Warum Sollt Ich Mich Denn Grämen
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Warum Sollt Ich Mich Denn Grämen
"Warum sollt ich mich denn grämen" (Why should I then grieve) is a Lutheran hymn with a text by Paul Gerhardt written in 1653. It was first published that same year in the fifth edition of Johann Crüger's hymnal '' Praxis Pietatis Melica'', set to a melody composed by Crüger. In the 1993 Protestant hymnal, ''Evangelisches Gesangbuch'', it appears as number 370 with a melody composed by Johann Georg Ebeling, which was published with the divergent title "Warum sollt ich mich doch grämen" in ''Pauli Gerhardi Geistliche Andachten'' in 1666. Text The text of Paul Gerhardt's hymn "Warum sollt ich mich denn grämen" was first published in 1653, in the fifth edition of Johann Crüger's hymnal '' Praxis Pietatis Melica''. Johann Crüger, '' Praxis Pietatis Melica. Das ist: Übung der Gottseligkeit in Christlichen und trostreichen Gesängen'', Berlin, Editio V. , 1653, pp.&nbs573ff.Scanat the Bavarian State Library). Below is the text of the first stanza, in the original German: ...
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Hymn
A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' derives from Greek language, Greek (''hymnos''), which means "a song of praise". A writer of hymns is known as a hymnist. The singing or composition of hymns is called hymnody. Collections of hymns are known as hymnals or hymn books. Hymns may or may not include instrumental accompaniment. Polyhymnia is the Greco/Roman goddess of hymns. Although most familiar to speakers of English in the context of Christianity, hymns are also a fixture of other major religious groups, world religions, especially on the Indian subcontinent (''stotras''). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. Origins Ancient Eastern hymns include th ...
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Bach's Four-part Chorales Published By Birnstiel
In the period following Johann Sebastian Bach's death in 1750, apart from the publication of ''The Art of Fugue'' in the early 1750s, the only further publications prior to the 1790s were the settings of Bach's four-part chorales. In 1758 Friedrich Wilhelm Marpurg was the first to start preparing a published edition of Bach's four-part chorales, but in 1763 was prevented by royal duties. C. P. E. Bach, who owned the original manuscripts, then set about the same task, producing two volumes in 1765 and 1769. Dissatisfied with his publisher Friedrich Wilhelm Birnstiel, he surrendered the manuscript rights in 1771 to Johann Kirnberger and his patron Princess Anna Amalia of Prussia. From 1777 onwards, Kirnberger unsuccessfully made requests to Birnstiel and a new publisher, Johann Gottlob Immanuel Breitkopf, to publish the chorales. Following Kirnberger's death in 1783, C.P.E. Bach approached Breitkopf, who published them in four volumes between 1784 and 1787. About half of t ...
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17th-century Hymns In German
The 17th century lasted from January 1, 1601 (represented by the Roman numerals MDCI), to December 31, 1700 (MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded ro ...
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1653 Works
Events January–March * January 3 – By the Coonan Cross Oath, the Eastern Church in India cuts itself off from colonial Portuguese tutelage. * January – The Swiss Peasant War begins after magistrates meeting at Lucerne refuse to hear from a group of peasants who have been financially hurt by the devaluation of the currency issued from Bern. * February 2 – New Amsterdam (now New York City) received municipal rights by a charter from New Netherland Governor Peter Stuyvesant. * February 3 – Cardinal Mazarin returns to Paris from exile. * February 10 – Swiss peasant war of 1653: Peasants from the Entlebuch valley in Switzerland assemble at Heiligkreuz to organize a plan to suspend all tax payments to the authorities in the canton of Lucerne, after having been snubbed at a magisterial meeting in Lucerne. More communities in the canton join in an alliance concluded at Wolhusen on February 26. * February – The Morning Star Rebellion ...
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Bertelsmann
The Bertelsmann SE & Co. KGaA, commonly known as Bertelsmann (), is a German privately held company, private multinational corporation, multinational conglomerate (company), conglomerate corporation based in Gütersloh, North Rhine-Westphalia, Germany. It is one of the world's largest media conglomerates and is also active in the service sector and educational technology, education. Bertelsmann was founded as a publishing house by Carl Bertelsmann in 1835. After World War II, Bertelsmann, under the leadership of Reinhard Mohn, went from being a medium-sized enterprise to a major conglomerate, offering not only books but also television, radio, music, magazines and services. Its principal divisions include the RTL Group, Penguin Random House, BMG Rights Management, BMG, Arvato, the Bertelsmann Printing Group, Bertelsmann Marketing Services, the Bertelsmann Education Group and Bertelsmann Investments. Bertelsmann is an unlisted and capital market-oriented company, which remains p ...
