Umjetnički Paviljon
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Umjetnički Paviljon
The Art pavilion in Zagreb () is an art gallery in Zagreb, Croatia. The pavilion is located on the Lenuci Horseshoe, Lower town area of the city, south of Nikola Šubić Zrinski Square, on the northern side of the King Tomislav Square which flanks the Zagreb Central Station. Established in 1898, it is the oldest gallery in the Southeast Europe and the only purpose-built gallery in Zagreb designed specifically to accommodate large scale exhibitions. History The idea of creating the gallery was first put forward by Croatian painter Vlaho Bukovac in the spring of 1895. In May 1896 a Millennium Exhibition was to be held in Budapest, celebrating 1,000 years of Hungarian statehood, and artists from what was then Kingdom of Croatia-Slavonia were invited to attend. Urged by Bukovac, Croatian artists decided to present their works in a purpose-built Pavilion, constructed around a prefabricated iron skeleton so that it could easily be shipped to Zagreb after the exhibition. The Budapest ...
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Zagreb
Zagreb ( ) is the capital (political), capital and List of cities and towns in Croatia#List of cities and towns, largest city of Croatia. It is in the Northern Croatia, north of the country, along the Sava river, at the southern slopes of the Medvednica mountain. Zagreb stands near the international border between Croatia and Slovenia at an elevation of approximately above mean sea level, above sea level. At the 2021 census, the city itself had a population of 767,131, while the population of Zagreb metropolitan area is 1,086,528. The oldest settlement in the vicinity of the city was the Roman Andautonia, in today's Šćitarjevo. The historical record of the name "Zagreb" dates from 1134, in reference to the foundation of the settlement at Kaptol, Zagreb, Kaptol in 1094. Zagreb became a free royal city in 1242. In 1851, Janko Kamauf became Zagreb's List of mayors of Zagreb, first mayor. Zagreb has special status as a Administrative divisions of Croatia, Croatian administrative ...
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Fellner & Helmer
Fellner & Helmer was an architecture studio founded in 1873 by Austrian architects Ferdinand Fellner and Hermann Helmer. They designed over 200 buildings (mainly opera houses and apartment buildings) across Europe in the late 19th and early 20th century, which helped bind the Austro-Hungarian Empire together and cement Vienna as its cultural center. While most of the work stood in the former Austro-Hungarian Empire, others can be found from Switzerland to present-day Ukraine. Frequent collaborators for integrated exterior and interior art work include Gustav Klimt, Hans Makart, Theodor Friedl, and other significant artists. Theatres by Ferdinand Fellner * 1871–72 Wiener Stadttheater, Vienna, Austria (destroyed by fire in 1884). With Ferdinand Fellner the Older. * 1871–75 Romanian National Opera, Timișoara, National Theatre and Opera, Timișoara, Romania (rebuilt after destroyed by fires in 1880 and 1920, respectively). With Ferdinand Fellner the Older. Theatres by Felln ...
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George Grosz
George Grosz (; ; born Georg Ehrenfried Groß; July 26, 1893 – July 6, 1959) was a German artist known especially for his caricatural drawings and paintings of Berlin life in the 1920s. He was a prominent member of the Berlin Dada and New Objectivity groups during the Weimar Republic. He emigrated to the United States in 1933, and became a naturalized citizen in 1938. Abandoning the style and subject matter of his earlier work, he exhibited regularly and taught for many years at the Art Students League of New York. In 1959 he returned to Berlin, where he died shortly afterwards. Early life and education Grosz was born Georg Ehrenfried Groß in Berlin, Germany, the third child of a pub owner. His parents were devoutly Lutheran. Grosz grew up in the Pomeranian town of Stolp (now Słupsk, Poland). After his father's death in 1900, he moved to the Wedding district of Berlin with his mother and sisters. At the urging of his cousin, the young Grosz began attending a weekly drawi ...
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Earth Group
The Earth Group () was a Croatian arts collective active in Zagreb, Croatia from 1929 to 1935, when it was banned. The group aimed to defend their artistic independence against foreign influences such as Impressionism or Neoclassicism and ''art for art's sake''. They maintained that art should mirror the social milieu from which it springs and should meet contemporary needs, hence their emphasis on the popularization of art, both at home and abroad. In spite of its ideologically heterogeneous membership, the group was considered Marxist in orientation but never espoused socialist realism. Members and guests *Founding members of the group: sculptors Antun Augustinčić and Frano Kršinić; painters Vinko Grdan, Krsto Hegedušić, Leo Junek, Omer Mujadžić, Oton Postružnik, Kamilo Ružička and Ivan Tabaković; and the architect Drago Ibler (who also served as the group's chairman). *Members who later joined the group: Marijan Detoni, Ivan Generalić, Željko Hegedušić, Fe ...
