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Verse Anthem
In religious music, the verse anthem is a type of choral music, or song, distinct from the motet or 'full' anthem (i.e. for full choir). In the 'verse' anthem the music alternates between sections for a solo voice or voices (called the 'verse') and the full choir. The organ provided accompaniment in liturgical settings, but viols took the accompaniment outside of the church. In the 'verses', solo voices were expected to ornament their parts for expressive effect. The 'full choir' sections providing contrast in volume and texture. The verse anthems were a major part of the English Reformation due to the use of the vernacular. In addition to this, the use of soloists allowed the text to be expressed more clearly. For the choirmaster they were useful too: the choir only had to learn a small part of the anthem, leaving the hardest passages to a soloist to learn on their own, reducing rehearsal time. Verse anthems developed and were very popular during the early 17th to the middle of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Music
Religious music (also sacred music) is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques. Religious music takes on many forms and varies throughout cultures. Religions such as Islam, Judaism, and Sinism demonstrate this, splitting off into different forms and styles of music that depend on varying religious practices. Religious music across cultures depicts its use of similar instruments, used in accordance to create these melodies. drums (and drumming), for example, is seen commonly in numerous religions such as Rastafari an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Weelkes
Thomas Weelkes (baptised 25 October 1576 – 30 November 1623) was an English composer and organist. He became organist of Winchester College in 1598, moving to Chichester Cathedral. His works are chiefly vocal, and include madrigals, anthems and services. Life Weelkes was baptised in the little village church of Elsted near Chichester in West Sussex on 25 October 1576. It has been suggested that his father was John Weeke, rector of Elsted, although there is no documentary evidence of the relationship. In 1597 his first volume of madrigals was published, the preface noting that he was a very young man when they were written; this helps to fix the date of his birth to somewhere in the middle of the 1570s. He dedicated the volume to George Philpot. Early in his life he was in service at the house of the courtier Edward Darcy. At the end of 1598, probably aged 22, Weelkes was appointed organist at Winchester College, where he remained for two or three years, receiving the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Church Music
Classical may refer to: European antiquity * Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures *Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles *Classical music, a variety of Western musical styles from the 9th century to the present *Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 * Classical Indian dance, various codified art forms whose the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony Anthem
The English symphony song was a musical genre of baroque music best known in the compositions of Henry Purcell and his contemporaries including his teacher John Blow. In the symphony song voices and continuo were enriched with ritornelli for violins or a pair of recorders. Among the earliest symphony songs are four published by Oxford composer Henry Bowman in 1677. John Blow's most notable early example is "Awake, awake my lyre". The symphony song was a genre mainly linked to the Restoration royal court, just as the symphony anthem was linked to the English Chapel Royal. Purcell's symphony songs were probably written for performance by members of the Private Music in the royal apartments. Peter Holman Henry Purcell - 1994 -- Page 47 "It is likely that Purcell's symphony songs were written to be performed by members of the Private Music in the royal apartments" Examples of symphony songs include the symphony anthems of Pelham Humfrey Pelham Humfrey (''Humphrey, Humphrys'') (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William III Of England
William III (William Henry; ; 4 November 16508 March 1702), also widely known as William of Orange, was the sovereign Prince of Orange from birth, Stadtholder of Holland, Zeeland, Utrecht, Guelders, and Overijssel in the Dutch Republic from the 1670s, and King of England, Ireland, and Scotland from 1689 until his death in 1702. As King of Scotland, he is known as William II. He is sometimes informally known as "King Billy" in Ireland and Scotland. His victory at the Battle of the Boyne in 1690 is commemorated by Unionists, who display orange colours in his honour. He ruled Britain alongside his wife and cousin, Queen Mary II, and popular histories usually refer to their reign as that of "William and Mary". William was the only child of William II, Prince of Orange, and Mary, Princess Royal, the daughter of King Charles I of England, Scotland, and Ireland. His father died a week before his birth, making William III the prince of Orange from birth. In 1677, he marr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Gostling
