nation Under a Groove'' (1978). History Background The group that would become Funkadelic was formed by George Clinton in 1964, as the unnamed backing section for his doo wop group the Parliaments while on tour. The band originally consisted of musicians Frankie Boyce, Richard Boyce, and Langston Booth plus the five members of the Parliaments on vocals. Boyce, Boyce, and Booth enlisted in the Army i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(Not Just) Knee Deep
"(Not Just) Knee Deep" is a song by the American funk band Funkadelic, written by George Clinton. The song was released as a single for their album '' Uncle Jam Wants You'' (1979). The song is widely regarded as a funk classic, peaking at No. 77 on the ''Billboard'' Hot 100 and topping the US R&B charts in 1979. An edited version of the song, appearing as Side A on the single release, reached number one on the ''Billboard'' Black Singles chart. Composition The song was written by George Clinton (credited on some releases as "George Clinton, Jr."); the recording was arranged by Walter "Junie" Morrison and produced by Clinton under the alias "Dr. Funkenstein". The Funkadelic version is sung by Clinton and several other group members, including Philippé Wynne, who was a former lead singer of the rhythm and blues group, The Spinners, which he left two years earlier. The lyrics tell of a "girl" who "was a freak of the week" and the man who was dancing with her. He was unimpre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Moroder
Giovanni Giorgio Moroder (, ; born 26 April 1940) is an Italian composer and music producer. Dubbed the "Honorific nicknames in popular music, Father of Disco", Moroder is credited with pioneering Euro disco and electronic dance music. His work with synthesizers had a significant influence on several music genres such as hi-NRG, Italo disco, synth-pop, new wave, house, and techno music. While in Munich in the 1970s, Moroder started Oasis Records, later a subdivision of Casablanca Records. He is the founder of the former Musicland Studios in Munich, a recording studio used by many artists including the Rolling Stones, Electric Light Orchestra, Led Zeppelin, Deep Purple, Queen (band), Queen, and Elton John. He produced singles for Donna Summer during the mid-to-late 1970s disco era, including "Love to Love You Baby (song), Love to Love You Baby", "I Feel Love", "Last Dance (Donna Summer song), Last Dance", "MacArthur Park (song)#Donna Summer version, MacArthur Park", "Hot Stuff (D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Source (magazine)
''The Source'' is an American music magazine and website specializing in hip-hop and entertainment. Founded in August 1988 by Harvard University students David Mays and Jonathan Shecter, it began as a black-and-white, one-page newspaper promoting their college radio show. Within months, it evolved into a professionally designed, full-color magazine. Dubbed "the bible of hip-hop," primarily focused on hip-hop music and culture while also covering politics and fashion. Its music reviews held great significance in the hip-hop community, with the "five mics" rating considered a prestigious honor and a significant achievement. The ratings often sparked heated debates among both artists and fans. At its height in the late 1990s, ''The Source'' was the highest-selling magazine on the newsstands in the United States. It launched its own compilation album series and an award show. The 1995 Source Awards were noted for their effect on the hip-hop landscape, particularly in escalating ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
XXL (magazine)
''XXL'' is an American hip hop magazine, published by Townsquare Media, founded in 1997. History In August 1997, Harris Publications released the first issue of ''XXL''. It featured rappers Jay-Z and Master P on a double cover. In December 2006, ''XXL'' took over the struggling hip-hop producer and DJ magazine '' Scratch'' (another publication owned by Harris Publications), re-branding it as ''XXL Presents Scratch Magazine''. However ''Scratch'' shut down less than a year later in September 2007. Other titles with limited runs have been launched under the ''XXL'' brand, including ''Hip-Hop Soul'', ''Eye Candy'' and '' Shade 45''. ''XXL'' has released many other special projects including tour programs, mixtapes and exclusive DVDs. ''XXL'' also maintains a popular website, which provides daily hip hop news, original content and content from the magazine. In 2014, Townsquare Media acquired ''XXL'', ''King'' and ''Antenna'' from Harris Publications. On October 14, 2014, Townsq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitchfork Media
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music magazine founded in 1996 by Ryan Schreiber in Minneapolis. It originally covered Alternative rock, alternative and independent music, and expanded to cover genres including pop, hip-hop, jazz and metal. ''Pitchfork'' is one of the most influential Music magazine, music publications to have emerged in the internet age. In the 2000s, ''Pitchfork'' distinguished itself from print media through its unusual editorial style, frequent updates and coverage of emerging acts. It was praised as passionate, authentic and unique, but criticized as pretentious, mean-spirited and elitist, playing into stereotypes of the cynical Hipster (contemporary subculture), hipster. It is credited with popularizing acts such as Arcade Fire, Broken Social Scene, Bon Iver and Sufjan Stevens. ''Pitchfork'' relocated to Chicago in 1999 and Brooklyn, New York, in 2011. It expanded with projects including the annual Pitchfork Music Festiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Album Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leonard Maltin's book '' TV movies'' and Robert Christgau's review column in the '' Village Voice''. He gives '' Phonolog'' and ''Schwan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
