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Tuvan Throat Singing
Tuvan throat singing, the main technique of which is known as ''khoomei'' ( tyv, хөөмей, xöömej, mn, хөөмий; ᠬᠦᠭᠡᠮᠡᠢ, khöömii, russian: хоомей, Chinese: 呼麦, pinyin: ''hūmài''), includes a type of overtone singing practiced by people in Tuva, Mongolia, and Siberia. In 2009, it was included in the Representative List of the Intangible Cultural Heritage of Humanity of UNESCO. The term ''hömey'' / ''kömey'' means '' throat'' and '' larynx'' in different Turkic languages. That could be borrowed from Mongolian ''khooloi'', which means throat as well, driven from Proto-Mongolian word ''*koɣul-aj''. Overview In Tuvan throat singing, the performer produces a fundamental pitch and—simultaneously—one or more pitches over that. The history of Tuvan throat singing reaches far back. Many male herders can throat sing, but women have begun to practice the technique as well. The popularity of throat singing among Tuvans seems to have arisen ...
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Larynx
The larynx (), commonly called the voice box, is an organ in the top of the neck involved in breathing, producing sound and protecting the trachea against food aspiration. The opening of larynx into pharynx known as the laryngeal inlet is about 4–5 centimeters in diameter. The larynx houses the vocal cords, and manipulates pitch and volume, which is essential for phonation. It is situated just below where the tract of the pharynx splits into the trachea and the esophagus. The word ʻlarynxʼ (plural ʻlaryngesʼ) comes from the Ancient Greek word ''lárunx'' ʻlarynx, gullet, throat.ʼ Structure The triangle-shaped larynx consists largely of cartilages that are attached to one another, and to surrounding structures, by muscles or by fibrous and elastic tissue components. The larynx is lined by a ciliated columnar epithelium except for the vocal folds. The cavity of the larynx extends from its triangle-shaped inlet, to the epiglottis, and to the circular outlet at the ...
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Imitation Of Natural Sounds In Various Cultures
The imitation of natural sounds in various cultures is a diverse phenomenon and can fill in various functions. In several instances, it is related to the belief system (yoiks of the Sami,Szomjas-Schiffert 1996: 56, 76Szomjas-Schiffert 1996: 64Somby 1995
Szomjas-Schiffert 1996: 74 some other shamanic songs and rituals,Diószegi 1960: 203Hoppál 2005: 92
/ref> of some cultures). It may serve also such practical goals as luring in the hunt; or entertainment (

Albert Kuvezin
Albert Budachievich Kuvezin (Russian: ''Альберт Будачиевич Кувезин'' / Tuvan: ''Күвезин Альберт Будачи оглу'', Küvezin Albert Budachi oglu, , alternatively spelled ''Kögeezin'' (Көгээзин, ), born 27 November 1965 in Kyzyl) is a Tuvan guitarist and throat singer. Kuvezin was one of the founding members of the Tuvan folk ensemble Huun-Huur-Tu,Nidel, Richard, ''World music: the basics'', (Routledge, 2005), 243. and is the leader of the Tuvan folk/rock/electro/post punk band Yat-Kha. He is known for his unique, contra-bass style of Tuvan kargyraa throat singing, which he calls " kanzat kargyraa." In addition to his work with Yat-Kha, Kuvezin has contributed to albums by Alisa ("Duren", 1997), Blabbermouth, Susheela Raman, Untouchables, and Värttinä Värttinä (, meaning " spindle") is a Finnish folk music band that started as a project by Sari and Mari Kaasinen in 1983 in the village of Rääkkylä, in Karelia, the ...
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Vladimir Oidupaa
Vladimir Oiunovich Oidupaa (russian: Владимир Ойунович Ойдупаа, tyv, Ойдупаа Владимир Ойун оглу, translit=Oidupaa Vladimir Oiun oglu , 6 September 1949 – 25 September 2013) was a Tuvan musician, who performed Kargyraa and played bayan. He is considered one of the leading figures in the contemporary Tuvan music. Oidupaa created his own style of kargyraa performance (high-tone kargyraa accompanied by the bayan), known as ''Oidupaa style'' and developed further by notable Tuvan performers including Chirgilchin. The Oidupaa style has been compared to Blues. He spent 33 years in work camps for 3 counts of murder and corruption of a minor, however this remains a heavily debated topic as he maintained his innocence all throughout his life. During his time in the camps he learned to play the accordion, specifically the prison version with only buttons, and developed his unique style of Kargyraa. Also while in the camps, he converte ...
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Undertone Series
In music, the undertone series or subharmonic series is a sequence of notes that results from inverting the intervals of the overtone series. While overtones naturally occur with the physical production of music on instruments, undertones must be produced in unusual ways. While the overtone series is based upon arithmetic multiplication of frequencies, resulting in a harmonic series, the undertone series is based on arithmetic division. Nattiez shows the undertone series on E, as Riemann (''Handbuch der Harmonielehre'', 10th ed., 1929, p. 4) and D'Indy (''Cours de composition musicale'', vol. I, 1912, p. 100) had done. Terminology The hybrid term ''subharmonic'' is used in music in a few different ways. In its pure sense, the term ''subharmonic'' refers strictly to any member of the subharmonic series (, , , , etc.). When the subharmonic series is used to refer to frequency relationships, it is written with f representing some highest known reference frequency (, , , , etc. ...
