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The Eye (KUKL Album)
''The Eye'' is the debut studio album by Icelandic post-punk band Kukl. It was released in September 1984 by Crass Records. The album peaked at No. 6 in the UK Independent Albums Chart. A music video for the track "Anna" was released, directed by Tage Ammendrup. The album has been reissued numerous times: in 1997 by Crass, and in 2002, 2004 and 2008 by One Little Indian. Production ''The Eye'' was recorded at Southern Studios in January 1984. It was produced by Crass member Penny Rimbaud and engineered by Tony Cook. The cover art was designed by Dada Nana. It was named after Björk's favorite book, '' Story of the Eye'' by Georges Bataille (1928), an intense story about a young French couple involved in sexual perversions and violent behaviors. The album included "Dismembered", a new version of the band's first single, " Söngull" (1983), with most of the guitars replaced by pipes and bells. Critical reception In a 1984 review at ''Sounds'' magazine, David Tibet gave th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kukl (band)
Kukl (often stylized as KUKL or K.U.K.L.) was an Icelandic post-punk group in the 1980s, most notable for being one of Björk's first bands. History Beginnings and first releases The band formed in August 1983 when Ásmundur Jónsson from Gramm Records wanted to create an avant-garde supergroup to perform on the final episode of a radio show called ''Áfangar''. He assembled vocalist Björk Guðmundsdóttir of Exodus and Tappi Tíkarrass, trumpeter and vocalist Einar Örn Benediktsson (a.k.a. Einar Ørn) of Purrkur Pillnikk, keyboardist Einar Arnaldur Melax from the surrealistic group Medúsa, and bassist Birgir Mogensen from Spilafífl, as well as drummer Sigtryggur Baldursson (a.k.a. Trix) and guitarist Guðlaugur Kristinn Óttarsson (a.k.a. God Krist) from the band Þeyr. After two weeks of writing and rehearsals, the band played the radio session. Their ensuing enthusiasm for the experience led to a decision to make the group permanent. Kukl's first live show was o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Story Of The Eye
''Story of the Eye'' (french: L'histoire de l'œil) is a 1928 novella written by Georges Bataille that details the increasingly bizarre sexual perversions of a pair of teenage lovers, including an early depiction of omorashi fetishism in Western literature. It is narrated by the young man looking back on his exploits. Plot summary ''Story of the Eye'' consists of several vignettes, centered around the sexual passion existing between the unnamed late adolescent male narrator and Simone, his primary female partner. Within this episodic narrative two secondary figures emerge: Marcelle, a mentally ill sixteen-year-old girl who comes to a sad end, and Sir Edmund, a voyeuristic English émigré aristocrat. The story starts with our narrator and Simone meeting at her villa three days after first being introduced through their families being distantly related. Shortly after, Simone instigates a dare from the narrator to sit in a saucer intended for the cat's milk, which she wins by sitt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guðlaugur Kristinn Óttarsson
Guðlaugur Kristinn Óttarsson (born 11 December 1954) is an Icelandic musician. Music career Early bands Steinblóm (Stone Flowers) (1969) was his first group. It was a trio formed by Guðlaugur (electric and acoustic guitars), Haraldur Johannessen (acoustic guitar) and Gunnar Magnússon (acoustic bass). Steinblóm played punk versions of artists such as Bob Dylan and Donovan, Guðlaugur originals and folk songs. At that time, he was experimenting with homemade electro-acoustic guitars and amplifiers. Steinblóm played gigs in Reykjavík and the suburbs. Lótus was created while he was at Laugarvatn high school in 1972. In 1974 and 1975 and played all over Iceland in 1974 when the country celebrated its 1,100th anniversary. Lótus was basically a rock band whose members were Guðlaugur, Guðjón Sigurbjörnsson, both on electric guitars, Böðvar Helgi Sigurðsson (electric bass), Guðmann Þorvaldsson (drums) and Sigurður Ingi Pálsson (vocals). Lotus' music was in the jaz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Einar Örn Benediktsson
Einar Örn Benediktsson (born 29 October 1962), often billed as Einar Örn, is an Icelandic popular music singer and trumpet player. He was a member of the Sugarcubes. He served as a member of the Reykjavík City Council between 2010 and 2014. With Björk and the Sugarcubes Einar has been described as the first punk in Iceland. He claims he became interested in punk rock after reading about Johnny Rotten vomiting on an aeroplane and listening to John Peel on his mother's car radio. Einar spent the summer of 1977 in London, where his father worked. Through this, he was able to make contacts enabling the Reykjavík arts festival to book The Clash in 1980. In the early 1980s, Einar was the lead singer of the short-lived punk group Purrkur Pillnikk. Following Purrkur Pillnikk's demise in 1983, Einar became a member of the anarcho-punk Kukl along with the already notable Icelandic singer Björk Guðmundsdóttir. During this period, whilst studying media at the Polytechnic of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indie Rock
