|
Vesperae Solennes De Confessore
''Vesperae solennes de confessore (Solemn Vespers for a Confessor)'', K 339, is a sacred choral composition written by Wolfgang Amadeus Mozart in 1780. It is scored for SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones ''colla parte'', 2 timpani, and basso continuo (violoncello, double bass, and organ, with optional bassoon obbligato). The composition was written for liturgical use in the Salzburg Cathedral. The title "de confessore" was not Mozart's own, having been added to his manuscript later. It suggests the work was intended for vespers held on a specific day on the liturgical calendar of saints (" confessors"); however, the saint in question has not been conclusively established, and may not have existed. This was Mozart's final choral work composed for the cathedral. Structurally, it is very similar to K. 321 '' Vesperae solennes de Dominica'', composed in 1779. The composition is divided into 6 movements; as in ''Dominica'', a setting of the Minor Dox ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vespers
Vespers /ˈvɛspərz/ () is a Christian liturgy, liturgy of evening prayer, one of the canonical hours in Catholic (both Latin liturgical rites, Latin and Eastern Catholic liturgy, Eastern Catholic liturgical rites), Eastern Orthodox, Oriental Orthodox, Anglican, and Lutheran liturgies. The word for this prayer time comes from the Latin ''vesper'', meaning "evening". Vespers typically follows a set order that focuses on the performance of psalms and other biblical canticles. Eastern Orthodox liturgies recognised as vespers (, ) often conclude with compline, especially the all-night vigil. Performing these liturgies together without break was also a common practice in medieval Europe, especially outside of monastic and religious communities. Old English speakers translated the Latin word as , which became evensong in modern English. The term is now usually applied to the Anglican variant of the liturgy that combines vespers with compline, following the conception of early sixtee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurised air (called ''wind'') through the organ pipes selected from a Musical keyboard, keyboard. Because each pipe produces a single tone and pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre, volume, and construction throughout the keyboard Compass (music), compass. Most organs have many ranks of pipes of differing pitch, timbre, and volume that the player can employ singly or in combination through the use of controls called Organ stop, stops. A pipe organ has one or more keyboards (called ''Manual (music), manuals'') played by the hands, and most have a Pedal keyboard, pedal clavier played by the feet; each keyboard controls its own division (group of stops). The keyboard(s), pedalboard, and stops are housed in the organ's Organ console, ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Cappella
Music performed a cappella ( , , ; ), less commonly spelled acapella in English, is music performed by a singer or a singing group without instrumental accompaniment. The term ''a cappella'' was originally intended to differentiate between Renaissance music, Renaissance polyphony and Baroque (music), Baroque concertato musical styles. In the 19th century, a renewed interest in Renaissance polyphony, coupled with an ignorance of the fact that vocal parts were often doubled by instrumentalists, led to the term coming to mean unaccompanied vocal music. The term is also used, rarely, as a synonym for ''alla breve''. Early history Research suggests that singing and vocables may have been what early humans used to communicate before the invention of language. The earliest piece of sheet music is thought to have originated from times as early as 2000 BC, while the earliest that has survived in its entirety is from the first century AD: a piece from Greece called the Seikilos epi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Counterpoint
In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically dependent on each other, yet independent in rhythm and melodic contour. The term originates from the Latin ''punctus contra punctum'' meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: Counterpoint has been most commonly identified in the European classical tradition, strongly developing during the Renaissance and in much of the common practice period, especially in the Baroque period. In Western pedagogy, counterpoint is taught through a system of species (see below). There are several different forms of counterpoint, including imitative counterpoint and free counterpoint. Imitative counterpoint involves the repetition of a main melodic idea across different vocal parts, with or without variation. Compositions written in free counterpoint often incorporate non-traditional harmonies and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prima Pratica
''Stile antico'' (literally "ancient style", ), is a term describing a manner of musical composition from the sixteenth century onwards that was historically conscious, as opposed to '' stile moderno'', which adhered to more modern trends. ''Prima pratica'' (Italian, 'first practice') refers to early Baroque music which looks more to the style of Palestrina, or the style codified by Gioseffo Zarlino, than to more "modern" styles. It is contrasted with '' seconda pratica'' music. These terms are synonymous to ''stile antico'' and ''stile moderno'', respectively. History ''Stile antico'' has been associated with composers of the high Baroque and early Classical periods of music, in which composers used controlled dissonance and modal effects and avoided overtly instrumental textures and lavish ornamentation, to imitate the compositional style of the late Renaissance. ''Stile antico'' was deemed appropriate in the conservative confines of church music, or as a compositional exerc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minor Doxology
The ''Gloria Patri'', also known in English as the Glory Be to the Father or, colloquially, the Glory Be, is a doxology, a short hymn of praise to God in various Christian liturgies. It is also referred to as the Minor Doxology ''(Doxologia Minor)'' or Lesser Doxology, to distinguish it from the Greater Doxology, the Gloria in Excelsis Deo. The earliest Christian doxologies are addressed to the Father "through" (διὰ) the Son, or to the Father and the Holy Spirit with (μετά) the Son, or to the Son with (σύν) the Father and the Holy Spirit. The Trinitarian doxology addressed in parallel fashion to all three Divine Persons of the Trinity, joined by ''and'' (καί), as in the form of baptism, Matthew 28:19, became universal in Nicaean Christianity, which was established as the official faith of the Roman Empire with the Edict of Thessalonica in 380. Greek version The Greek wording is as follows: :, : :, : :Glory to the Father, and to the Son, and to the Holy Spirit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vesperae Solennes De Dominica (Mozart)
