This Town Ain't Big Enough For Both Of Us
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This Town Ain't Big Enough For Both Of Us
"This Town Ain't Big Enough for Both of Us" is a song by American pop band Sparks. Written by Ron Mael, it is the opening track on their third studio album ''Kimono My House'' (1974), and was the lead single from the album. Although it did not chart on the ''Billboard'' Hot 100, "This Town Ain't Big Enough for Both of Us" achieved major success in Europe, peaking within the top ten of the charts in the Netherlands, Switzerland and the United Kingdom. In the latter country, the song peaked at number two on the UK Singles Chart, where it remained for two consecutive weeks. The song has become the highest-charting for Sparks on the UK Singles Chart, held off from the top spot by The Rubettes' bubblegum pop song " Sugar Baby Love". Background The original idea for the song was that after each verse Russell Mael would sing a movie dialogue cliché, one of which was "This town ain't big enough for both of us". They dropped the idea of having different phrases and instead used only t ...
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Sparks (band)
Sparks is an American pop and rock duo formed by brothers Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and acerbic lyrics—often about women, and sometimes containing literary or cinematic references-- and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. They have been much more successful in Europe than in their native U.S., though they maintain a loyal cult following in the States. Career highlights include "This Town Ain't Big Enough for Both of Us", which reached No. 2 on the UK Singles Chart in 1974; the disco hit "The Number One Song in Heaven" in 1979, resulting from a collaboration with Giorgio Moroder and marking a stylistic shift ...
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The Rubettes
The Rubettes are an English pop/glam rock band put together in 1974 after the release of "Sugar Baby Love", a recording assembled of studio session musicians in 1973 by the songwriting team of Wayne Bickerton, the then head of A&R at Polydor Records, and his co-songwriter, Tony Waddington, after their doo-wop and 1950s American pop-influenced songs had been rejected by a number of existing acts. Waddington paired the group with manager John Morris, the husband of singer Clodagh Rodgers and under his guidance, the band duly emerged at the tail end of the glam rock movement, wearing trademark white suits and cloth caps on stage. Their first release, "Sugar Baby Love" was an instant hit remaining at number one in the United Kingdom for four weeks in May 1974, while reaching number 37 on the US chart that August, and remains their best-known record. Subsequent releases were to be less successful, but the band continued to tour well into the 2000s with two line-ups in existence. Hi ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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Syndicat National De L'Édition Phonographique
The National Syndicate of Phonographic Publishing (french: Syndicat national de l'édition phonographique; SNEP) is the inter-professional organisation that protects the interests of the French record industry. Originally known under the acronym SNICOP, the organisation was established in 1922 and has 48 member companies. SNEP's responsibilities include collecting and distributing royalty payments for broadcast and performance, preventing copyright infringement of its members' works (including music piracy), and sales certification of silver, gold, platinum and diamond records and videos. SNEP also compiles weekly official charts of France's top-selling music, including singles and albums. Official charts History The first attempt at a French national chart of best-selling records originated from a request by the American music industry magazine '' Billboard''. The magazine's French correspondent, Eddie Adamis, compiled a top 10 list of the country's preferred format, the exten ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ...
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Norman "Dinky" Diamond
Norman Victor "Dinky" Diamond (15 December 1950 – 10 September 2004) was a British drummer who played with the rock band Sparks at the height of their fame in the UK in the early 1970s, playing on the albums ''Kimono My House'' (1974), ''Propaganda'' (1974) and '' Indiscreet'' (1975). In 1975 Diamond was voted Drummer of the Year in a poll held by Premier Drums. He committed suicide by hanging in 2004 after a long-running dispute with noisy neighbours. Early years Born in Aldershot in Hampshire, the son of Isabella (née Copland) and Albert Victor Diamond, Norman Diamond gained the nickname "Dinky" as a child because of his small stature. He had three sisters, Maureen, Daphne and Margaret and a brother, David and attended St. Michael's Church of England Secondary School in Aldershot. A self-taught drummer, Diamond played in a variety of local bands including Sound of Time in his native town while working in electrical distribution. Sparks 1973-1975 Founding members of Spa ...
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Adrian Fisher (musician)
Adrian Fisher (2 September 1952 – 31 March 2000) was an English guitarist and member of the band Toby (a spin off from the band Free), Sparks and Boxer. Fisher played on Sparks' first two albums under Island Records, ''Kimono My House'' and ''Propaganda''. Prior to joining Sparks, Fisher was a member of Free bassist Andy Fraser's band Toby (with drummer Stan Speake), and briefly joined (former Skid Row) bassist Brush Shiels in the short-lived Brush. Fisher joined Sparks in 1973 and recorded the ''Kimono My House'' album in that year, along with Martin Gordon (bass) and Dinky Diamond (drums). He performed live with Sparks during the ''Kimono My House'' tour of the UK in 1974. Following his dismissal from Sparks, Fisher joined Mike Patto's band Boxer in 1977, recording the album '' Absolutely'' for Epic Records. Other members of the band were ex- Grease Band keyboard player Chris Stainton, ex-Vanilla Fudge/Cactus bassist Tim Bogert, and drummer Eddie Tuduri. Fisher also join ...
