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Violin Concerto (Chávez)
Carlos Chávez's Violin Concerto is a work for violin and orchestra composed between 1945 and 1950 for the American violinist Viviane Bertolami. Originally 45 minutes in length, it was shortened soon after its first performance to a duration of approximately 35 minutes. History On 10 January 1947 Murray D. Kirkwood, a public-relations writer for IT&T in New York, wrote Chávez a letter requesting a violin concerto for the professional debut of his then-twenty-year-old wife, Viviane Bertolami. Chávez set to work right away (in fact, he had already begun to sketch a violin concerto in 1945, during a rail journey in the United States), but it was another three-and-a-half years before the score was completed, in July 1950. The concerto was premiered in Mexico City on 29 February 1952 by the composer conducting the Orquesta Sinfónica Nacional, with Viviane Bertolami as the soloist. Less than a month later, Chávez conducted the American premiere, again with Bertolami as soloist, wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlos Chavez
Carlos may refer to: Places ;Canada * Carlos, Alberta, a locality ;United States * Carlos, Indiana, an unincorporated community * Carlos, Maryland, a place in Allegany County * Carlos, Minnesota, a small city * Carlos, West Virginia ;Elsewhere * Carlos (crater), Montes Apenninus, LQ12, Moon; a lunar crater near Mons Hadley People * Carlos (given name), including a list of name holders * Carlos (surname), including a list of name holders Sportspeople * Carlos (Timorese footballer) (Carlos Mateus Ximenes, born 1986) * Carlos (footballer, born 1995) (Carlos Alberto Carvalho da Silva Júnior), Brazilian footballer * Carlos (footballer, born 1985) (Carlos Santos de Jesus), Brazilian footballer Others * Carlos (Calusa) (died 1567), king or paramount chief of the Calusa people of Southwest Florida * Carlos (singer) (1943—2008), French entertainer * Carlos the Jackal, a Venezuelan terrorist Arts and entertainment * ''Carlos'' (miniseries), 2010 biopic about the terrorist Car ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenza
In music, a cadenza, (from , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over either the final or penultimate note in a piece, the lead-in (), or the final or penultimate note in an important subsection of a piece. A cadenza can also be found before a final coda or ritornello. Origin Initially, cadenzas were more simple and structured - a performer would add small embellishments such as trills to the end of cadences. These small embellishments of the early cadenza did not affect meter. However, as the improvised embellishments continued, they became longer and more thought out. This made way for the 'composed' cade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concertos By Carlos Chávez
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three-movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g., presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli and Arcangelo Corelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel's organ concert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roberto García Morillo
Roberto García Morillo (January 22, 1911 – October 26, 2003) was an Argentine composer, musicologist, music professor and music critic. Biography García Morillo was born in Buenos Aires, Argentina, where he studied at the Conservatorio Nacional de Música "Carlos López Buchardo" (with José André, Floro M. Ugarte, José Gil, and Constantino Gaito), and in Paris studied piano with Yves Nat . Morillo died on October 26, 2003. He worked as a music critic for the newspaper ''La Nación'' starting in 1938, and subsequently published in many Argentine and North American periodicals. He was appointed to joint positions as professor of composition in both the national and the municipal conservatories in Buenos Aires in 1942 . Curriculum: *Director of the Conservatorio Nacional de Música "Carlos López Buchardo" (1972–79) *Professor of Composition at the Conservatorio Municipal de Música and at the Antiguo Conservatorio "Beethoven" *Music critic of the newspaper ''La Nación ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enrique Diemecke
Enrique Arturo Diemecke (born July 9, 1952) is a Mexican conductor, violinist and composer. He is currently the Artistic General Director of the Teatro Colón in Buenos Aires and music director of the Buenos Aires Philharmonic and the Flint, Michigan, Flint Symphony Orchestra in Michigan, United States. Biography Diemecke was born in Guanajuato, Mexico to Emilio Diemecke, a professional cellist and Carmen Diemecke (Née Rodriguez) a pianist. Diemecke is one of eight musician siblings, their father was also born into a family of musicians from Leipzig, Germany. He began to play the violin at the age of six and at the age of nine he began to play the French horn, piano and percussion. He studied at The Catholic University of America, Catholic University in Washington D.C., Washington, D.C., and with Charles Bruck at the Pierre Monteux School, Pierre Monteux School for Advanced Conductors. He studied violin in Mexico with Henryk Szeryng. In 1983, he was selected as an Exxon Arts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sony Classical Records