Indie rock is a subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or " guitar pop rock". One of the primary scenes of the movement was Dunedin, where a cultural scene based around a convergence of noise pop and jangle became popular among the city's large student population. Independent labels such as Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement, Pixies and R.E.M. Other notable scenes grew in Manchester and Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "indie" (or "indie pop") started to shift from its reference to recording companies to describe the style of music produced on punk and post-punk labels.S. Brown and U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Music
Avant-garde music is music that is considered to be at the forefront of innovation in its field, with the term "avant-garde" implying a critique of existing aesthetic conventions, rejection of the status quo in favor of unique or original elements, and the idea of deliberately challenging or alienating audiences. Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. Distinctions Avant-garde music may be distinguished from experimental music by the way it adopts an extreme position within a certain tradition, whereas experimental music lies outside tradition. In a historical sense, some musicologists use the term "avant-garde music" for the radical compositions that succeeded the death of Anton Webern in 1945, Paul Du Noyer (ed.), "Contemporary", in the ''Illustrated Encyclopedia of Music: From Rock, Pop, Jazz, Blues and Hip Hop to Classical, Folk, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Noisecore
Mathcore is a subgenre of hardcore punk and metalcore influenced by post-hardcore, extreme metal and math rock that developed during the 1990s. Bands in the genre emphasize complex and fluctuant rhythms through the use of irregular time signatures, polymeters, syncopations and tempo changes. Early mathcore lyrics were addressed from a realistic worldview and with a pessimistic, defiant, resentful or sarcastic point of view. In the 1990s, the hardcore punk scene started to embrace extreme metal openly. It also started to become highly ideological, with most of the popular bands being part of subcultures. This led to bands such as Converge, Botch, Coalesce and The Dillinger Escape Plan to establish the genre. Characteristics Music Mathcore emphasizes complex and fluctuant rhythms through the use of irregular time signatures, polymeters, syncopations and tempo changes, while at the same time the drummers play with overall loudness. In the words of The Dillinger Esc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siouxsie And The Banshees
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They have been widely influential, both over their contemporaries and with later acts. ''Q'' magazine included John McKay's guitar playing on " Hong Kong Garden" in their list of "100 Greatest Guitar Tracks Ever", while ''Mojo'' rated guitarist John McGeoch in their list of "100 Greatest Guitarists of All Time" for his work on " Spellbound". ''The Times'' called the group “one of the most audacious and uncompromising musical adventurers of the post-punk era". Initially associated with the punk scene, the band rapidly evolved to create "a form of post-punk discord full of daring rhythmic and sonic experimentation". Their debut album '' The Scream'' was released in 1978 to widespread critical acclaim. Following membership changes, including the addition of guitarist McGeogh and drummer Budgie, they radically changed their musical dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Scream (album)
''The Scream'' is the debut studio album by British rock band Siouxsie and the Banshees, released on 13 November 1978 by Polydor Records. The album is considered a landmark recording: its innovative combination of angular guitar with a bass-led rhythm and machine-like drums played mostly on toms, made it a pioneering work of the post-punk genre. ''The Scream'' was met with widespread acclaim and was hailed by critics as an original musical development in rock music. It has been cited as a key influence on a number of succeeding post-punk, noise rock and alternative rock acts, including Joy Division, Killing Joke, the Cure, Big Black, Sonic Youth, the Jesus and Mary Chain, Faith No More and Massive Attack. Background In late 1977 and early 1978, Siouxsie and the Banshees received major press coverage but failed to secure a recording deal. A fan undertook a graffiti campaign in London, spraying the walls of the major record companies with the words "Sign the Banshees: do it now ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
David Tibet
David Tibet (born David Michael Bunting; 5 March 1960) is a British poet and artist who founded the music group Current 93, of which he is the only full-time member. He was given the name "Tibet" by Genesis P-Orridge, and in January 2005 he announced that he would revert to the name David Michael, although he continues to use the well-known "Tibet" in his public career to date. Career David Bunting was born in Batu Gajah, Perak, Malaysia. Early in his career, he collaborated with Psychic TV and 23 Skidoo. Tibet left Psychic TV in 1983 and founded Current 93 the same year. He has worked with Steven Stapleton of Nurse With Wound (of which band he is a member), Michael Cashmore, Douglas P. (of Death in June, on whose albums he has appeared several times), Steve Ignorant of Crass (using the name "Stephen Intelligent"), Boyd Rice, Little Annie, Björk, Nick Cave, Rose McDowall, Tiny Tim, Annabella Lwin (of Bow Wow Wow) and Ian Read of Fire and Ice. Tibet is part of a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
