Völuspá Hin Skamma
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Völuspá Hin Skamma
''Völuspá hin skamma'' (Old Norse: 'The Short Völuspá) is an Old Norse poem which survives as a handful of stanzas in ''Hyndluljóð'', in the ''Poetic Edda'', and as one stanza in the ''Gylfaginning'' section of Snorri Sturluson's ''Prose Edda''. The name of the poem is only known due to Snorri's citation of it in ''Gylfaginning'' (chapter 5): The additional stanzas that remain appear in ''Hyndluljóð''. In his translation of ''Hyndluljóð'', Henry Adams Bellows (businessman), Henry Adams Bellows comments that the preserved fragment of ''Völuspá hin skamma'' shows that it was a "late and very inferior imitation of the great Völuspá, Voluspo", and he dates it to the twelfth century. He further suggests that its appearance in ''Hyndluljóð'' is due to the blunder of a copyist who confused the two poems, and he does not consider them to be of any great value either as poetry or as mythology. References Bibliography * Further reading Hyndluljoth Translation and com ...
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Old Norse
Old Norse, also referred to as Old Nordic or Old Scandinavian, was a stage of development of North Germanic languages, North Germanic dialects before their final divergence into separate Nordic languages. Old Norse was spoken by inhabitants of Scandinavia and their Viking expansion, overseas settlements and chronologically coincides with the Viking Age, the Christianization of Scandinavia, and the consolidation of Scandinavian kingdoms from about the 8th to the 15th centuries. The Proto-Norse language developed into Old Norse by the 8th century, and Old Norse began to develop into the modern North Germanic languages in the mid- to late 14th century, ending the language phase known as Old Norse. These dates, however, are not precise, since written Old Norse is found well into the 15th century. Old Norse was divided into three dialects: Old West Norse (Old West Nordic, often referred to as ''Old Norse''), Old East Norse (Old East Nordic), and Old Gutnish. Old West Norse and O ...
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Völuspá
''Völuspá'' (also ''Vǫluspá'', ''Vǫlospá'', or ''Vǫluspǫ́''; Old Norse: 'Prophecy of the völva, a seeress') is the best known poem of the ''Poetic Edda''. It dates back to the tenth century and tells the story from Norse Mythology of the creation of the world, its coming end, and its subsequent rebirth that is related to the audience by a völva addressing Odin. Her name is given twice as Heiðr. The poem is one of the most important primary sources for the study of Norse mythology. Parts of the poem appear in the ''Prose Edda'', but the earliest known wholly-preserved version of the poem is in the Codex Regius and Hauksbók manuscripts. Preservation Many of stanzas of ''Völuspá'' appear first in the Prose Edda (composed , of which the oldest extant manuscript dates from the beginning of the fourteenth century () in which the stanzas are quoted or paraphrased. The full poem is found in the Icelandic Codex Regius manuscript () and in the Haukr Erlendsson ''Hauk ...
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Old Norse Poem
Old Norse poetry encompasses a range of verse forms written in the Old Norse language, during the period from the 8th century to as late as the far end of the 13th century. Old Norse poetry is associated with the area now referred to as Scandinavia. Much Old Norse poetry was originally preserved in oral culture, but the Old Norse language ceased to be spoken and later writing tended to be confined to history rather than for new poetic creation, which is normal for an extinct language. Modern knowledge of Old Norse poetry is preserved by what was written down. Most of the Old Norse poetry that survives was composed or committed to writing in Iceland, after refined techniques for writing (such as the use of vellum, parchment paper, pens, and ink) were introduced—seemingly contemporaneously with the introduction of Christianity: thus, the general topic area of Old Norse poetry may be referred to as Old Icelandic poetry in literature. There are also around 122 verses preserved in Sw ...
