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Ultimate Breaks And Beats
''Ultimate Breaks and Beats'' (also commonly abbreviated as UBB) was a series of 25 compilation albums released from 1986 to 1991 by Street Beat Records and edited by "BreakBeat Lou" Flores and "BreakBeat Lenny" Roberts. Featured on the albums were funk, R&B, soul, jazz and rock tracks from the 1960s to 1980s that included influential drum breaks. The albums found high popularity with hip hop producers, with each new release in the series leading to many records featuring samples of the breaks. In this way, the series impacted the soundscape of rap, hip hop, dance, and pop music in general. Re-releases of the LPs, some packaged in pairs for DJ scratching and mixing convenience, became available and are currently found in many record stores. CDs of some of the volumes may be found as well, including a 2-CD and DVD box set featuring nearly all of the tracks on the 25 albums. Releases Complete track listing, taken from Geocities.com and updated with performers' names, missing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Louis "BreakBeat Lou" Flores
Louis "BreakBeat Lou" Flores is an DJ and producer most recognized for creating the ''Ultimate Breaks and Beats'' (UBB) compilation series with the late Leonard "BreakBeat Lenny" Roberts. Flores’ work with UBB became the blueprint for sampled music and remains relevant and integral to hip-hop music and culture. The ''UBB'' Collection had been crucial in the foundations of various genres of music such as Jungle and Drum & Bass. Biography Louis "Breakbeat Lou" Flores was born in Metropolitan Hospital in Manhattan, New York, and the raised in the Bronx, New York. From a young child, Flores had been captivated by the music his mother would play in the house on the weekends. When he grew, his older sister took him to his first Hip Hop jam in the Bronx, which inspired Flores to become a DJ in 1974. He was also a dancer and a graffiti writer. When he turned 16 years old, his sister's boyfriend would buy him two turntables and a mixer to start his DJ career. Breakbeat Lou became an exam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Mary, Mary (song)
"Mary, Mary" is a song written by Michael Nesmith and first recorded by the Paul Butterfield Blues Band for their 1966 album '' East-West''. Nesmith's band, the Monkees, later recorded it for ''More of the Monkees'' (1967). Hip hop group Run–D.M.C. revived the song in the late 1980s, with an adaptation that appeared in the U.S. record charts. The Butterfield Blues Band In 1966, Elektra Records was entering the singles market with new rock acts such as Love and the Doors. Hoping that the Paul Butterfield Blues Band would produce a hit, Elektra arranged an extended stay and recording sessions for the group in Los Angeles during the summer. It was there that producer Barry Friedman suggested that the group try a song written by guitarist Michael Nesmith of the Monkees, a group with which Friedman had been working. Butterfield guitarist Mike Bloomfield recalled: According to Bloomfield biographer David Dann, "the song was given a muscular arrangement that included backup vocal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Cheryl Lynn
Cheryl Lynn (born Lynda Cheryl Smith; March 11, 1957) is an American singer, songwriter and actress. She is best known for her songs during the late 1970s through the mid-1980s, including the 1978 R&B/disco song " Got to Be Real" from her album '' Cheryl Lynn''. Early life and working on stage Cheryl Lynn's singing career began with her church choir when she was a young girl. Her professional singing career began in 1976 when, at 19, she obtained a job as a backing vocalist for the national touring company of the musical drama ''The Wiz''. Eventually, she obtained the role of Evillene, the Wicked Witch of the West, during the six-month national tour. Before her appearance in ''The Wiz'', she appeared on an episode of '' The Gong Show'', a daytime entertainment TV show in June 1976, performing Joe Cocker's " You Are So Beautiful". Career 1976–85: the Columbia Records years After her performance on ''The Gong Show'', Ahmed Ertegun of Atlantic Records was unable to attend an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Roy Ayers