John Gostling (1644–1733) was a 17th-century Church of England clergyman and bass singer famed for his range and power. He was a favourite singer of Charles II and is particularly associated with the music of Henry Purcell. Background John Gostling was the son of Isaac Gossling, a Canterbury mercer, or chandler.Olive Baldwin and Thelma Wilson‘Gostling, John (1649/50–1733)’ ''Oxford Dictionary of National Biography'', Oxford University Press, 2004, . Retrieved on 8 December 2008. He was educated in Rochester and at St John's College, Cambridge, where he sang in the choir. He was a Gentleman and later Priest of the Chapel Royal and was subsequently a Minor Canon of Canterbury, Vicar of Littlebourne in Kent, Subdean of St Paul's and Prebendary of Lincoln. He is buried in Canterbury Cathedral cloisters. In 1679 the young Henry Purcell wrote an anthem, the name of which is not known, for the Chapel Royal. From a letter written by Thomas Purcell, and still extant, we learn t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were normal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto
The musical term alto, meaning "high" in Italian ( Latin: ''altus''), historically refers to the contrapuntal part higher than the tenor and its associated vocal range. In 4-part voice leading alto is the second-highest part, sung in choruses by either low women's or high men's voices. In vocal classification these are usually called contralto and male alto or countertenor. Such confusion of "high" and "low" persists in instrumental terminology. Alto flute and alto trombone are respectively lower and higher than the standard instruments of the family (the standard instrument of the trombone family being the tenor trombone), though both play in ranges within the alto clef. Alto recorder, however, is an octave higher, and is defined by its relationship to tenor and soprano recorders; alto clarinet is a fifth lower than B-flat clarinet, already an 'alto' instrument. There is even a contra-alto clarinet, (an octave lower than the alto clarinet), with a range B♭0 – D4. Etym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archbishop Laud
William Laud (; 7 October 1573 – 10 January 1645) was a bishop in the Church of England. Appointed Archbishop of Canterbury by Charles I in 1633, Laud was a key advocate of Charles I's religious reforms, he was arrested by Parliament in 1640 and executed towards the end of the First English Civil War in January 1645. A firm believer in episcopalianism, or rule by bishops, " Laudianism" refers to liturgical practices designed to enforce uniformity within the Church of England, as outlined by Charles. Often highly ritualistic, these were precursors to what are now known as high church views. In theology, Laud was accused of Arminianism, favouring doctrines of the historic church prior to the Reformation and defending the continuity of the English Church with the primitive and medieval church, and opposing Calvinism. On all three grounds, he was regarded by Puritan clerics and laymen as a formidable and dangerous opponent. His use of the Star Chamber to persecute opponen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Record Of John
"This Is the Record of John" is a verse anthem written by the English composer Orlando Gibbons (1583—1625). It is based on a text from the Gospel of John in the ''Geneva Bible'' and is a characteristic Anglican-style composition of its time. "John" (whose record is being told) refers to John the Baptist. The piece is divided into three sections, each beginning with a verse for solo contratenor (more like a modern tenor, but often now sung by a countertenor) followed by a full section ( consort of voices), echoing words of the verse. The singers are usually accompanied by organ: a viol consort is another possibility, although it is debatable how frequently viols would have been used in Jacobean services. accessed via JSTOR, subscription required History This 'verse-anthem' was written at the request of William Laud, who was president of St John's College, Oxford, from 1611 to 1621; the St John to whom college is dedicated is John the Baptist. It was written for the college ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacobean Era
The Jacobean era was the period in English and Scottish history that coincides with the reign of James VI of Scotland who also inherited the crown of England in 1603 as James I. The Jacobean era succeeds the Elizabethan era and precedes the Caroline era. The term "Jacobean" is often used for the distinctive styles of Jacobean architecture, visual arts, decorative arts, and literature which characterized that period. James as King of England The practical if not formal unification of England and Scotland under one ruler was an important shift of order for both nations, and would shape their existence to the present day. Another development of crucial significance was the foundation of the first British colonies on the North American continent, at Jamestown, Virginia in 1607, in Newfoundland in 1610, and at Plymouth Colony in Massachusetts in 1620, which laid the foundation for future British settlement and the eventual formation of both Canada and the United States of America. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