''Vesperae solennes de Dominica'', K. 321, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1779. It is scored for SATB choir and soloists, violin I and II, 2 trumpets, 3 trombones ''colla parte'', 2 timpani, and basso continuo (bassoon and organ). It was composed in Salzburg at the request of the Archbishop Colloredo for liturgical use in the city's cathedral. The title "de Dominica" signifies its use in Sunday services. In 1780, Mozart composed another setting of Solemn Vespers, the ''Vesperae solennes de confessore'', which shares many musical similarities with this work. Structure The setting is divided into six movements, including five psalms and a setting of the Magnificat. A setting of the Minor Doxology (Gloria Patri) concludes all movements, each recapitulating the opening theme. The first three psalms are scored in a vigorous, exuberant manner, contrasting with the strict counterpoint of the ''a cappella'' Laudate pueri. The Laudate Dominum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reform Of The Roman Breviary By Pope Pius X
The reform of the Roman Breviary by Pope Pius X was promulgated by that Pope with the apostolic constitution '' Divino afflatu'' of 1 November 1911. The Roman Breviary is the title of the book obligatorily used for celebrating the Roman Rite Divine Office from the revision of Pope Pius V (apostolic constitution '' Quod a nobis'', 9 July 1568) to that by Pope Paul VI (apostolic constitution '' Laudis canticum'', 1 November 1970). Changes A minor matter was the printing in a separate section, called the Ordinary, of those parts of the Psalter that were to be recited frequently, perhaps several times in the same day, such as the invitatory, hymns for the seasons, blessings, absolutions, chapters, suffrages, the Lord's Prayer, Benedictus, Magnificat, Te Deum, etc.{{Cite web , title=CATHOLIC ENCYCLOPEDIA: Reform of the Roman Breviary , url=https://www.newadvent.org/cathen/16013a.htm , access-date=2023-06-25 , website=www.newadvent.org Much more radical was a completely new arr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
General Roman Calendar
The General Roman Calendar (GRC) is the liturgy, liturgical calendar that indicates the dates of celebrations of saints and Sacred mysteries, mysteries of the Lord (Jesus Christ) in the Roman Rite of the Catholic Church, wherever this liturgical rite is in use. These celebrations are a fixed annual date, or occur on a particular day of the week. Examples are the Feast of the Baptism of the Lord in January and the Feast of Christ the King in November. Other dates relate to the date of Easter. Examples are the celebrations of the Sacred Heart of Jesus and the Immaculate Heart of Mary. Description National calendars of the Roman Rite, National and diocesan calendars, including that of the Diocese of Rome itself as well as the calendars of religious institutes and even of continents, add other saints and mysteries or transfer the celebration of a particular saint or mystery from the date assigned in the General Calendar to another date. These liturgical calendars indicate the de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Rite
The Roman Rite () is the most common ritual family for performing the ecclesiastical services of the Latin Church, the largest of the ''sui iuris'' particular churches that comprise the Catholic Church. The Roman Rite governs Rite (Christianity), rites such as the Roman Mass and the Liturgy of the Hours as well as the manner in which Sacraments of the Catholic Church, sacraments and Blessing in the Catholic Church, blessings are performed. The Roman Rite developed in the Latin language in the city of Rome and, while distinct Latin liturgical rites such as the Ambrosian Rite remain, the Roman Rite has gradually been adopted almost everywhere in the Latin Church. In medieval times there were numerous local variants, even if all of them did not amount to distinct rites, yet uniformity increased as a result of the invention of printing and in obedience to the decrees of the Council of Trent of 1545–1563 (see ''Quo primum''). Several Latin liturgical rites which had survived into th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Confessor Of The Faith
Confessor of the Faith is a title given by some Christian traditions. In Roman Catholicism and Eastern Orthodoxy, Christians who professed their faith in times of Christian persecution and therefore had to suffer persecution, exile, torture, mutilation and/or imprisonment, but not directly undergo martyrdom, are called ''confessors'' (). Later, popes, bishops, abbots, kings and hermits were also counted among the confessors. With the spread of Christianity and the decrease in persecution of Christians in the 5th century, this designation was also given to those Christians who lived a holy life, such as the English King Edward the Confessor. Etymology The word confessor is derived from the Latin , 'to confess; to profess'. In the early church, it was a title of honour, designating those individuals who had confessed Christ publicly in time of persecution and had been punished with imprisonment, torture, exile, or labour in the mines, remaining faithful until the end of their l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calendar Of Saints
The calendar of saints is the traditional Christian method of organizing a liturgical year by associating each day with one or more saints and referring to the day as the feast day or feast of said saint. The word "feast" in this context does not mean "a large meal, typically a celebratory one", but instead "an annual religious celebration, a day dedicated to a particular saint". The system rose from the early Christian custom of commemorating each martyr annually on the date of their death, their birth into heaven, a date therefore referred to in Latin as the martyr's ''dies natalis'' ('day of birth'). In the Eastern Orthodox Church, a calendar of saints is called a ''Menologion''. "Menologion" may also mean a set of icons on which saints are depicted in the order of the dates of their feasts, often made in two panels. History As the number of recognized saints increased during Late Antiquity and the first half of the Middle Ages, eventually every day of the year had at l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