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Hyndluljóð
''Hyndluljóð'' (Old Norse: 'The Lay of Hyndla') is an Old Norse poem often considered a part of the ''Poetic Edda''. It is preserved in its entirety only in ''Flateyjarbók'', but some stanzas are also quoted in the ''Prose Edda'', where they are said to come from '' Völuspá hin skamma''. __NOTOC__ ''Hyndluljóð'' is believed to be a relatively late Eddic poem, dating to the second half of the 12th century or later, although including much older traditions, such as that of the 4th c. Gothic king Ermanaric. In the poem, the goddess Freyja meets the völva Hyndla and they ride together towards Valhalla. Freyja rides on her boar Hildisvíni and Hyndla on a wolf. Their mission is to find out the pedigree of Óttarr so that he can touch his inheritance, and the lay consists mostly of Hyndla reciting a number of names from Óttarr's ancestry. Because of the reference in the ''Prose Edda'' to ''Völuspá hin skamma'', since Sophus Bugge's first edition of the Eddic poems, st ...
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Poetic Edda
The ''Poetic Edda'' is the modern name for an untitled collection of Old Norse anonymous narrative poems in alliterative verse. It is distinct from the closely related ''Prose Edda'', although both works are seminal to the study of Old Norse poetry. Several versions of the ''Poetic Edda'' exist; especially notable is the medieval Icelandic manuscript '' Codex Regius'', which contains 31 poems. Composition The ''Eddic poems'' are composed in alliterative verse. Most are in ''fornyrðislag'' ("old story metre"), while '' málaháttr'' ("speech form") is a common variation. The rest, about a quarter, are composed in '' ljóðaháttr'' ("song form"). The language of the poems is usually clear and relatively unadorned. Kennings are often employed, though they do not arise as frequently, nor are they as complex, as those found in typical skaldic poetry. Authorship Like most early poetry, the Eddic poems were minstrel poems, passed orally from singer to singer and from poet to po ...
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Gylfaginning
''Gylfaginning'' (Old Norse: 'The Beguiling of Gylfi' or 'The Deluding of Gylfi'; 13th century Old Norse pronunciation ) is the first main part of the 13th century ''Prose Edda'', after the initial Prologue. The ''Gylfaginning'' takes the form of a dialogue between a Swedish King Gylfi and three men on thrones in Asgard called High, Just-As-High, and Third. Gylfi asks many questions of the three men on the history and future of the Æsir. The creation and eventual destruction of the world are described, as are many other aspects of Norse mythology. While the Gylfaginning never makes it explicit, the three are often presumed to be guises of Odin. The second part of the ''Prose Edda'' is the ''Skáldskaparmál'' and the third ''Háttatal''. The work is often attributed to or considered to have been compiled by Snorri Sturluson. Summary The ''Gylfaginning'' tells the story of Gylfi, a king of "the land that men now call Sweden". He is tricked by one of the goddesses of th ...
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Snorri Sturluson
Snorri Sturluson ( ; ; 1179 – 22 September 1241) was an Icelandic historian, poet, and politician. He was elected twice as lawspeaker of the Icelandic parliament, the Althing. He is commonly thought to have authored or compiled portions of the ''Prose Edda'', which is a major source for what is today known about Norse mythology and alliterative verse, and , a history of the Norsemen, Norse kings that begins with legendary material in ''Ynglinga saga'' and moves through to early medieval History of Scandinavia, Scandinavian history. For stylistic and methodological reasons, Snorri is often taken to be the author of ''Egil's Saga''. He was assassinated in 1241 by men claiming to be agents of the King of Norway. Biography Early life Snorri Sturluson was born in (commonly transliterated as Hvamm or Hvammr) as a member of the wealthy and powerful Sturlungar family clan, Sturlungar clan of the Icelandic Commonwealth, in AD 1179. His parents were Sturla Þórðarson the Elder o ...
