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The Martyr Of Antioch
''The Martyr of Antioch'' is a choral work described as a "Sacred Musical Drama" by the English composer Arthur Sullivan. It was first performed on 15 October 1880 at the triennial Leeds Music Festival, having been composed specifically for that event. Sullivan was musical director of the Leeds festival in 1880 and conducted the performance. ''The Martyr of Antioch'' is based on the 1822 epic poem by the Rev. Henry Hart Milman concerning the martyrdom of St. Margaret of Antioch at the end of the 3rd century. Sullivan's friend and collaborator, the dramatist W. S. Gilbert, assisted him in adapting the libretto from Milman's poem. Gilbert and Sullivan's fifth opera, ''The Pirates of Penzance'', had opened in December 1879. At the Leeds festival of 1886, Sullivan would premiere an even more successful choral work, ''The Golden Legend''. ''The Martyr'' is rarely performed today, though two recordings are available. Background In January 1878, the secretary of the triennial Leeds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Sullivan
Sir Arthur Seymour Sullivan (13 May 1842 – 22 November 1900) was an English composer. He is best known for 14 comic opera, operatic Gilbert and Sullivan, collaborations with the dramatist W. S. Gilbert, including ''H.M.S. Pinafore'', ''The Pirates of Penzance'' and ''The Mikado''. His works include 24 operas, 11 major orchestral works, ten choral works and oratorios, two ballets, incidental music to several plays, and numerous church pieces, songs, and piano and chamber pieces. His hymns and songs include "Onward, Christian Soldiers" and "The Lost Chord". The son of a military bandmaster, Sullivan composed his first anthem at the age of eight and was later a soloist in the boys' choir of the Chapel Royal. In 1856, at 14, he was awarded the first Mendelssohn Scholarship by the Royal Academy of Music, which allowed him to study at the academy and then at the Felix Mendelssohn College of Music and Theatre, Leipzig Conservatoire in Germany. His graduation piece, inc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crystal Palace
The Crystal Palace was a cast iron and plate glass structure, originally built in Hyde Park, London, to house the Great Exhibition of 1851. The exhibition took place from 1 May to 15 October 1851, and more than 14,000 exhibitors from around the world gathered in its exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was long, with an interior height of , and was three times the size of St Paul's Cathedral. The introduction of the sheet glass method into Britain by Chance Brothers in 1832 made possible the production of large sheets of cheap but strong glass, and its use in the Crystal Palace created a structure with the greatest area of glass ever seen in a building. It astonished visitors with its clear walls and ceilings that did not require interior lights. It has been suggested that the name of the building resulted from a piece penned by the playwright Douglas Jerrold, who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antioch
Antioch on the Orontes (; grc-gre, Ἀντιόχεια ἡ ἐπὶ Ὀρόντου, ''Antiókheia hē epì Oróntou'', Learned ; also Syrian Antioch) grc-koi, Ἀντιόχεια ἡ ἐπὶ Ὀρόντου; or Ἀντιόχεια ἡ ἐπὶ Δάφνῃ "Antioch on Daphne"; or "Antioch the Great"; la, Antiochia ad Orontem; hy, Անտիոք ''Antiokʽ''; syr, ܐܢܛܝܘܟܝܐ ''Anṭiokya''; he, אנטיוכיה, ''Anṭiyokhya''; ar, أنطاكية, ''Anṭākiya''; fa, انطاکیه; tr, Antakya. was a Hellenistic, and later, a Biblical Christian city, founded by Seleucus I Nicator in 300 BC. This city served as the capital of the Seleucid Empire and later as regional capital to both the Roman and Byzantine Empire. During the Crusades, Antioch served as the capital of the Principality of Antioch, one of four Crusader states that were founded in the Levant. Its inhabitants were known as ''Antiochenes''; the city's ruin lies on the Orontes River, near Antaky ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emma Albani
