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Viola D'amore
The viola d'amore (; ) is a 7- or 6- stringed musical instrument with additional sympathetic strings used chiefly in the baroque period. It is played under the chin in the same manner as the violin. Structure and sound The viola d'amore shares many features of the viol family. It looks like a thinner treble viol without frets and sometimes with sympathetic strings added. The six-string viola d'amore and the treble viol also have approximately the same ambitus or range of playable notes. Like all viols, it has a flat back. An intricately carved head at the top of the peg box is common on both viols and viola d'amore, although some viols lack one. Unlike the carved heads on viols, the viola d'amore's head occurs most often as Cupid blindfolded to represent the blindness of love. Its sound-holes are commonly in the shape of a flaming sword known as "The Flaming Sword of Islam" (suggesting the instrument's development was influenced by the Islamic World). This was one of the thre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Instrument
In musical instrument classification, string instruments, or chordophones, are musical instruments that produce sound from vibrating strings when a performer strums, plucks, strikes or sounds the strings in varying manners. Musicians play some string instruments, like Guitar, guitars, by plucking the String (music), strings with their fingers or a plectrum, plectrum (pick), and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow (music), bow, like Violin, violins. In some keyboard (music), keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola
The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word ''viola'' originates from the Italian language. The Italians often used the term '' viola da braccio'', meaning, literally, 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyday of five-part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leoš Janáček
Leoš Janáček (, 3 July 1854 – 12 August 1928) was a Czech composer, Music theory, music theorist, Folkloristics, folklorist, publicist, and teacher. He was inspired by Moravian folk music, Moravian and other Slavs, Slavic music, including Eastern European folk music, to create an original, modern musical style. Born in Hukvaldy, Janáček demonstrated musical talent at an early age and was educated in Brno, Prague, Leipzig, and Vienna. He then returned to live in Brno, where he married his pupil Zdenka Schulzová and devoted himself mainly to folkloristic research. His earlier musical output was influenced by contemporaries such as Antonín Dvořák, but around the turn of the century he began to incorporate his earlier studies of national folk music, as well as his transcriptions of "speech melodies" of spoken language, to create a modern, highly original synthesis. The death of his daughter Olga in 1903 had a profound effect on his musical output; these notable transfor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Herrmann
Bernard Herrmann (born Maximillian Herman; June 29, 1911December 24, 1975) was an American composer and conductor best known for his work in film scoring. As a conductor, he championed the music of lesser-known composers. He is widely regarded as one of the greatest film composers. Alex Ross writes that "Over four decades, he revolutionized movie scoring by abandoning the illustrative musical techniques that dominated Hollywood in the 1930s and imposing his own peculiar harmonic and rhythmic vocabulary." An Academy Award-winner for '' The Devil and Daniel Webster'' (1941), Herrmann worked in radio drama, composing for Orson Welles's '' The Mercury Theater on the Air'', and his first film score was for Welles's film debut, ''Citizen Kane'' (1941). He is known for his collaborations with Alfred Hitchcock, notably '' The Man Who Knew Too Much'' (1956) (where he makes a cameo as the conductor at Royal Albert Hall), ''Vertigo'' (1958), ''North by Northwest'' (1959), '' Psycho'' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Hindemith
Paul Hindemith ( ; ; 16 November 189528 December 1963) was a German and American composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the ''Neue Sachlichkeit'' (New Objectivity) style of music in the 1920s, with compositions such as ''Kammermusik (Hindemith), Kammermusik'', including works with viola and viola d'amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle ''Das Marienleben'' (1923), Das Unaufhörliche (1931), ''Der Schwanendreher'' for viola and orchestra (1935), the opera ''Mathis der Maler (opera), Mathis der Maler'' (1938), the ''Symphonic Metamorphosis of Themes by Carl Maria von Weber'' (1943), and the oratorio ''When Lilacs Last in the Dooryard Bloom'd (Hindemith), When Lilacs Last in the Dooryard Bloom'd'' (1946), a requiem based on When Lilacs Last in the Dooryard Bloom'd, Walt Whitman's poem. Hindem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Casadesus
Henri-Gustave Casadesus (30 September 1879 – 31 May 1947) was a violist, viola d'amore player, composer, and music publisher. Early life Born in the 9th arrondissement of Paris, Casadesus received his early musical instruction with Albert Lavignac and studied viola with Théophile Laforge at the Conservatoire de Paris, taking first prize in 1899. From 1910 to 1917, he was the violist of the Capet Quartet. Career Along with Camille Saint-Saëns, Casadesus founded the "Société des instruments anciens" in 1901. The society, which operated between 1901 and 1939, was a quintet of performers who used obsolete instruments such as the viola da gamba, or Casadesus's own instrument, the viola d'amore. The quintet was also notable in its day for premiering rediscovered works by long-dead composers. It was later discovered that Casadesus and his brothers, notably Marius Casadesus, wrote these works. The Adélaïde Concerto, allegedly by Wolfgang Amadeus Mozart, is sometimes mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin Family
