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Vert (heraldry)
In British heraldry, vert () is the tincture equivalent to green. It is one of the five dark tinctures called ''colours''. Vert is commonly found in modern flags and coat of arms, and to a lesser extent also in the classical heraldry of the Late Middle Ages and the Early Modern period. Green flags were historically carried by Ottokar II of Bohemia in the 13th century. In the modern period, a green ensign was flown by Irish vessels, becoming a symbol of Irish nationalism in the 19th and 20th century. The Empire of Brazil used a yellow rhombus on a green field from 1822, now seen in the flag of Brazil. In the 20th century, a green field was chosen for a number of national flag designs, especially in the Arab and Muslim world because of the symbolism of green in Islam, including the solid green flag of the Libyan Arab Jamahiriya (1977). Vert is portrayed in heraldic hatching by lines at a 45-degree angle from upper left to lower right, or indicated by the abbreviation v. or vt. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Green
Green is the color between cyan and yellow on the visible spectrum. It is evoked by light which has a dominant wavelength of roughly 495570 nm. In subtractive color systems, used in painting and color printing, it is created by a combination of yellow and cyan; in the RGB color model, used on television and computer screens, it is one of the additive primary colors, along with red and blue, which are mixed in different combinations to create all other colors. By far the largest contributor to green in nature is chlorophyll, the chemical by which plants photosynthesize and convert sunlight into chemical energy. Many creatures have adapted to their green environments by taking on a green hue themselves as camouflage. Several minerals have a green color, including the emerald, which is colored green by its chromium content. During post-classical and early modern Europe, green was the color commonly associated with wealth, merchants, bankers, and the gentry, whil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muslim World
The terms Islamic world and Muslim world commonly refer to the Islamic community, which is also known as the Ummah. This consists of all those who adhere to the religious beliefs, politics, and laws of Islam or to societies in which Islam is practiced. In a modern geopolitical sense, these terms refer to countries in which Islam is widespread, although there are no agreed criteria for inclusion. The term Muslim-majority countries is an alternative often used for the latter sense. The history of the Muslim world spans about 1,400 years and includes a variety of socio-political developments, as well as advances in the arts, science, medicine, philosophy, law, economics and technology during the Islamic Golden Age. Muslims look for guidance to the Quran and believe in the prophetic mission of the Islamic prophet Muhammad, but disagreements on other matters have led to the appearance of different religious schools of thought and sects within Islam. The Islamic conquests, wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Man
The wild man, wild man of the woods, woodwose or wodewose is a mythical figure and motif that appears in the art and literature of medieval Europe, comparable to the satyr or faun type in classical mythology and to ''Silvanus (mythology), Silvanus'', the Roman god of the woodlands. The defining characteristic of the figure is its "wildness"; from the 12th century, it was consistently depicted as being covered with hair. Images of wild men appear in the carved and painted roof bosses where intersecting ogee Vault (architecture), vaults meet in Canterbury Cathedral, in positions where one is also likely to encounter the vegetal Green Man. The image of the wild man survived to appear as supporter for Heraldry, heraldic Coat of arms, coats-of-arms, especially in Germany, well into the 16th century. Renaissance engravers in Germany and Italy were particularly fond of wild men, wild women, and wild families, with examples from Martin Schongauer (died 1491) and Albrecht Dürer (1471–15 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir Gawain And The Green Knight
''Sir Gawain and the Green Knight'' is a late 14th-century chivalric romance in Middle English alliterative verse. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel, it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition. It is an important example of a chivalric romance, which typically involves a hero who goes on a quest that tests his prowess. It remains popular in modern English renderings from J. R. R. Tolkien, Simon Armitage, and others, as well as through film and stage adaptations. The story describes how Sir Gawain, who was not yet a knight of King Arthur's Round Table, accepts a challenge from a mysterious " Green Knight" who dares any man to strike him with his axe if he will take a re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cligès
''Cligès'' (also ''Cligés'') is a poem by the medieval French poet Chrétien de Troyes, dating from around 1176. It is the second of his five Arthurian romances; '' Erec and Enide'', ''Cligès'', ''Yvain'', ''Lancelot'' and ''Perceval''. The poem tells the story of the knight Cligès and his love for his uncle's wife, Fenice. Background ''Cligès'' has come down to us through seven manuscripts and various fragments. The poem comprises 6,664 octosyllables in rhymed couplets. Prose versions also exist since at least the 15th century. There are many stylistic techniques that set Chrétien de Troyes and his work ''Cligès'' apart from his contemporaries and their work. Chrétien used many Latin writing techniques such as nature , , , and to convey a realistic romance story. ''Cligès'' can be better understood by dividing the text into two parts, or two nearly separate stories. The first story consists of Cligès's father's adventures and the second story consists of Cligès ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Le Chevalier De La Charrette
''Lancelot, the Knight of the Cart'' () is a 12th-century Old French chivalric romance">-4; we might wonder whether there's a point at which it's appropriate to talk of the beginnings of French, that is, when it wa ... chivalric romance poem by Chrétien de Troyes, although it is believed that Chrétien worked on a story given to him by Marie of France, Countess of Champagne, Marie of France and he did not complete the text himself. It is the earliest known text to feature Lancelot as a prominent character, and the first to feature the love affair between him and King Arthur's wife Queen Guinevere. The story centers on Lancelot's rescue of Guinevere after she has been abducted by Meleagant, the malevolent son of King Bademagu, the ruler of the otherworldly Kingdom of Gorre. It deals with Lancelot's trials during the rescue, and his struggle to balance his duties as a warrior and as a lover bound by societal conventions. Chrétien's work impacted Arthurian legend, establishing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthurian Romance
