The Story Of The Glittering Plain
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The Story Of The Glittering Plain
''The Story of the Glittering Plain'' (full title: ''The Story of the Glittering Plain which has been also called the Land of Living Men or the Acre of the Undying'') is an 1891 fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. It is also important for its exploration of the socialist themes that interested Morris. His earlier fantasies ''The House of the Wolfings'' and ''The Roots of the Mountains'' were to some degree historical novels. Like these ''The Story of the Glittering Plain'' is set in a world similar to the distant past of northern Europe. Morris would go on to develop the new genre established in this work in such later fantasies as ''Child Christopher and Goldilind the Fair'', ''The Wood Beyond the World'', ''The Well at the World's End'', and ''The Water of the Wondrous Isles''. Plot introduction The book conc ...
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WikiProject Novels
A WikiProject, or Wikiproject, is a Wikimedia movement affinity group for contributors with shared goals. WikiProjects are prevalent within the largest wiki, Wikipedia, and exist to varying degrees within sister projects such as Wiktionary, Wikiquote, Wikidata, and Wikisource. They also exist in different languages, and translation of articles is a form of their collaboration. During the COVID-19 pandemic, CBS News noted the role of Wikipedia's WikiProject Medicine in maintaining the accuracy of articles related to the disease. Another WikiProject that has drawn attention is WikiProject Women Scientists, which was profiled by '' Smithsonian'' for its efforts to improve coverage of women scientists which the profile noted had "helped increase the number of female scientists on Wikipedia from around 1,600 to over 5,000". On Wikipedia Some Wikipedia WikiProjects are substantial enough to engage in cooperative activities with outside organizations relevant to the field at issue. For e ...
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The Glittering Plain
''The Story of the Glittering Plain'' (full title: ''The Story of the Glittering Plain which has been also called the Land of Living Men or the Acre of the Undying'') is an 1891 fantasy novel by William Morris, perhaps the first modern fantasy writer to unite an imaginary world with the element of the supernatural, and thus the precursor of much of present-day fantasy literature. It is also important for its exploration of the socialist themes that interested Morris. His earlier fantasies ''The House of the Wolfings'' and ''The Roots of the Mountains'' were to some degree historical novels. Like these ''The Story of the Glittering Plain'' is set in a world similar to the distant past of northern Europe. Morris would go on to develop the new genre established in this work in such later fantasies as '' Child Christopher and Goldilind the Fair'', ''The Wood Beyond the World'', ''The Well at the World's End'', and '' The Water of the Wondrous Isles''. Plot introduction The book c ...
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Newcastle Forgotten Fantasy Library
The Newcastle Forgotten Fantasy Library was a series of trade paperback books published in the United States by the Newcastle Publishing Company between 1973 and 1980. Presumably under the inspiration of the earlier example set by the Ballantine Adult Fantasy series, the series reissued a number of works of fantasy literature that had largely been forgotten, being out of print or otherwise not easily available in the United States, in durable, illustrated trade paperback form with new introductions. For a number of works the Library’s editions constituted the first U.S. or first paperback edition. Together with the earlier series from Ballantine Books, it contributed to the renaissance of interest in the fantasy genre of the 1970s. The Library was produced under the editorship of Robert Reginald and Douglas Menville, editors of ''Forgotten Fantasy'' magazine, who were also responsible for several other similar series from other publishers. It included works by authors such as Wi ...
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Newcastle Publishing Company
The Newcastle Publishing Company was a Southern California-based small trade paperback publisher founded by bookstore owner Al Saunders, active from July 1971 through October 1992, under the editorial direction of Robert Reginald and Douglas Menville, formerly the editors of the speculative fiction magazine ''Forgotten Fantasy''. Saunders died in 1997, and Newcastle was later acquired by Career Press. The company originally reprinted out-of-print metaphysical books that had reverted to the public domain, quickly branching out into fiction and, in 1980, original works. It continued to specialize primarily in New Age and other fringe materials, including psychic powers, fortune-telling, tarot reading, numerology, and handwriting analysis. It also published self-help books. In fiction Newcastle is best remembered for its ''Newcastle Forgotten Fantasy Library'', which reissued two dozen neglected classics of fantasy literature between 1973 and 1980, including works by William Morris ...
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Longmans, Green And Co
Longman, also known as Pearson Longman, is a publishing company founded in London, England, in 1724 and is owned by Pearson PLC. Since 1968, Longman has been used primarily as an imprint by Pearson's Schools business. The Longman brand is also used for the Longman Schools in China and the ''Longman Dictionary''. History Beginnings The Longman company was founded by Thomas Longman (1699 – 18 June 1755), the son of Ezekiel Longman (died 1708), a gentleman of Bristol. Thomas was apprenticed in 1716 to John Osborn, a London bookseller, and at the expiration of his apprenticeship married Osborn's daughter. In August 1724, he purchased the stock and household goods of William Taylor, the first publisher of ''Robinson Crusoe'', for  9s 6d. Taylor's two shops in Paternoster Row, London, were known respectively as the '' Black Swan'' and the ''Ship'', premises at that time having signs rather than numbers, and became the publishing house premises. Longman entered into part ...