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Vestibular Fold
The vestibular fold (ventricular fold, superior or false vocal cord) is one of two thick folds of mucous membrane, each enclosing a narrow band of fibrous tissue, the vestibular ligament, which is attached in front to the angle of the thyroid cartilage immediately below the attachment of the epiglottis, and behind to the antero-lateral surface of the arytenoid cartilage, a short distance above the vocal process. The lower border of this ligament, enclosed in mucous membrane, forms a free crescentic margin, which constitutes the upper boundary of the ventricle of the larynx. They are lined with respiratory epithelium, while true vocal cords have stratified squamous epithelium. Function The vestibular folds of the larynx play a significant role in the maintenance of the laryngeal functions of breathing and preventing food and drink from entering the airway during swallowing. They aid phonation ( speech) by suppressing dysphonia. In some ethnic singing and chanting styles, such ...
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Buddhist Chant
A Buddhist chant is a form of musical verse or incantation, in some ways analogous to religious recitations of other faiths. Traditional chanting In Buddhism, chanting is the traditional means of preparing the mind for meditation, especially as part of formal practice (in either a lay or monastic context). Some forms of Buddhism also use chanting for ritualistic purposes. While the basis for most Theravada chants is the Pali Canon, Mahayana and Vajrayana chants draw from a wider range of sources. Theravada chants In the Theravada tradition, chanting is usually done in Pali, sometimes with vernacular translations interspersed.Khantipalo (1982, 1995). Among the most popular Theravada chants are: :*Buddhabhivadana (Preliminary Reverence for the Buddha) :*Tisarana (The Three Refuges). Audio file at http://www.buddhanet.net/filelib/mp3/03-chant-03.mp3 :* Pancasila (The Five Precepts) :*Buddha Vandana (Salutation to the Buddha) :*Dhamma Vandana (Salutation to his Teaching) :*Sangha ...
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Tibetan People
The Tibetan people (; ) are an East Asian ethnic group native to Tibet. Their current population is estimated to be around 6.7 million. In addition to the majority living in Tibet Autonomous Region of China, significant numbers of Tibetans live in the Chinese provinces of Gansu, Qinghai, Sichuan, and Yunnan, as well as in India, Nepal, and Bhutan. Tibetan languages belong to the Tibeto-Burman language group. The traditional or mythological explanation of the Tibetan people's origin is that they are the descendants of the human Pha Trelgen Changchup Sempa and rock ogress Ma Drag Sinmo. It is thought that most of the Tibeto-Burman speakers in Southwest China, including Tibetans, are direct descendants from the ancient Qiang people. Most Tibetans practice Tibetan Buddhism, although some observe the indigenous Bon religion and there is a small Muslim minority. Tibetan Buddhism influences Tibetan art, drama and architecture, while the harsh geography of Tibet has produced ...
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Drone (music)
In music, a drone is a harmonic or monophonic effect or accompaniment where a note or chord is continuously sounded throughout most or all of a piece. A drone may also be any part of a musical instrument used to produce this effect; an archaic term for this is ''burden'' (''bourdon'' or ''burdon'') such as a "drone ipeof a bagpipe", the pedal point in an organ, or the lowest course of a lute. Α ''burden'' is also part of a song that is repeated at the end of each stanza, such as the chorus or refrain.Brabner, John H F., ed. (1884). The national encyclopædia', Vol. V, p.99. Libr. ed. William McKenzie. . Musical effect "Of all harmonic devices, it droneis not only the simplest, but probably also the most fertile." A drone effect can be achieved through a sustained sound or through repetition of a note. It most often establishes a tonality upon which the rest of the piece is built. A drone can be instrumental, vocal or both. Drone (both instrumental and vocal) can be pla ...
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Cyrillic
The Cyrillic script ( ), Slavonic script or the Slavic script, is a writing system used for various languages across Eurasia. It is the designated national script in various Slavic, Turkic, Mongolic, Uralic, Caucasian and Iranic-speaking countries in Southeastern Europe, Eastern Europe, the Caucasus, Central Asia, North Asia, and East Asia. , around 250 million people in Eurasia use Cyrillic as the official script for their national languages, with Russia accounting for about half of them. With the accession of Bulgaria to the European Union on 1 January 2007, Cyrillic became the third official script of the European Union, following the Latin and Greek alphabets. The Early Cyrillic alphabet was developed during the 9th century AD at the Preslav Literary School in the First Bulgarian Empire during the reign of tsar Simeon I the Great, probably by disciples of the two Byzantine brothers Saint Cyril and Saint Methodius, who had previously created the Glagolitic scr ...
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Tuvan Language
Tuvan or Tyvan (Tuvan: , ''tyva dyl'', ) is a Turkic language spoken in the Republic of Tuva in South-Central Siberia in Russia. The language has borrowed a great number of roots from the Mongolian language, Tibetan and the Russian language. There are small diaspora groups of Tuvan people that speak distinct dialects of Tuvan in the People's Republic of China and in Mongolia. History While this history focuses on mostly the people of Tuva, many linguists argue that language is inevitably intertwined with the socio-historical situation of a language itself. The earliest record of Tuvan is from the early 19th century by ''Wūlǐyǎsūtái zhìlüè'' (), Julius Klaproth 1823, Matthias Castrén 1857, Katanov and Vasily Radlov, etc. The name Tuva goes back as early as the publication of '' The Secret History of the Mongols''. The Tuva (as they refer to themselves) have historically been referred to as Soyons, Soyots or Uriankhais. The Tuvan people have been ruled by China, ...
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