The Matter of Britain (; ; ; ) is the body of medieval literature and legendary material associated with Great Britain and Brittany and the legendary kings and heroes associated with it, particularly King Arthur. The 12th-century writer Geoffrey of Monmouth's (''History of the Kings of Britain)'' is a central component of the Matter of Britain. It was one of the three great Western story cycles recalled repeatedly in medieval literature, together with the Matter of France, which concerned the legends of Charlemagne and his companions, as well as the Matter of Rome, which included material derived from or inspired by classical mythology and classical history. Its pseudo-chronicle and chivalric romance works, written both in prose and verse, flourished from the 12th to the 16th century. Name The three "matters" were first described in the 12th century by French poet Jean Bodel, whose epic ' ("Song of the Saxons") contains the lines: The name distinguishes and relates the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heater Shield
The heater shield or heater-shaped shield is a form of Middle Ages, European medieval shield, developing from the early medieval kite shield in the late 12th century in response to the declining importance of the shield in combat thanks to improvements in leg armour. The term is a neologism, created by Antiquarian, Victorian antiquarians due to the shape's resemblance to a clothes iron. Examples are depicted in the Great Seal, great seal of Richard I of England, Richard I and John, King of England. Details Smaller than the kite shield, it was more manageable and could be used either mounted or on foot.''Medieval Swordsmanship'', p. 102 From the 15th century, it evolved into highly specialized jousting shields, often containing a ''bouche'', a notch or "mouth" for the lance to pass through. As plate armour began to cover more and more of the body, the shield grew correspondingly smaller. By the mid 14th century it was hardly seen outside of tournaments. Heater shields were ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sinopia
Sinopia (also known as sinoper, named after the now Turkish city Sinop, Turkey, Sinop) is a dark reddish-brown natural earth pigment, whose reddish colour comes from hematite, a dehydrated form of iron oxide. It was widely used in Classical Antiquity and the Middle Ages for painting, and during the Renaissance art, Renaissance it was often used on the rough initial layer of plaster for the underdrawing for a fresco. The word came to be used both for the pigment and for the preparatory drawing itself, which may be revealed when a fresco is stripped from its wall for transfer. During the Middle Ages sinopia in Latin and Italian came to mean simply a red ochre. It entered the English language as the word sinoper, meaning a red earth colour. Sinopia is a colour in various modern colour systems. Sinopia pigment From Ancient times through the Renaissance, the pigment was mined in Cappadocia, and exported to Europe through the port of Sinop, Turkey, Sinop, a Greek colony on the B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cinnabar
Cinnabar (; ), or cinnabarite (), also known as ''mercurblende'' is the bright scarlet to brick-red form of Mercury sulfide, mercury(II) sulfide (HgS). It is the most common source ore for refining mercury (element), elemental mercury and is the historic source for the brilliant red or scarlet pigment termed vermilion and associated red mercury pigments. Cinnabar generally occurs as a vein-filling mineral associated with volcanic activity and Alkaline earth metal, alkaline hot springs. The mineral resembles quartz in symmetry and it exhibits birefringence. Cinnabar has a mean refractive index near 3.2, a mohs scale of mineral hardness, hardness between 2.0 and 2.5, and a specific gravity of approximately 8.1. The color and properties derive from a structure that is a hexagonal crystalline bravais lattice, lattice belonging to the trigonal crystal system, crystals that sometimes exhibit Crystal twinning, twinning. Cinnabar has been used for its color since antiquity in the Near ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford University Press
Oxford University Press (OUP) is the publishing house of the University of Oxford. It is the largest university press in the world. Its first book was printed in Oxford in 1478, with the Press officially granted the legal right to print books by decree in 1586. It is the second-oldest university press after Cambridge University Press, which was founded in 1534. It is a department of the University of Oxford. It is governed by a group of 15 academics, the Delegates of the Press, appointed by the Vice Chancellor, vice-chancellor of the University of Oxford. The Delegates of the Press are led by the Secretary to the Delegates, who serves as OUP's chief executive and as its major representative on other university bodies. Oxford University Press has had a similar governance structure since the 17th century. The press is located on Walton Street, Oxford, Walton Street, Oxford, opposite Somerville College, Oxford, Somerville College, in the inner suburb of Jericho, Oxford, Jericho. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tricking
Tricking is a method for indicating the tinctures (colours) used in a coat of arms by means of text abbreviations written directly on the illustration. Tricking and hatching are the two primary methods employed in the system of heraldry to show colour in black and white illustrations. Origin Heraldry has always had some methods to designate the tinctures of arms. The earliest such method was blazon, which is describing the arms by words. The earliest surviving blazon is from the work of Chrétien de Troyes from the late 12th century. The English heraldry system still uses a form of blazon almost unchanged since the reign of Edward I. Traditionally, images in heraldic manuscripts such as rolls of arms and armorials are all coloured. With the spread of the printing press, woodblock printing and copperplate engravings from the late 15th century, there arose the need for designating the colours in uncoloured illustrations as well, since printing in full colour was too labour- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
