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U.S. Courthouse And Post Office (Indianapolis, Indiana)
The Birch Bayh Federal Building and U.S. Courthouse, formerly known as the U.S. Courthouse and Post Office and as the Federal Building, is a courthouse of the United States District Court for the Southern District of Indiana, located in Indianapolis. It is a distinguished example of Beaux-Arts architecture, and was listed in the National Register of Historic Places in 1974. Constructed from 1902 to 1905, the United States District Court for the District of Indiana met here until it was subdivided in 1928; the United States Circuit Court for the District of Indiana met here until that court was abolished in 1912. It was listed on the National Register of Historic Places as "U.S. Courthouse and Post Office" in 1974. The courthouse was renamed in honor of Senator Birch Bayh in 2003. Building history The building was one of only 35 federal buildings constructed under the Tarsney Act of 1893. The United States Treasury Department sought designs for the new federal building from privat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indianapolis
Indianapolis ( ), colloquially known as Indy, is the List of capitals in the United States, capital and List of municipalities in Indiana, most populous city of the U.S. state of Indiana and the county seat of Marion County, Indiana, Marion County. Indianapolis is situated in the state's central till plain region along the west fork of the White River (Indiana), White River. The city's official slogan, "Crossroads of America", reflects its historic importance as a transportation hub and its relative proximity to other major North American markets. At the 2020 United States census, 2020 census, the Indianapolis (balance), balance population was 887,642. Indianapolis is the List of United States cities by population, 16th-most populous city in the U.S., the third-most populous city in the Midwestern United States, Midwest after Chicago and Columbus, Ohio, and the fourth-most populous state capital in the nation after Phoenix, Arizona, Phoenix, Austin, Texas, Austin, and Columbu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grant Christian
Grant Wright Christian (July 17, 1911 – May 21, 1989) was an American artist. He graduated from the John Herron Art Institute in 1933 and later attended the Philadelphia Academy of Fine Arts from which he received the Thouron Prize. Biography Grant Wright Christian was born on July 17, 1911, in Edinburgh, Indiana. He was raised on a nearby farm and attended high school. He was inspired by his uncles, artists Franklin Booth and Hanson Booth, and sought a scholarship at the John Herron Art Institute in Indianapolis. He was accepted, and was able to complete four years there through scholarships and working in a restaurant. He graduated in 1933, and received a one-year tuition scholarship to study at the Pennsylvania Academy of Fine Arts. He was awarded the Thouron Prize in composition the following spring. He returned to the John Herron Art Institute for a fifth year in the fall of 1934. Studying under Donald Mattison and Henrik Martin Mayer, he became interested in mur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treasury Relief Art Project
The Treasury Relief Art Project (TRAP) was a New Deal arts program that commissioned visual artists to provide artistic decoration for existing Federal buildings during the Great Depression in the United States. A project of the United States Department of the Treasury, TRAP was administered by the Section of Painting and Sculpture and funded by the Works Progress Administration, which provided assistants employed through the Federal Art Project. The Treasury Relief Art Project also created murals and sculpture for Public Works Administration housing projects. TRAP was established July 21, 1935, and continued through June 30, 1938. Program The Treasury Relief Art Project was created July 21, 1935, with an allocation of $530,784 from the Works Progress Administration. The project was conceived and overseen by Treasury Department arts administrator Edward Bruce. Artist Olin Dows was chief of the Treasury Relief Art Project; Cecil H. Jones, who later succeeded Dows, was assist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Mosaic
A Roman mosaic is a mosaic made during the Roman period, throughout the Roman Republic and later Empire. Mosaics were used in a variety of private and public buildings, on both floors and walls, though they competed with cheaper frescos for the latter. They were highly influenced by earlier and contemporary Hellenistic Greek mosaics, and often included famous figures from history and mythology, such as Alexander the Great in the Alexander Mosaic. A large proportion of the surviving examples of wall mosaics come from Italian sites such as Pompeii and Herculaneum. Otherwise, floor mosaics are far more likely to have survived, with many coming from the fringes of the Roman Empire. The Bardo National Museum in Tunis has an especially large collection from large villas in modern Tunisia. Development Perhaps the earliest examples of Greco-Roman mosaic floors date to the late Republican period (2nd century BC) and are from Delos, Greece. Witts claims that tessellated pavem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tuscan Order
The Tuscan order (Latin ''Ordo Tuscanicus'' or ''Ordo Tuscanus'', with the meaning of Etruscan order) is one of the two classical orders developed by the Romans, the other being the composite order. It is influenced by the Doric order, but with un- fluted columns and a simpler entablature with no triglyphs or guttae. While relatively simple columns with round capitals had been part of the vernacular architecture of Italy and much of Europe since at least Etruscan architecture, the Romans did not consider this style to be a distinct architectural order (for example, the Roman architect Vitruvius did not include it alongside his descriptions of the Greek Doric, Ionic, and Corinthian orders). Its classification as a separate formal order is first mentioned in Isidore of Seville's 6th-century '' Etymologiae'' and refined during the Italian Renaissance. Sebastiano Serlio described five orders including a "Tuscan order", "the solidest and least ornate", in his fourth book of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantilever
A cantilever is a rigid structural element that extends horizontally and is unsupported at one end. Typically it extends from a flat vertical surface such as a wall, to which it must be firmly attached. Like other structural elements, a cantilever can be formed as a beam, plate, truss, or slab. When subjected to a structural load at its far, unsupported end, the cantilever carries the load to the support where it applies a shear stress and a bending moment. Cantilever construction allows overhanging structures without additional support. In bridges, towers, and buildings Cantilevers are widely found in construction, notably in cantilever bridges and balconies (see corbel). In cantilever bridges, the cantilevers are usually built as pairs, with each cantilever used to support one end of a central section. The Forth Bridge in Scotland is an example of a cantilever truss bridge. A cantilever in a traditionally timber framed building is called a jetty or forebay. In the sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cornice
In architecture, a cornice (from the Italian ''cornice'' meaning "ledge") is generally any horizontal decorative Moulding (decorative), moulding that crowns a building or furniture element—for example, the cornice over a door or window, around the top edge of a pedestal, or along the top of an interior wall. A simple cornice may be formed with a crown, as in crown moulding atop an interior wall or above kitchen cabinets or a bookcase. A projecting cornice on a building has the function of throwing rainwater free of its walls. In residential building practice, this function is handled by projecting gable ends, roof eaves, and rain gutter, gutters. However, house eaves may also be called "cornices" if they are finished with decorative moulding. In this sense, while most cornices are also eaves (overhanging the sides of the building), not all eaves are usually considered cornices. Eaves are primarily functional and not necessarily decorative, while cornices have a decorative a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baluster
A baluster () is an upright support, often a vertical moulded shaft, square, or lathe-turned form found in stairways, parapets, and other architectural features. In furniture construction it is known as a spindle. Common materials used in its construction are wood, stone, and less frequently metal and ceramic. A group of balusters supporting a guard railing, coping, or ornamental detail is known as a balustrade. The term baluster shaft is used to describe forms such as a candlestick, upright furniture support, and the stem of a brass chandelier. The term banister (also bannister) refers to a baluster or to the system of balusters and handrail of a stairway. It may be used to include its supporting structures, such as a supporting newel post. In the UK, there are different height requirements for domestic and commercial balustrades, as outlined in Approved Document K. Etymology According to the ''Oxford English Dictionary'', "baluster" is derived through the , from , from ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Massey Rhind
John Massey Rhind (9 July 1860 – 1 January 1936) was a Scottish-American sculptor. Among Rhind's better known works is the Stephenson Grand Army of the Republic Memorial and the marble statue of Dr. Crawford W. Long, located in the National Statuary Hall Collection, in Washington D.C. (1926). Early years Born in Edinburgh, Rhind began his art studies under the tutorage of his father John Rhind, a respected and successful sculptor in the royal burgh. He studied at the Royal Scottish Academy, and continued his education with Jules Dalou, who was at that time living and teaching in Lambeth, England. He then moved to Paris to continue his education for two more years. Upon completing his training he considered moving to the United States but was cautioned by his father not to do so because, "There is no sculptural art in America... You'll starve." In 1885 he established a studio with his elder brother William Birnie Rhind, at 217 West George Street, Glasgow, but his br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allegorical Sculpture
Allegorical sculpture are sculptures of personifications of abstract ideas, as in allegory. Common in the western world, for example, are statues of Lady Justice representing justice, traditionally holding scales and a sword, and the statues of Prudence, representing Truth by holding a mirror and squeezing a serpent. This approach uses the human form and its posture, gesture, clothing and props to wordlessly convey social values and themes. It may be seen in funerary art as early as 1580. They were used on Renaissance monuments when patron saints became unacceptable. Particularly popular were the four cardinal virtues and the three Christian virtues, but others such as fame, victory, hope, and time are also represented. The use of allegorical sculpture was fully developed under the École des Beaux-Arts. It is sometimes associated with Victorian art, and is commonly found in works dating from around 1900. Notable allegorical sculptures *The four cardinal virtues, by Maximi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engaged Column
An engaged column is an architectural element in which a column is embedded in a wall and partly projecting from the surface of the wall, which may or may not carry a partial structural load. Sometimes defined as semi- or three-quarter detached, engaged columns are rarely found in classical Greek architecture, and then only in exceptional cases, but in Roman architecture they exist in abundance, most commonly embedded in the cella walls of pseudoperipteral Roman temples and other buildings. In the temples it is attached to the cella walls, repeating the columns of the peristyle, and in the theatres and amphitheatres, where they subdivided the arched openings: in all these cases engaged columns are utilized as a decorative feature, and as a rule the same proportions are maintained as if they had been isolated columns. In Romanesque work the classic proportions were no longer adhered to; the engaged column, attached to the piers, has always a special function to perform, e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