Roy Edward Ayers Jr. (September 10, 1940 – March 4, 2025) was an American vibraphonist, record producer, and composer. Ayers began his career as a post-bop jazz artist, releasing several studio albums with Atlantic Records, before his tenure at Polydor Records beginning in the 1970s, during which he helped to pioneer jazz-funk. He was a key figure in the acid jazz movement, and has been described as "The Godfather of Neo Soul". He was best known for his compositions " Everybody Loves the Sunshine", "Running Away", and "Freaky Deaky" and others that charted in the 1970s. At one time, Ayers was listed among the performers whose music was most often sampled by rappers. Early life Roy Edward Ayers Jr. was born in Los Angeles on September 10, 1940. He grew up in a family of musicians, where his father played trombone and his mother played piano. At the age of five, he was given his first pair of vibraphone mallets by Lionel Hampton. The area of Los Angeles that Ayers grew up in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Connections & Disconnections
''Connections & Disconnections'' is an album recorded by Fuzzy Haskins, Calvin Simon, and Grady Thomas under the name Funkadelic. With the history of financial disputes with Clinton behind them, and backing from Westbound Records founder Armen Boladian, this album (co-produced by former Sly and the Family Stone drummer Greg Errico, without the involvement of George Clinton) was released in Germany in 1980 entitled ''42.9%'', and in the United States in 1981 entitled ''Connections & Disconnections''. It was reissued by Rhino Records in 1992 with the title ''Who's a Funkadelic?'' The competing release challenged George Clinton's claim to ownership of the "Funkadelic" name, ultimately leading to a lawsuit between the trio and Clinton. Significance Due to the combination of several factors, by the end of the 1970s, the Parliament-Funkadelic enterprise was starting to crumble. Dissatisfaction with George Clinton's style of financial management led to the departure of additional k ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Funkadelic
Funkadelic was an American funk rock band formed in Plainfield, New Jersey in 1968 and active until 1982. As one of the two flagship groups of George Clinton's P-Funk collective, they helped pioneer the funk music culture of the 1970s.John, Bush. Funkadelic: Biography ''AllMusic''. Funkadelic initially formed as a backing band for Clinton's vocal group the Parliaments (later the full-fledged band Parliament), but eventually pursued a heavier, psychedelic rock-oriented sound in their own recordings. They released acclaimed albums such as '' Maggot Brain'' (1971) and '' One Nation Under a Groove'' (1978). History Background The group that would become Funkadelic was formed by George Clinton in 1964, as the unnamed backing section for his doo wop group the Parliaments while on tour. The band originally consisted of musicians Frankie Boyce, Richard Boyce, and Langston Booth plus the five members of the Parliaments on vocals. Boyce, Boyce, and Booth enlisted in the Army i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Through The Past, Darkly (Big Hits Vol
''Through the Past, Darkly (Big Hits Vol. 2)'' is the third compilation album by the English rock band the Rolling Stones, released in September 1969 by Decca Records in the UK and London Records/ABKCO Records in the US. Background According to Bruce Eder of AllMusic, the album resulted from "three coinciding events – the need to acknowledge the death of the band’s founder Brian Jones (whose epitaph graces the inside cover) in July 1969; the need to get 'Honky Tonk Women,' then a huge hit single, onto an LP; and to fill the ten-month gap since the release of ''Beggars Banquet'' and get an album with built-in appeal into stores ahead of the Stones' first American tour in three years." Songs Because the Stones' Big Hits (High Tide and Green Grass), first ''Big Hits'' compilation had been released in separate formats, with the ''Aftermath (The Rolling Stones album), Aftermath''-era material appearing only on its UK edition, the American edition of ''Big Hits Vol. 2'' inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Honky Tonk Women
"Honky Tonk Women" is a song by the English rock band the Rolling Stones. It was released as a non-album single in July 1969 in the United Kingdom, and a week later in the United States (a country version called "Country Honk" was later included on the album ''Let It Bleed''). It topped the charts in both nations. The song was on ''Rolling Stone''s 500 Greatest Songs of All Time list and was inducted into the Grammy Hall of Fame. Inspiration and recording The song was written by Mick Jagger and Keith Richards while on holiday in Brazil from late December 1968 to early January 1969, inspired by Brazilian " caipiras" (inhabitants of rural, remote areas of parts of Brazil) at the ranch where Jagger and Richards were staying in Matão, São Paulo. Two versions of the song were recorded by the band: the familiar hit which appeared on the 45 single and their collection of late 1960s singles, '' Through the Past, Darkly (Big Hits Vol. 2)'', and a honky-tonk version entitled "Country ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
