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Une éducation Manquée
(, ''An Incomplete Education'') is an in one act and nine scenes by Emmanuel Chabrier. The French libretto is by Eugène Leterrier and Albert Vanloo. Composed in 1878–79, the work, which is set in the 18th century, is in a lively, light operetta style in which Chabrier excelled and had perfected in a year or so earlier. It was much admired by Ravel, Hahn and Messager, among others. One director drew parallels with earlier French opéras-comique by such as Favart; set in the eighteenth century, Chabrier's characters of a young count, his new very young wife and former tutor are "sophisticated equivalents of the characters in Favart's '' es Amours deBastien et Bastienne'' or Rousseau's '' Le Devin du Village''. Performance history The ‘opérette’ was first performed on 1 May 1879 as part of an evening's entertainment organized by the ‘Cercle international’ in the Boulevard des Capucines, with piano accompaniment by Chabrier himself. There is evidence that the Vital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opérette
This is a glossary list of opera genres, giving alternative names. "Opera" is an Italian word (short for "opera in musica"); it was not at first ''commonly'' used in Italy (or in other countries) to refer to the genre of particular works. Most composers used more precise designations to present their work to the public. Often specific genres of opera were commissioned by theatres or patrons (in which case the form of the work might deviate more or less from the genre norm, depending on the inclination of the composer). Opera genres are not exclusive. Some operas are regarded as belonging to several. Definitions Opera genres have been defined in different ways, not always in terms of stylistic rules. Some, like opera seria, refer to traditions identified by later historians,McClymonds, Marita P and Heartz, Daniel: "Opera seria" in ''The New Grove Dictionary of Opera'', ed. Stanley Sadie (London, 1992) and others, like Zeitoper, have been defined by their own inventors. Other form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diaghilev
Sergei Pavlovich Diaghilev ( ; rus, Серге́й Па́влович Дя́гилев, , sʲɪrˈɡʲej ˈpavləvʲɪdʑ ˈdʲæɡʲɪlʲɪf; 19 August 1929), also known as Serge Diaghilev, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise. Diaghilev's career can be divided into two periods: in Saint Petersburg (1898–1906) and while as an emigrant (1906–1929). Biography Sergei Diaghilev was born in Selishchi to a noble officer . His mother died from childbed fever soon after his birth. In 1873, Pavel met and married Elena Panaeva, who loved Sergei and raised him as her own child. The in Perm was a local cultural centre, and the Diaghilevs hosted a musical evening every second Thursday, Modest Mussorgsky being one of the most frequent guests. Sergei Diaghilev composed his first romance at the age of 15. When he entered the Saint Petersburg Imperial University, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roussillon
Roussillon ( , , ; , ; ) was a historical province of France that largely corresponded to the County of Roussillon and French Cerdagne, part of the County of Cerdagne of the former Principality of Catalonia. It is part of the region of ''Northern Catalonia'' or ''French Catalonia'' (the former used by Catalan-speakers and the latter used by French-speakers), corresponding roughly to the present-day southern French ''département'' of Pyrénées-Orientales (with Roussillon, Upper Cerdagne, Capcir, Vallespir, Conflent, and Fenouillèdes) in the former region of Languedoc-Roussillon (today Occitania (administrative region), Occitanie). History The name ''Roussillon'' is derived from Ruscino (Rosceliona, Castel Rossello), a small fortified place near modern-day Perpignan where Gaulish chieftains met to consider Hannibal's request for a conference. The region formed part of the Roman province of Gallia Narbonensis from 121 BC to AD 462, when it was ceded with the rest of Sep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's '' L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important was the prologue, consisting of sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, the French overture first appears in the court ballet and operatic overtures of Jean-Baptist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (vocal Range)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hertz, Hz to A5 in Choir, choral music, or to soprano C (C6) or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura soprano, coloratura, soubrette, lyric soprano, lyric, spinto soprano, spinto, and dramatic soprano, dramatic soprano. Etymology The word "soprano" comes from the Italian word ''wikt:sopra, sopra'' (above, over, on top of),"Soprano" ''Encyclopædia Britannica'' as the soprano is the highest pitch human voice, often given to the leading female roles in operas. "Soprano" refers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Delage
Roger Delage (4 December 1922 – 8 February 2001) was a French musicologist and conductor. He was the leading authority on the life and works of the composer Emmanuel Chabrier, and as a conductor was known for reviving the music of early French composers such as Guillaume de Machaut. Life and career Delage was born in Vierzon in central France. He was a student at the Paris Conservatoire, where he studied the viola with Maurice Vieux and the history of music with Norbert Dufourcq. He also played in the Orchestre des Cadets du Conservatoire formed by the director Claude Delvincourt to allow his students to avoid being conscripted into the "Service du travail obligatoire" in Nazi Germany.Delage, Roger. ''Chabrier.'' Libraire Arthème Fayard, 1999: Introduction, p. 11. In 1954 he joined the viola section of the Orchestre philharmonique de Strasbourg.Condé, Gérard"Roger Delage (1922–2001)" ''Revue de Musicologie'', T. 87, No. 1 (2001), pp. 213–214 (in French) Delage settled pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Jacobs