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Martin Gordon
Martin Gordon (born 3 May 1954) is an English musician who plays bass guitar, double bass, and piano. After a long period as band member and session musician, he embarked on a solo career in 2004. His most recent album release was in 2021. Biography Martin Gordon was born in Ipswich, and grew up Hitchin, Hertfordshire. He studied piano and classical guitar as a child, attended summer schools hosted by the British National Jazz Youth Orchestra, where he took lessons from Nucleus bassist Jeff Clyne and later studied harmony and counterpoint. Gordon began his musical career in the 1970s with the Californian pop brothers Ron Mael and Russell Mael in Sparks, who were seeking a bassist after their relocation to the UK. Gordon played with Sparks on the album ''Kimono My House'', which featured his trademark Rickenbacker 4001 bass. " This Town Ain't Big Enough for the Both of Us" and "Amateur Hour" were UK hits from that album. "This Town..." made No. 2 in the UK Singles Chart b ...
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Tony Visconti
Anthony Edward Visconti (born April 24, 1944) is an American record producer, musician and singer. Since the late 1960s, he has worked with an array of performers. His first hit single was T. Rex's " Ride a White Swan" in 1970, the first of many hits in collaboration with Marc Bolan. Visconti's lengthiest involvement was with David Bowie: intermittently from the production and arrangement of Bowie's 1968 single "In the Heat of the Morning" / "London Bye Ta-Ta" to his final album ''Blackstar'' in 2016, Visconti produced and occasionally performed on many of Bowie's albums. Visconti's work on ''Blackstar'' was cited in its Grammy Award for Best Engineered Album, Non-Classical and his production of Angelique Kidjo's '' Djin Djin'' was cited in its Grammy Award for Best Contemporary World Music Album. Early life Visconti was born in Brooklyn, New York, to parents of Italian descent. He started to play the ukulele when he was five years old, and then learned guitar. He attended N ...
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The Word (magazine)
''The Word'' was a monthly music magazine published in London. It was voted UK 'Music Magazine Of The Year' in 2007 and 2008. It ran for 114 issues, the last bearing the cover date August 2012. History ''The Word'' was launched in February 2003. It was the first magazine to come from Development Hell Ltd, an independent publishing venture set up by David Hepworth and Jerry Perkins, two former EMAP executives with more than 35 years combined experience devising, editing and publishing titles such as '' Q'', ''Empire'', ''Mojo'' and ''Heat''. The company also produce the dance music and clubbing title ''Mixmag'' and owns the dance music networking site '' Don't Stay In''. The Guardian Media Group owned 29.5% of the Development Hell Ltd. ''The Word'' was edited by Mark Ellen, former editor of ''Smash Hits'', ''Q'' and '' Select'', launch managing editor of ''Mojo'', and former editor-in-chief of ''EMAP Metro''. On 29 June 2012, David Hepworth announced the closure of the magazine ...
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Elton John
Sir Elton Hercules John (born Reginald Kenneth Dwight; 25 March 1947) is a British singer, pianist and composer. Commonly nicknamed the "Rocket Man" after his 1972 hit single of the same name, John has led a commercially successful career as a solo artist since the 1970s, having released 31 albums since 1969. Collaborating with lyricist Bernie Taupin since 1967, John is acclaimed by critics and musicians, particularly for his work during the 1970s, and his lasting impact on the music industry. John's music and showmanship have had a significant impact on popular music. His songwriting partnership with Taupin is one of the most successful in history. John was raised in the Pinner suburb of London and learned to play piano at an early age, forming the blues band Bluesology in 1962. After leaving Bluesology in 1967 to embark on a solo career, John met Taupin after they both answered an advert for songwriters. For two years, they wrote songs for other artists, and John worked a ...
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Western Movie
The Western is a genre set in the American frontier and commonly associated with folk tales of the Western United States, particularly the Southwestern United States, as well as Northern Mexico and Western Canada. It is commonly referred to as the "Old West" or the "Wild West" and depicted in Western media as a hostile, sparsely populated frontier in a state of near-total lawlessness patrolled by outlaws, sheriffs, and numerous other stock "gunslinger" characters. Western narratives often concern the gradual attempts to tame the crime-ridden American West using wider themes of justice, freedom, rugged individualism, Manifest Destiny, and the national history and identity of the United States. History The first films that belong to the Western genre are a series of short single reel silents made in 1894 by Edison Studios at their Black Maria studio in West Orange, New Jersey. These featured veterans of ''Buffalo Bill's Wild West'' show exhibiting skills acquired by living ...
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