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Tuba
The tuba (; ) is the largest and lowest-pitched musical instrument in the brass instrument, brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece (brass), mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band, and largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British Brass band (British style), brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz on 12 September 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Brass instrument valve#Double-piston valve, Berlinerpumpen type that was the forerunner of the modern piston valve. The first tenor tuba was invented in 1838 by Moritz's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wagner Tuba
The Wagner tuba is a four-valve brass instrument commissioned by and named after Richard Wagner. It combines technical features of both standard tubas and French horns, though despite its name, the Wagner tuba is more similar to the latter, and usually played by horn players. Wagner commissioned the instrument for his four-part opera cycle ''Der Ring des Nibelungen'', where its purpose was to bridge the acoustical and textural gap between the French horn and trombone. The sound produced by this instrument has been variously described as "smoky", "metallic", "unearthly" and "majestic". Wagner tubas (or ''Tenortuben'' and ''Basstuben'') are also referred to as Wagnertuben, Waldhorntuben, Bayreuth-tuben, Ring-tuben, or Horn-tuben by German writers, but it is most common to refer to them in English as Wagner tubas. Wagner's published scores usually refer to these instruments in the plural, ''Tuben'', but sometimes in the singular, ''Tuba''.Keays, James Harvey. "An investigation in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subcontrabass Tuba
The subcontrabass tuba is a rare instrument of the tuba family built an octave or more below the modern contrabass tuba. Only a very small number of these large novelty instruments have ever been built. Most are pitched in Eight-foot pitch, thirty-six-foot (36′) BBB♭ an octave lower than the BB♭ contrabass tuba, their fundamental note B♭ corresponding to a frequency of 15 Hz – such a slow vibration that it can scarcely be perceived as a note. History The first instrument of this sort was designed by Parisian instrument maker Adolphe Sax. He built a in 52′ E♭ and exhibited it at the Paris Exposition Universelle (1867), Exposition Universelle of 1867, although there is evidence that it was in fact built some years earlier, and possibly appeared at the 1851 Great Exhibition in London. An instrument built by French instrument maker Gustave Auguste Besson was brought to the United States by Carl Fischer on the suggestion of American bandmaster Patrick Gilmore, who plan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cimbasso
The cimbasso ( , ) is a low brass instrument that covers the same range as a tuba or contrabass trombone. First appearing in Italy in the early 19th century as an upright serpent, the term ''cimbasso'' came to denote several instruments that could play the lowest brass part in 19th century Italian opera orchestras. The modern cimbasso design, first appearing as the in the 1880s, has four to six rotary valves (or occasionally piston valves), a forward-facing bell, and a predominantly cylindrical bore. These features lend its sound to the bass of the trombone family rather than the tuba, and its valves allow for more agility than a contrabass trombone. Like the modern contrabass trombone, it is most often pitched in F, although models are occasionally made in E♭ and low C or B♭. In the modern orchestra, cimbasso parts are usually played by tuba players as a doubling instrument. Although most commonly used for performances of late Romantic Italian opera, it has since f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brass Instrument
A brass instrument is a musical instrument that produces sound by Sympathetic resonance, sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips. The term ''labrosone'', from Latin elements meaning "lip" and "sound", is also used for the group, since instruments employing this "lip reed" method of sound production can be made from other materials like wood or animal horn, particularly early or traditional instruments such as the cornett, alphorn or shofar. There are several factors involved in producing different Pitch of brass instruments, pitches on a brass instrument. Slide (wind instrument), Slides, Brass instrument valve, valves, Crook (music), crooks (though they are rarely used today), or Key (instrument), keys are used to change vibratory length of tubing, thus changing the available harmonic series (music), harmonic series, while the player's embouchure, lip tension and air flow serve to select the specific harmonic produ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sousaphone