The violin family of musical instruments was developed in Italy in the 16th century. At the time the name of this family of instruments was viole da braccio which was used to distinguish them from the viol family (viole ''da gamba''). The standard modern violin family consists of the violin, viola, cello, and (possibly) double bass. Instrument names in the violin family are all derived from the root ''viola'', which is a derivative of the Medieval Latin word ''vitula'' (meaning "stringed instrument"). A ''violin'' is a "little viola", a ''violone'' is a "big viola" or a bass violin, and a ''violoncello'' (often abbreviated ''cello'') is a "small violone" (or literally, a "small big viola"). (The '' violone'' is not part of the modern violin family; its place is taken by the modern double bass, an instrument with a mix of violin and viol characteristics.) Background The instruments of the violin family may be descended in part from the lira da braccio and the medieval Byzan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viola D'amore 1
The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word ''viola'' originates from the Italian language. The Italians often used the term ''viola da braccio'', meaning, literally, 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyday of five-part har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open D
Open D tuning is an open tuning for the acoustic or electric guitar. The open string notes in this tuning are (from lowest to highest): D A D F A D. It uses the three notes that form the triad of a D major chord: D (the root note), F (the major third) and A (the perfect fifth). To tune a guitar from standard tuning to open D tuning, lower the 1st (high-E) string down a full step to D, 2nd (B) string down a full step to A, 3rd (G) string down a half step to F, and 6th (low-E) string down a full step to D. In this tuning, when the guitar is strummed without fretting any of the strings, a D major chord is sounded. This means that any major chord can be easily created using one finger, fretting all the strings at once (also known as barring); for example, fretting all the strings at the second fret will produce an E major chord, at the third fret an F major chord, and so on up the neck. Open D tuning is very popular with slide guitar (or 'bottleneck') players, as it al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scordatura
Scordatura (; literally, Italian for "discord", or "mistuning") is a Musical tuning, tuning of a string instrument that is different from the normal, standard tuning. It typically attempts to allow special effects or unusual Chord (music), chords or timbre, or to make certain passages easier to play. It is common to Musical notation, notate the finger position as if played in regular tuning, while the actual pitch resulting is altered (scordatura notation). When all the strings are tuned by the same interval up or down, as in the case of the viola in Mozart's ''Sinfonia Concertante for Violin, Viola and Orchestra'', the part is transposed as a whole. Bowed string instruments The invention of scordatura tuning has been attributed to Thomas Baltzar, a prodigious German violinist and composer who is known to have used the technique in around the 1660s, at least a decade before Biber composed his ''Rosary Sonatas'' in which he employed the tuning technique. Of course, German violini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Evelyn's Diary
The ''Diary'' of John Evelyn (31 October 1620 – 27 February 1706), a gentlemanly Royalist and ''virtuoso'' of the seventeenth century, was first published in 1818 (2nd edition, 1819) under the title ''Memoirs Illustrative of the Life and Writings of John Evelyn'', in an edition by William Bray. Bray was assisted by William Upcott, who had access to the Evelyn family archives. The diary of Evelyn's contemporary Samuel Pepys was first published in 1825, and became more celebrated; but the publication of Evelyn's work in part prompted the attention given to Pepys's. Evelyn's diary has entries running from 1640, when the author was a student at the Middle Temple, to 1706. Its claim to be a diary A diary is a written or audiovisual memorable record, with discrete entries arranged by date reporting on what has happened over the course of a day or other period. Diaries have traditionally been handwritten but are now also often digita ..., as opposed to a memoir, is not stri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Evelyn
John Evelyn (31 October 162027 February 1706) was an English writer, landowner, gardener, courtier and minor government official, who is now best known as a diary, diarist. He was a founding Fellow of the Royal Society. John Evelyn's Diary, John Evelyn's diary, or memoir, spanned the period of his adult life from 1640, when he was a student, to 1706, the year he died. He did not write daily at all times. The many volumes provide insight into life and events at a time before regular magazines or newspapers were published, making diaries of greater interest to modern historians than such works might have been at later periods. Evelyn's work covers art, culture and politics, including the execution of Charles I, Oliver Cromwell's rise and eventual natural death, the last Great Plague of London, and the Great Fire of London in 1666. ''John Evelyn's Diary'' was first published posthumously in 1818, but over the years was overshadowed by that of Samuel Pepys. Pepys wrote a differen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