The Rolling Stones
The Rolling Stones are an English Rock music, rock band formed in London in 1962. Active for over six decades, they are one of the most popular, influential, and enduring bands of the Album era, rock era. In the early 1960s, the band pioneered the gritty, rhythmically driven sound that came to define hard rock. Their first stable line-up consisted of vocalist Mick Jagger, guitarist Keith Richards, multi-instrumentalist Brian Jones, bassist Bill Wyman, and drummer Charlie Watts. During their early years, Jones was the primary leader. Andrew Loog Oldham became their manager in 1963 and encouraged them to write their own songs. The Jagger–Richards, Jagger–Richards partnership soon became the band's primary songwriting and creative force. Rooted in blues and early rock and roll, the Rolling Stones started out playing Cover version, covers and were at the forefront of the British Invasion in 1964, becoming identified with the youthful counterculture of the 1960s. They then f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Wilson Pickett
Wilson Pickett (March 18, 1941 – January 19, 2006) was an American singer and songwriter. A major figure in the development of soul music, Pickett recorded more than 50 songs that made the US R&B charts, many of which crossed over to the ''Billboard'' Hot 100. Among his best-known hits are " In the Midnight Hour" (which he co-wrote), " Land of 1000 Dances", " 634-5789 (Soulsville, U.S.A.)", " Mustang Sally", " Funky Broadway", "Engine No. 9", and " Don't Knock My Love". Pickett was inducted into the Rock and Roll Hall of Fame in 1991, in recognition of his impact on songwriting and recording. Biography Early life and family Pickett was born March 18, 1941, in Prattville, Alabama, and sang in Baptist church choirs. He was the fourth of 11 children and called his mother "the baddest woman in my book," telling historian Gerri Hirshey: "I get scared of her now. She used to hit me with anything, skillets, stove wood ... ne time I ran away andcried for a week. Stayed i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Rufus Thomas
Rufus C. Thomas, Jr. (March 26, 1917 – December 15, 2001) was an American rhythm-and-blues, funk, soul and blues singer, songwriter, dancer, DJ and comic entertainer from Memphis, Tennessee. He recorded for several labels, including Chess Records and Sun Records in the 1950s, before becoming established in the 1960s and 1970s at Stax Records. His dance records, including " Walking the Dog" (1963), " Do the Funky Chicken" (1969), and " (Do the) Push and Pull" (1970), were some of his most successful songs. According to the Mississippi Blues Commission, "Rufus Thomas embodied the spirit of Memphis music perhaps more than any other artist, and from the early 1940s until his death . . . occupied many important roles in the local scene." He began his career as a tap dancer, vaudeville performer, and master of ceremonies in the 1930s. He later worked as a disc jockey on radio station WDIA in Memphis, both before and after his recordings became successful. He rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
Amen Break
The Amen break is a drum break that has been widely Sampling (music), sampled in popular music. It comes from the 1969 track "Amen, Brother" by the American soul group the Winstons, released as the B-side of the 1969 single "Color Him Father". The drum break lasts seven seconds and was performed by Gregory C. Coleman, Gregory Coleman. With the rise of hip-hop in the 1980s, the Amen break was used in hits including "Straight Outta Compton (song), Straight Outta Compton" by N.W.A and "It Takes Two (album), Keep It Going Now" by Rob Base & DJ E-Z Rock. In the 1990s, it became a staple of drum and bass and jungle music. It has been used in thousands of tracks of various genres, making it one of the most sampled recordings in music history. The Winstons received no royalties for the sample. The bandleader, Richard Lewis Spencer, was not aware of its use until 1996, after the statute of limitations for copyright infringement had passed. He condemned its use as plagiarism, but later s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] [Amazon] |