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Prose Edda
The ''Prose Edda'', also known as the ''Younger Edda'', ''Snorri's Edda'' () or, historically, simply as ''Edda'', is an Old Norse textbook written in Iceland during the early 13th century. The work is often considered to have been to some extent written, or at least compiled, by the Icelandic scholar, lawspeaker, and historian Snorri Sturluson 1220. It is considered the fullest and most detailed source for modern knowledge of Norse mythology, the body of myths of the North Germanic peoples, and draws from a wide variety of sources, including versions of poems that survive into today in a collection known as the ''Poetic Edda''. The ''Prose Edda'' consists of four sections: The Prologue (Prose Edda), Prologue, a euhemerism, euhemerized account of the Norse gods; ''Gylfaginning'', which provides a question and answer format that details aspects of Norse mythology (consisting of approximately 20,000 words), ''Skáldskaparmál'', which continues this format before providing lists o ...
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Ymir
In Norse mythology, Ymir (), also called Aurgelmir, Brimir, or Bláinn, is the ancestor of all jötnar. Ymir is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional material, in the ''Prose Edda'', written by Snorri Sturluson in the 13th century, and in the poetry of skalds. Taken together, several stanzas from four poems collected in the ''Poetic Edda'' refer to Ymir as a primeval being who was born from atter (), yeasty venom that dripped from the icy rivers called the Élivágar, and lived in the grassless void of Ginnungagap. Ymir gave birth to a male and female from his armpits, and his legs together begat a six-headed being. The grandsons of Búri, the gods Odin and Vili and Vé, fashioned the Earth—elsewhere personified as a goddess named Jörð—from Ymir's flesh; the oceans from his blood; from his bones, the mountains; from his hair, the trees; from his brains, the clouds; from his skull, the heavens; and from his eyebro ...
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Jötunn
A (also jotun; plural ; in the normalised scholarly spelling of Old Norse, ; or, in Old English, , plural ) is a type of being in Germanic mythology. In Norse mythology, are often contrasted with gods (the Æsir and Vanir) and with other non-human figures, such as dwarf (mythology), dwarfs and elf, elves, although the groupings are not always mutually exclusive. The entities included in the category are referred to by several other terms, including , (or ) and if male and or if female. The typically dwell across boundaries from the gods and humans in lands such as . The are frequently attested throughout the Old Norse records, with also featuring in the Old English epic poem ''Beowulf''. The usage of the terms is dynamic, with an overall trend that the beings become portrayed as less impressive and more negative as Christianity becomes more influential over time. Although the term "giant" is sometimes used to gloss the word "" and its apparent synonyms in some transl ...
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Aurgelmir
In Norse mythology, Ymir (), also called Aurgelmir, Brimir, or Bláinn, is the ancestor of all jötnar. Ymir is attested in the ''Poetic Edda'', compiled in the 13th century from earlier traditional material, in the ''Prose Edda'', written by Snorri Sturluson in the 13th century, and in the poetry of skalds. Taken together, several stanzas from four poems collected in the ''Poetic Edda'' refer to Ymir as a primeval being who was born from atter (), yeasty venom that dripped from the icy rivers called the Élivágar, and lived in the grassless void of Ginnungagap. Ymir gave birth to a male and female from his armpits, and his legs together begat a six-headed being. The grandsons of Búri, the gods Odin and Vili and Vé, fashioned the Earth—elsewhere personified as a goddess named Jörð—from Ymir's flesh; the oceans from his blood; from his bones, the mountains; from his hair, the trees; from his brains, the clouds; from his skull, the heavens; and from his eyebrows, the ...
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Völva
In Germanic paganism, a seeress is a woman said to have the ability to foretell future events and perform sorcery. They are also referred to with many other names meaning "prophetess", "staff bearer" and "sorceress", and they are frequently called ''witches'' both in early sources and in modern scholarship. In Norse mythology the seeress is usually referred to as ''völva'' or ''vala''. Seeresses were an expression of the pre-Christian shamanic traditions of Europe, and they held an authoritative position in Germanic society. Mentions of Germanic seeresses occur as early as the Roman era, when, for example, they at times led armed resistance against Roman rule and acted as envoys to Rome. After the Roman Era, seeresses occur in records among the North Germanic people, where they form a reoccurring motif in Norse mythology. Both the classical and the Norse accounts imply that they used wands, and describe them as sitting on raised platforms during séances. Ancient Roman and Gre ...
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