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Trochee
In poetic metre, a trochee ( ) is a metrical foot consisting of a stressed syllable followed by an unstressed syllable, unstressed one, in qualitative meter, as found in English, and in modern linguistics; or in quantitative meter, as found in Latin and Ancient Greek, a heavy syllable followed by a light one (also described as a long syllable followed by a short one). In this respect, a trochee is the reverse of an iamb (poetry), iamb. Thus the Latin word , because of its short-long rhythm, in Latin metrical studies is considered to be an iamb, but since it is stressed on the first syllable, in modern linguistics it is considered to be a trochee. The adjective form is ''trochaic''. The English word ''trochee'' is itself trochaic since it is composed of the stressed syllable followed by the unstressed syllable . Another name formerly used for a trochee was a choree ( ) or choreus. Etymology ''Trochee'' comes from French language, French , adapted from Latin , originally from ...
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Vandenhoeck & Ruprecht
Vandenhoeck & Ruprecht (V&R) is a scholarly publishing house based in Göttingen, Germany. It was founded in 1735 by (1700–1750) in connection with the establishment of the Georg-August-Universität in the same city. After Abraham Vandenhoeck's death in 1750, his English-born widow, Anna Vandenhoeck, née Parry (d. 1787) successfully continued the business together with Carl Friedrich Günther Ruprecht (born 1730), who had entered the business as an eighteen-year-old apprentice in 1748. At the death of Anna Vandenhoeck in 1787, Ruprecht took over the business which he led until his death in 1816, when he was succeeded by his 25-year-old son Carl August Adolf Ruprecht (1791-1861). The management of the company remained in the hands of the Ruprecht family for seven generations. The traditional core areas of the publications of V&R are Theology and Religion, History, Ancient History, Philosophy and Philology. Current production also includes schoolbooks and non-academic pu ...
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Naxos Records
Naxos comprises numerous companies, divisions, imprints, and labels specializing in classical music but also audiobooks and other genres. The premier label is Naxos Records, which focuses on classical music. Naxos Musical Group encompasses about 17 labels including Naxos Records, Naxos Audiobooks, and Naxos Books (ebooks). There are about an additional 50 labels that are independent of the Naxos Musical Group with a wide range of offerings. The company was founded in 1987 by Klaus Heymann, a German-born resident of Hong Kong. Naxos Records Naxos Records is a record label specializing in classical music. The company was known for its budget pricing of discs, with simpler artwork and design than most other labels. In the 1980s, Naxos primarily recorded central and eastern European symphony orchestras, often with lesser-known conductors, as well as upcoming and unknown musicians, to minimize recording costs and maintain its budget prices. In more recent years, Naxos has taken advan ...
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52 Chorale Preludes, Op
5 (five) is a number, numeral and digit. It is the natural number, and cardinal number, following 4 and preceding 6, and is a prime number. Humans, and many other animals, have 5 digits on their limbs. Mathematics 5 is a Fermat prime, a Mersenne prime exponent, as well as a Fibonacci number. 5 is the first congruent number, as well as the length of the hypotenuse of the smallest integer-sided right triangle, making part of the smallest Pythagorean triple ( 3, 4, 5). 5 is the first safe prime and the first good prime. 11 forms the first pair of sexy primes with 5. 5 is the second Fermat prime, of a total of five known Fermat primes. 5 is also the first of three known Wilson primes (5, 13, 563). Geometry A shape with five sides is called a pentagon. The pentagon is the first regular polygon that does not tile the plane with copies of itself. It is the largest face any of the five regular three-dimensional regular Platonic solid can have. A conic is determine ...
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Chorale Prelude
In music, a chorale prelude or chorale setting is a short liturgical composition for pipe organ, organ using a chorale tune as its basis. It was a predominant style of the German Baroque music, Baroque era and reached its culmination in the works of Johann Sebastian Bach, J.S. Bach, who wrote 46 (with a 47th unfinished work, unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in List of organ compositions by Johann Sebastian Bach#Chorale Preludes, other collections. Function The precise liturgical function of a chorale Prelude (music), prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very lo ...
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Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and a music director at the court of George II, Duke of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic family moved to Weiden in der Oberpfalz, Weid ...
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List Of Chorale Harmonisations By Johann Sebastian Bach
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the soprano part * text treatment: ** homophonic ** no repetitions (i.e., each syllable of the hymn text is sung one time) Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant: * Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. A large part of these chorales are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or continuo accompaniment are known. * All other four-part chorales exclusively survived in collections of short works, which include manuscripts and 18th-century prints. Apart from the '' Three Wedding Chorales'' collecti ...
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