Arthur David Jacobs (14 June 1922 – 13 December 1996) was an English musicologist, music critic, teacher, librettist and translator. Among his many books, two of the best known are his ''Penguin Dictionary of Music'', which was reprinted in several editions between 1958 and 1996, and his biography of Arthur Sullivan, which was praised by critics in Britain and America. He was a music critic at newspapers from 1947 to 1975, an editor at ''Opera'' magazine from 1961 to 1971, and served on ''Opera's'' editorial board from 1971 until his death. He was also a frequent contributor to ''The Musical Times'' for five decades. Jacobs taught at the Royal Academy of Music, at Huddersfield Polytechnic, and at universities in the US, Canada, and Australia from 1964 to 1985 and translated more than 20 operas into English. Life and career Jacobs was born in Manchester, England, to Jewish parents, Alexander Susman Jacobs and his wife Estelle (''née'' Isaacs). He was educated at Manchester Gramm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Besch
Anthony John Elwyn Besch (5 February 1924 – 23 December 2002) was an English opera and theatre director. As a young man he worked at Glyndebourne assisting the directors Carl Ebert and Günther Rennert. His first work as an opera director was for Welsh National Opera in 1954. Among other British companies with whom he worked were Opera North, D'Oyly Carte, The Royal Opera, the Aldeburgh Festival and Garsington Opera. He was most closely associated with English National Opera (and its predecessor, Sadler's Wells Opera), Scottish Opera, and the New Opera Company. Besch established an international reputation, and directed operas in continental Europe, North and South America and Australia. He was wary of "concept" productions, preferring to stage operas in a traditional manner, with what the critic Alan Blyth called "his scrupulous eye for what looked good and proved practical on stage." Life and career Early years Besch was born in London and educated at Rossall School, where ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Pancras Town Hall
Camden Town Hall, known as St Pancras Town Hall until 1965, is the meeting place of Camden London Borough Council. The main entrance is in Judd Street with its northern elevation extending along Euston Road, opposite the main front of St Pancras railway station. It was completed in 1937 and has been Grade II listed since 1996. History In the early 20th century, St Pancras Borough Council was based at the 19th century vestry offices in St Pancras Way which had been commissioned for the Parish of St Pancras. After civic leaders found that the vestry offices were inadequate for their needs, they elected to construct a purpose-built facility: the site selected on Euston Road had previously been occupied by some Georgian terraced housing. The new building was designed by Albert Thomas, who also designed housing schemes for the St Pancras Borough Council, in the neoclassical style. The construction which was undertaken by Dove Brothers of Islington involved a steel frame clad with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Medium
''The Medium'' is a short (one-hour-long) two-act dramatic opera with words and music by Gian Carlo Menotti. Commissioned by the Alice M. Ditson Fund at Columbia University, its first performance was there on 8 May 1946, with Claramae Turner as Madame Flora. The opera's first professional production was presented on a double bill with Menotti's '' The Telephone'' at the Heckscher Theater, New York City, February 18–20, 1947 by the Ballet Society. The Broadway production took place on May 1, 1947, at the Ethel Barrymore Theater with the same cast. In 1951, Menotti directed, with the help of filmmaker Alexander Hammid, a film version made to resemble film noir Film noir (; ) is a style of Cinema of the United States, Hollywood Crime film, crime dramas that emphasizes cynicism (contemporary), cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of Ameri ..., and starring Marie Powers as Madame Flora and Anna Maria Alber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Désormière
Roger Désormière () (13 September 1898 – 25 October 1963) was a French conducting, conductor. He was an enthusiastic champion of contemporary composers, but also conducted performances of early eighteenth century French music. Life and career Désormière was born in Vichy in 1898. He studied at the Paris Conservatoire, where his professors included Philippe Gaubert (flute), Xavier Leroux and Charles Koechlin (composition), and Vincent d'Indy (conducting). In 1922 he won the Prix Blumenthal and in 1923 became part of the Ecole d’Arcueil. Désormière's early conducting experience was largely with the Ballets suédois and Sergei Diaghilev's Ballets Russes. He was conductor of the Ballets suédois's premiere of ''Relâche (ballet), Relâche'' (1924), a film and music presentation by Francis Picabia and Erik Satie, with the film segment, ''Entr'acte'', directed by René Clair. He then worked for the Diaghilev company from 1925 until the impresario's death, conducting the premie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