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Guinea (coin)
The guinea (; commonly abbreviated gn., or gns. in plural) was a coin, minted in Great Britain between 1663 and 1814, that contained approximately one-quarter of an ounce of gold. The name came from the Guinea region in West Africa, from where much of the gold used to make the coins was sourced. It was the first English machine-struck gold coin, originally representing a value of 20 shillings in sterling specie, equal to one pound, but rises in the price of gold relative to silver caused the value of the guinea to increase, at times to as high as thirty shillings. From 1717 to 1816, its value was officially fixed at twenty-one shillings. In the Great Recoinage of 1816, the guinea was demonetised and the word "guinea" became a colloquial or specialised term. Although the coin itself no longer circulated, the term ''guinea'' survived as a unit of account in some fields. Notable usages included professional fees (medical, legal, etc.), which were often invoiced in guineas, and h ...
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British Library
The British Library is the national library of the United Kingdom and is one of the largest libraries in the world. It is estimated to contain between 170 and 200 million items from many countries. As a legal deposit library, the British Library receives copies of all books produced in the United Kingdom and Ireland, including a significant proportion of overseas titles distributed in the UK. The Library is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. The British Library is a major research library, with items in many languages and in many formats, both print and digital: books, manuscripts, journals, newspapers, magazines, sound and music recordings, videos, play-scripts, patents, databases, maps, stamps, prints, drawings. The Library's collections include around 14 million books, along with substantial holdings of manuscripts and items dating as far back as 2000 BC. The library maintains a programme for content acquis ...
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John Rylands Library
The John Rylands Research Institute and Library is a late-Victorian neo-Gothic building on Deansgate in Manchester, England. It is part of the University of Manchester. The library, which opened to the public in 1900, was founded by Enriqueta Augustina Rylands in memory of her husband, John Rylands. It became part of the university in 1972, and now houses the majority of the Special Collections of The University of Manchester Library, the third largest academic library in the United Kingdom. Special collections built up by both libraries were progressively concentrated in the Deansgate building. The special collections, believed to be among the largest in the United Kingdom, include medieval illuminated manuscripts and examples of early European printing, including a Gutenberg Bible, the second largest collection of printing by William Caxton, and the most extensive collection of the editions of the Aldine Press of Venice. The Rylands Library Papyrus P52 has a claim to be t ...
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Wood Engraver
Wood engraving is a printmaking technique, in which an artist works an image or ''matrix'' of images into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the ''valleys'', the removed areas. As a result, wood engravings deteriorate less quickly than copper-plate engravings, and have a distinctive white-on-black character. Thomas Bewick developed the wood engraving technique in Great Britain at the end of the 18th century. His work differed from earlier woodcuts in two key ways. First, rather than using woodcarving tools such as knives, Bewick used an engraver's burin (graver). With this, he could create thin delicate lines, often creating large dark areas in the composition. Second, wood engraving traditionally uses ...
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Woodcut
Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce the print. The block is cut along the wood grain (unlike wood engraving, where the block is cut in the end-grain). The surface is covered with ink by rolling over the surface with an ink-covered roller (brayer), leaving ink upon the flat surface but not in the non-printing areas. Multiple colors can be printed by keying the paper to a frame around the woodblocks (using a different block for each color). The art of carving the woodcut can be called "xylography", but this is rarely used in English for images alone, although that and "xylographic" are used in connection with block books, which are small books containing text and images in t ...
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Nicolas Jenson
Nicholas Jenson (c. 1420 – 1480) was a French engraver, pioneer, printer and type designer who carried out most of his work in Venice, Italy. Jenson acted as Master of the French Royal Mint at Tours and is credited with being the creator of one of the finest early Roman typefaces. Nicholas Jenson has been something of an iconic figure among students of early printing since the nineteenth century when the artist William Morris praised the beauty and perfection of his roman font. Jenson is an important figure in the early history of printing and a pivotal force in the emergence of Venice as one of the first great centers of the printing press. History In October 1458, while acting as Master of the French Royal Mint, Jenson was sent to Mainz, by King Charles VII, to study the art of metal movable type. By the time Jenson arrived in Mainz, there were a number of established printers under which he could have been apprenticed. Jenson left Mainz in 1461. Some hypothesize that Jens ...
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Golden Type
The Golden Type is a serif font designed by artist William Morris for his fine book printing project, the Kelmscott Press, in 1890. It is an "old-style" serif font, based on type designed by engraver and printer Nicolas Jenson in Venice around 1470. It is named for the ''Golden Legend'', which was intended to be the first book printed using it. The original design has neither an italic nor a bold weight, as neither of these existed in Jenson's time. Morris's aim in the Kelmscott Press was to revive the style of early printing and medieval manuscripts, and the design accordingly is a profound rejection of the harsh, industrial aesthetic of the contemporary Didone typefaces used at the time in general-purpose printing, and also of the relatively pallid "modernised old style" designs popular in books. Instead, the design has a relatively heavy "colour" on the page. The design is a loose revival, somewhat bolder than Jenson's original engraving, giving it something of the appearanc ...
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