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Work Of Art
A work of art, artwork, art piece, piece of art or art object is an artistic creation of aesthetic value. Except for "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, physical forms of visual art: *An example of fine art, such as a painting or sculpture. *Objects in the decorative arts or applied arts that have been designed for aesthetic appeal, as well as any functional purpose, such as a piece of jewellery, many ceramics and much folk art. *An object created for principally or entirely functional, religious or other non-aesthetic reasons which has come to be appreciated as art (often later, or by cultural outsiders). *A non-ephemeral photograph or film. *A work of installation art or conceptual art. Used more broadly, the term is less commonly applied to: *A fine work of architecture or landscape design *A production of live performance, such ...
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Titian
Tiziano Vecellio (; 27 August 1576), Latinized as Titianus, hence known in English as Titian ( ), was an Italian Renaissance painter, the most important artist of Renaissance Venetian painting. He was born in Pieve di Cadore, near Belluno. Titian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Art of Europe, Western artists. His career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo describe ...
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Raphael
Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. List of paintings by Raphael, His work is admired for its clarity of form, ease of composition, and visual achievement of the Platonism in the Renaissance, Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at Vatican ...
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Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created ...
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Vittore Carpaccio
Vittore Carpaccio ( , , ; – ) was an Italian painter of the Venetian School (art), Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina (), as well as Early Netherlandish art, Early Netherlandish painting. Although often compared to his mentor Gentile Bellini, Vittore Carpaccio's command of perspective, precise attention to architectural detail, themes of death, and use of bold color differentiated him from other Italian Renaissance artists. Many of his works display the religious themes and cross-cultural elements of art at the time; his portrayal of ''Saint Augustine in His Study (Carpaccio), Saint Augustine in His Study'' from 1502, reflects the popularity of collecting "exotic" and highly desired objects from different cultures. Carpaccio's works ranged from single pieces painted on canvas to altarpieces and large pictorial cycles. Several of the altarpieces, includin ...
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Andrea Schiavone
Andrea Meldolla (), also known as Andrea Schiavone or Andrea lo Schiavone, literally "Andrew the Slav", (c. 1510/15–1563) was an Italian Renaissance painter and etcher, born in Dalmatia, in the Republic of Venice (present-day Croatia) to parents from Emilia-Romagna, active mainly in the city of Venice. His style combined Mannerist elements, a relative rarity in Venice, with much influence from the mainstream of Venetian painting, especially Titian. Biography Meldolla was born in the Venetian-ruled city of Zara in Dalmatia, now Zadar in Croatia, the son of a garrison commander of a post nearby. Both of his parents came from the small town of Meldola, close to the city of Forlì in Romagna. His father, Simon, had been employed as a constable in the Dalmatian city, and therefore moved there with his family from Romagna. The Meldolla family continued to own property in Romagna until the early 16th century. He trained either in Zara or in Venice. Gian Paolo Lomazzo stated, i ...
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Giulio Clovio
Juraj Julije Klović (; 1498 – 5 January 1578) was a Croatian-Italian illuminator, miniaturist, and painter born in the Kingdom of Croatia, who was mostly active in Renaissance Italy. He is considered the greatest illuminator of the Italian High Renaissance, and arguably the last very notable artist in the long tradition of the illuminated manuscript, before some modern revivals. Biography Giulio Clovio was born in Grižane, a village in Kingdom of Croatia (today's Croatia).The Life and Works of Giorgio Giulio Clovio, Miniaturist: with notices of his contemporaries, and of the art of decoration in the Sixteenth Century - by John William Bradley – 1891 He came from a Croatian family, Bradley, 2004 (reprint), pp. 368–369 and he is known as ''Clovio Croata.'' It is not known where he had his early training, but he may have studied art with monks at Rijeka of Novi Bazar when he was young. He moved to Italy at age 18 and entered the household of Cardinal Marino Grimani ...
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Italian Renaissance
The Italian Renaissance ( ) was a period in History of Italy, Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked the transition from the Middle Ages to modernity. Proponents of a "long Renaissance" argue that it started around the year 1300 and lasted until about 1600. In some fields, a Italian Renaissance painting#Proto-Renaissance painting, Proto-Renaissance, beginning around 1250, is typically accepted. The French word (corresponding to in Italian) means 'rebirth', and defines the period as one of cultural revival and renewed interest in classical antiquity after the centuries during what Renaissance humanism, Renaissance humanists labelled as the Dark Ages (historiography), "Dark Ages". The Italian Renaissance historian Giorgio Vasari used the term ('rebirth') in his ''Lives of the Most Excellent Painters, Sculptors, and Architects'' in 1550, bu ...
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