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The Tide Is High
"The Tide Is High" is a 1967 rocksteady song written by John Holt, originally produced by Duke Reid and performed by the Jamaican group the Paragons, with Holt as lead singer. The song gained international attention in 1980, when a cover version by the American band Blondie became a US and UK number one hit. The song topped the UK Singles Chart again in 2002 with a version by the British girl group Atomic Kitten, while Canadian rapper Kardinal Offishall had a minor hit with his interpretation in 2008. The Paragons version "The Tide Is High" was written by John Holt and originally recorded by the Paragons (the rocksteady vocal trio of which he was a member), and accompanied by Tommy McCook and the Supersonic Band. It was produced by Duke Reid and released as a 7-inch single on Reid's Treasure Isle and Trojan labels and as the B-side of the single "Only a Smile". The song features the violin of "White Rum" Raymond, and was popular in Jamaica as well as in the UK when a deej ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Paragons
The Paragons were a ska and rocksteady vocal group from Kingston, Jamaica, initially active in the 1960s. Their most famous track was " The Tide Is High", written by band member John Holt. Career The Paragons were originally Garth "Tyrone" Evans, songwriter Bob Andy, Junior Menz, and Leroy Stamp. In 1964 Stamp was replaced by singer and songwriter John Holt, and Howard Barrett replaced Menz. The early Paragons sound used the vocal harmonies of Jamaican groups of the early 1960s. Beginning in 1964, they recorded on the Treasure Isle record label with record producer Duke Reid, songs such as "Memories by the Score", "On the Beach", "Only a Smile" and "Wear You to the Ball", which were later covered by UB40, Horace Andy, Dennis Brown, Massive Attack, and others. Other recordings included "Man Next Door" aka "Quiet Place"/"I've Got to Get Away" (1968) and "Happy Go Lucky Girl".O'Brien Chang, Kevin & Chen, Wayne (1998), ''Reggae Routes'', Temple University Press, , p. 41. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calypso Music
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to the mid-19th century and spread to the rest of the Caribbean Antilles and Venezuela by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century. It is characterized by highly rhythmic and harmonic vocals, and was historically most often sung in a French creole and led by a griot. As calypso developed, the role of the griot became known as a ''chantuelle'' and eventually, '' calypsonian''. As English replaced "patois" ( Antillean creole) as the dominant language, calypso migrated into English, and in so doing it attracted more attention from the government. It allowed the masses to challenge the doings of the unelected Governor and Legislative Council, and the elected town councils of Port of Spain and San Fernando. Calypso continued to play an important role in pol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Remix Project
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Once More Into The Bleach
''Once More into the Bleach'' is a remix album released in December 1988 by the band Blondie and Debbie Harry. The 13-track compilation contains remixes of Blondie songs and material from Harry's solo career. It was the first compilation to include non-album singles " Rush Rush" (from the ''Scarface'' soundtrack) and "Feel the Spin" (from the ''Krush Groove'' soundtrack). Overview The title of the album is a pun on a line from ''Henry V'', a history play by William Shakespeare, "once more unto the breach", with a nod to hair bleach. The album was issued as a double vinyl, double cassette album, and on CD. On the US edition of the album track five "Rapture" (Bonus Beats) is replaced with the original version of " Atomic" from the album '' Eat to the Beat''. ''Once More into the Bleach'' spun off two single releases: " Denis", a remix by Dancin' Danny D which is the first official Blondie remix single (also known as "Denis '88") and " Call Me", a remix by Ben Liebrand. The si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coldcut
Coldcut are an English electronic music duo composed of Matt Black and Jonathan More. Credited as pioneers for pop sampling in the 1980s, Coldcut are also considered the first stars of UK electronic dance music due to their innovative style, which featured cut-up samples of hip-hop, soul, funk, spoken word and various other types of music, as well as video and multimedia. According to ''Spin'', "in '87 Coldcut pioneered the British fad for 'DJ records'". Coldcut's records first introduced the public to pop artists Yazz and Lisa Stansfield, through which these artists achieved pop chart success. In addition, Coldcut has remixed and created productions on tracks by the likes of Eric B & Rakim, James Brown, Queen Latifah, Eurythmics, INXS, Steve Reich, Blondie, The Fall, Pierre Henry, Nina Simone, Fog, Red Snapper, and BBC Radiophonic Workshop. Beyond their work as a production duo, Coldcut are the founders of Ninja Tune, an independent record label in London, England ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria (Blondie Song)