Sony Classical is an American record label founded in 1924 as Columbia Masterworks Records, a subsidiary of Columbia Records. In 1980, the Columbia Masterworks label was renamed as CBS Masterworks Records. The CBS Records Group was acquired by Sony in 1988, and in 1990 it was renamed Sony Classical. Artists Sony Classical has represented artists including: * Alexis Ffrench *Yo-Yo Ma * Igor Levit * Jonas Kaufmann * Glenn Gould * Wiener Philharmoniker *Joshua Bell *Hans Zimmer *John Williams * Khatia Buniatishvili *Arthur Rubinstein *Eugene Ormandy *Leonard Bernstein * Teodor Currentzis *Arcadi Volodos * Christian Gerhaher *Vladimir Horowitz * Christoph Koncz * Ivo Pogorelich *Martin Fröst *Leif Ove Andsnes * Lavinia Meijer * Rachel Willis-Sørensen * Mao Fujita * Pablo Ferrández * Miloš Karadaglić * Attacca Quartet * Hayato Sumino *Danny Elfman Presidents * 1997: Peter Gelb (NY) * 2009–2019: Bogdan Roscic * 2019: Per Hauber See also * List of record labels File:Alv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieterich Buxtehude
Dieterich Buxtehude (; born Diderich Hansen Buxtehude, ; – 9 May 1707) was a Danish composer and organist of the Baroque music, Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach and George Frideric Handel. Buxtehude is considered one of the most important composers of the 17th century. Life Early years in Denmark He is thought to have been born with the name Diderich Buxtehude.Snyder, Kerala J. Dieterich Buxtehude: Organist in Lübeck. New York: Schirmer Books, 1987. His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Bad Oldesloe, Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich's birth, although most now accept that he was born in 1637 in He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variation (music)
In music, variation is a musical form, formal technique where material is musical repetition, repeated in an altered form. The changes may involve melody, rhythm, harmony, counterpoint, timbre, orchestration or any combination of these. Variation is often contrasted with musical Development (music), development, which is a slightly different means to the same end. Variation depends upon ''one'' type of presentation at a time, while development is carried out upon portions of material treated in ''many'' different presentations and combinations at a time. Variation techniques Wolfgang Amadeus Mozart, Mozart's Twelve Variations on "Ah vous dirai-je, Maman" (1785), a French folk song known in the English-speaking world as "Twinkle, Twinkle, Little Star", exemplifies a number of common variation techniques. Here are the first eight bars of the theme: Melodic variation Mozart's first variation decorates and elaborates the plain melodic line: Rhythmic variation The fifth variat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means " joke" or "jest." More rarely, the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, "jesting") has been used. Sometimes the word ''scherzando'' ("joking") is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodic Inversion
In music theory, an inversion is a rearrangement of the top-to-bottom elements in an interval, a chord, a melody, or a group of contrapuntal lines of music. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory. Intervals An interval is inverted by raising or lowering either of the notes by one or more octaves so that the higher note becomes the lower note and vice versa. For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved. : The tables to the right show the changes in interval quality and interval number under inversion. Thus, perfect intervals remain perfect, major intervals become minor and vice versa, and augmented intervals become diminished and vice versa. (Doubly diminished intervals become doubly augme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Development (music)
In music, development is a process by which a musical idea is Transformation (music), transformed and Theme (music), restated in the course of a Musical piece, composition. Certain central ideas are repeated in different contexts or in altered form so that the listener can consciously or unconsciously compare the various statements of the idea, often in surprising or irony, ironic manners. This practice has its roots in counterpoint, where a theme or subject might create an impression of a pleasing or affective sort, but delight the mind further as its contrapuntal capabilities are gradually unveiled. Development is often contrasted with musical Variation (music), variation, which is a slightly different means to the same end. Development is carried out upon portions of material treated in ''many'' different presentations and combinations at a time, while variation depends upon ''one'' type of presentation at a time. The development is the middle section of the sonata form, betw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recapitulation (music)
In music theory, the recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition. This material is most often recapitulated in the tonic key of the movement, in such a way that it reaffirms that key as the movement's home key. In some sonata form movements, the recapitulation presents a straightforward image of the movement's exposition. However, many sonata form movements, even early examples, depart from this simple procedure. Devices used by composers include incorporating a secondary development section, or varying the character of the original material, or rearranging its order, or adding new material, or omitting material altogether, or overlaying material that was kept separate in the exposition. The composer of a sonata form movement may disguise the start of the recapitulation as an extension of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