Dame Emma Albani, DBE (born Marie-Louise-Emma-Cécile Lajeunesse; 1 November 18473 April 1930) was a Canadian-British operatic soprano of the 19th century and early 20th century, and the first Canadian singer to become an international star. Her repertoire focused on the operas of Mozart, Rossini, Donizetti, Bellini and Wagner. She performed across Europe and North America. Early life Albani was born Marie-Louise-Emma-Cécile Lajeunesse in Chambly, Quebec, to the professional musician Joseph Lajeunesse and his wife, Mélina Mignault. Her parents were French-Canadians. Her date of birth is usually given as 1 November 1847, but other authors have placed her birth in 1848 or 1850, ''The Biographical Dictionary of America'' puts her birth on September 18, 1851, ''Who's Who in America'' says November 1, 1851,"ALBANI, Madame" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janet Monach Patey
Janet Monach Patey (''née'' Whytock; 1 May 1842 – 28 February 1894) was an English concert and oratorio contralto. She was born Janet Monach Whytock in London in 1842. She had a fine alto voice, which developed into a contralto, and she studied singing under John Wass, Ciro Pinsuti and Emma Lucombe (wife of Sims Reeves). Whytock's first appearance, in 1860, was made at Birmingham under the name Ellen Andrews. Her first regular engagement was in 1865, in the provinces. From 1866, in which year she sang at the Worcester Festival, and married John Patey, a bass singer, she was recognized as one of the leading contraltos; and on the retirement of Helen Sainton-Dolby in 1870 Patey was without a rival whether in oratorio or in ballad music. She toured in America in 1871, sang in Paris in 1875, Australia in 1890, and New Zealand in 1891. She died at Sheffield on 28 February 1894 and is buried in Brompton Cemetery, London. Her daughter was Ethel Patey, the artist, who under her mar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic King
Frederic King (3 January 1853 – 20 May 1933) was a baritone best known for his performances in the works composed by Arthur Sullivan for the Leeds Festivals of 1880 and 1886. Later, he taught singing for 42 years at the Royal College of Music. Early life and concert career Born in Lichfield, the son of Thomas and Mary King, Frederic King was baptised on 13 January 1853 at St Michael's church in Lichfield. He worked in an auction house before joining the concert agents Messrs Harrison. He made his professional debut in a ballad concert at St James's Hall in 1878 and launched a successful career as a platform singer in baritone roles. He married Eva Hume (born 1863) in London in 1882, and they had two children, Mary Eva Oakley King (1883–1955) and Ernest Archibald Frederic King (1888–1973). King created the role of Callias, the Priest of Apollo, in the first performance of Arthur Sullivan's oratorio '' The Martyr of Antioch'' at the triennial Leeds Festivals in 18 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the aver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo
Apollo, grc, Ἀπόλλωνος, Apóllōnos, label=genitive , ; , grc-dor, Ἀπέλλων, Apéllōn, ; grc, Ἀπείλων, Apeílōn, label= Arcadocypriot Greek, ; grc-aeo, Ἄπλουν, Áploun, la, Apollō, la, Apollinis, label=genitive, , ; , is one of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The national divinity of the Greeks, Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. Seen as the most beautiful god and the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth), Apollo is considered to be the most Greek of all the gods. Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Lloyd (tenor)
Edward Lloyd (7 March 1845 – 31 March 1927) was a British tenor singer who excelled in concert and oratorio performance, and was recognised as a legitimate successor of John Sims Reeves as the foremost tenor exponent of that genre during the last quarter of the nineteenth century. Early training in choral tradition Edward Lloyd was born in London, into a musical family. His father had, by invitation, assisted as a counter-tenor on 'Show Sundays' at Worthing when choral concerts were directed by the fourteen-year-old Sims Reeves. Young Lloyd began singing as a chorister at Westminster Abbey, and in 1866 became a member of both Trinity College and King's College chapels in the University of Cambridge. In 1869 he joined the choir of St Andrew's, Wells Street (under Barnby) and was engaged for the Chapel Royal in 1869–71. In 1871 he sang in the St Matthew Passion at the Gloucester Festival, and came prominently to public attention. He never sang in the theatre, possibly becaus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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