"Maria" is a song by American rock band Blondie. The song was written by Blondie keyboardist Jimmy Destri and produced by Craig Leon. Taken from their seventh album, ''No Exit'' (1999), it was Blondie's first new release since 1982. "Maria", issued as a single in Europe on January 11, 1999, reached number one in the United Kingdom; Blondie's sixth UK chart-topper. The song also topped the charts of Greece and Spain, becoming a top-20 hit across Europe and in New Zealand. The song was included on the band's 2014 compilation album, ''Greatest Hits Deluxe Redux''. The compilation was part of a two-disc set titled ''Blondie 4(0) Ever'', which includes ''Ghosts of Download'', their tenth studio album, and marked the 40th anniversary of the band's formation. Background and composition "Maria" was written by the band's keyboardist, Jimmy Destri, who had penned some of their earlier hits such as " Atomic". He wrote the song while reflecting on his days in Catholic school, when he f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), vinyl, audio tape, or another medium such as digital distribution. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s, sharply declined during the 1990s and had largely disappeared d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggae
Reggae () is a music genre that originated in Jamaica in the late 1960s. The term also denotes the modern popular music of Jamaica and its diaspora. A 1968 single by Toots and the Maytals, " Do the Reggay" was the first popular song to use the word "reggae", effectively naming the genre and introducing it to a global audience. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term ''reggae'' more properly denotes a particular music style that was strongly influenced by traditional mento as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Reggae usually relates news, social gossip, and political commentary. It is instantly recognizable from the counterpoint between the bass and drum downbeat and the offbeat rhythm section. The immediate origins of reggae were in ska and rocksteady; from the latter, reggae took over the use of the bass as a percussion instrument. Reggae is d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rapture (Blondie Song)
"Rapture" is a song by American rock band Blondie from their fifth studio album '' Autoamerican'' (1980). Written by band members Debbie Harry and Chris Stein, and produced by Mike Chapman, the song was released as the second and final single from ''Autoamerican'' on January 12, 1981, by Chrysalis Records. Musically, "Rapture" is a combination of new wave, disco and hip hop with a rap section forming an extended coda. "Rapture" was another commercial success for the band, shipping one million copies in the United States, where it was certified Gold by the Recording Industry Association of America (RIAA) and spent two weeks at number one on the ''Billboard'' Hot 100, their fourth and last single to reach the top ten. It was the first number-one single in the United States to feature rap vocals. The single also peaked at number three in Canada, and number five in Australia and the United Kingdom. Background Singer Debbie Harry and guitarist Chris Stein were friends with Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Atomic (song)
"Atomic" is a 1980 song by American rock band Blondie from their fourth studio album, '' Eat to the Beat'' (1979). Written by Debbie Harry and Jimmy Destri and produced by Mike Chapman, the song was released as the album's third single. Song information "Atomic" was composed by Jimmy Destri and Debbie Harry, who (in the book "1000 UK #1 Hits" by Jon Kutner and Spencer Leigh) stated, "He was trying to do something like ' Heart of Glass', and then somehow or another we gave it the Spaghetti Western treatment. Before that it was just lying there like a lox. The lyrics, well, a lot of the time I would write while the band were just playing the song and trying to figure it out. I would just be scatting along with them and I would just start going, 'Ooooooh, your hair is beautiful.'" The word ''atomic'' in the song carries no fixed meaning and functions as a signifier of power and futurism. The bridge to, and the break in the melody before "Atomic" is spoken, is heavily influenced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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