The sousaphone ( ) is a brass musical instrument in the tuba family. Created around 1893 by J.W. Pepper & Son, J. W. Pepper at the direction of American bandleader John Philip Sousa (after whom the instrument was then named), it was designed to be easier to play than the concert tuba while standing or marching, as well as to carry the sound of the instrument above the heads of the band. Like the tuba, sound is produced by moving air past the lips, causing them to vibrate or "buzz" into a large cupped Mouthpiece (brass), mouthpiece. Unlike the tuba, the instrument is bent in a circle to fit around the body of the musician; it ends in a large, flaring bell that is pointed forward, projecting the sound ahead of the player. Because of the ease of carrying and the direction of sound, it is widely employed in marching bands, as well as various other musical genres. Sousaphones were originally made of brass. Beginning in the mid-20th century, some sousaphones have also been made of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Euphonium
The euphonium ( ; ; ) is a tenor- and baritone-voiced valved brass instrument. The euphonium is a member of the large family of valved bugles, along with the tuba and flugelhorn, characterised by a wide conical bore. Most instruments have three or four valves, usually compensating piston valves, although instruments with rotary valves are common in Eastern and Central Europe. Euphonium repertoire may be notated in the bass clef as a non-transposing instrument or in the treble clef as a transposing instrument in B. In British brass bands, it is typically treated as a treble-clef instrument, while in American band music, parts may be written in either treble clef or bass clef, or both. A musician who plays the euphonium is known as a euphoniumist, a euphonist, or simply a euphonium or "eupho" player. Name The euphonium derives its name from the Ancient Greek word ''euphōnos'', meaning "well-sounding" or "sweet-voiced" ( ''eu'' means "well" or "good" and ''phōnē'' me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ophicleide
The ophicleide ( ) is a family of conical-bore keyed brass instruments invented in early 19th-century France to extend the keyed bugle into the lower range. Of these, the bass ophicleide in eight-foot (8′) C or 9′ B took root over the course of the 19th century in military bands and as the bass of orchestral brass sections throughout Western Europe, replacing the serpent and its later upright derivatives. By the end of the 19th century, however, it had been largely superseded, in bands by the euphonium and in orchestras by early forms of the modern tuba, some developed from valved ophicleides. The late 20th century saw a revival of interest in the instrument for historically informed performance practice, and ophicleides are built by a small number of manufacturers. Etymology The instrument's name comes from the Greek words (''ophis'', ) and (''kleis'', ), since it was conceived of as a serpent with keys. History The ophicleide was invented in 1817 by French in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestra
An orchestra (; ) is a large instrumental ensemble typical of classical music, which combines instruments from different families. There are typically four main sections of instruments: * String instruments, such as the violin, viola, cello, and double bass * Woodwinds, such as the flute, oboe, clarinet, bassoon, and occasional saxophone * Brass instruments, such as the French horn (commonly known as the "horn"), trumpet, trombone, cornet, and tuba, and sometimes euphonium * Percussion instruments, such as the timpani, snare drum, bass drum, cymbals, triangle, tambourine, tam-tam and mallet percussion instruments Other instruments such as the piano, harpsichord, pipe organ, and celesta may sometimes appear in a fifth keyboard section or may stand alone as soloist instruments, as may the concert harp and, for performances of some modern compositions, electronic instruments, and guitars. A full-size Western orchestra may sometimes be called a or phil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serpent (musical Instrument)
The serpent is a low-pitched early wind instrument in the lip-reed family, developed in the Renaissance era. It has a trombone-like mouthpiece, with six tone holes arranged in two groups of three fingered by each hand. It is named for its long, conical bore bent into a snakelike shape, and unlike most brass instruments is made from wood with an outer covering of leather or parchment. A distant ancestor of the tuba, the serpent is related to the cornett and was used for bass parts from the 17th to the early 19th centuries. In the early 19th century, keys were added to improve intonation, and several upright variants were developed and used, until they were superseded first by the ophicleide and ultimately by the valved tuba. After almost entirely disappearing from orchestras, the serpent experienced a renewed interest in historically informed performance practice in the mid-20th century. Several contemporary works have been commissioned and composed, and serpents are ag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
