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Trois Grandes Études
''Trois Grandes Études'' (Three Grand Études), Op. 76, is a set of three piano études composed by Charles-Valentin Alkan in 1838 and published in 1839. Although they have the highest opus number of any Alkan work, the études were actually composed when he was only 25. Featuring some of his most difficult writing, the first two études are for left hand only and right hand only, respectively. The third requires both hands to play in unison, two octaves apart. ''Fantaisie'' The first étude, ''Fantaisie'', in A major, is for the left hand only. It features tremolos, numerous dense sequences of chords, and large jumps. The first known performance was by Ferruccio Busoni in Berlin in 1908. A typical performance lasts 9 minutes. ''Introduction, Variations et Finale'' The second étude, ''Introduction, Variations et Finale'', in D major, is for the right hand only. The longest and most difficult of the three, it features rapid cadenza-like flourishes along with many of the same te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Minor
C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major. The C natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The C harmonic minor and melodic minor scales are: Scale degree chords The scale degree chords of C minor are: * Tonic – C minor * Supertonic – D diminished * Mediant – E-flat major * Subdominant – F minor * Dominant – G minor * Submediant – A-flat major * Subtonic – B-flat major Notable compositions * Charles-Valentin Alkan ** Prelude Op. 31, No. 16 (Assez lentement) ** Symphony for Solo Piano, 1st movement: Allegro ** Trois grandes études, Op. 76, No. 3 "Mouvement semblable et perpetuel" * Johannes Sebastian Bach ** Passacaglia and Fugue in C minor, BWV 582 ** Lute Suite in C minor, BWV 997 ** Cello ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Maltempo
Vincenzo Maltempo (born July 2, 1985) is an Italian pianist. He was born in Benevento, Italy. He began his musical studies with Salvatore Orlando, disciple of the pianist Sergio Fiorentino, with whom he graduated at S. Cecilia Conservatory in Rome, summa cum laude. From 2006 to 2009 he attended the courses held by Riccardo Risaliti at the International Piano Academy " Incontri col Maestro" in Imola. In 2006 he won the XXIII Competition "Premio Venezia", in Teatro "La Fenice" (Venice, Italy), and began a successful international career playing in the Theater "La Fenice" in Venice, "Teatro Lirico" in Cagliari, the "Liszt Festival" in Austria, and in concert halls in Spain, Germany, the Netherlands, United Kingdom, Mexico, USA and Japan. His first recording was released in 2008 by Gramola and dedicated to Franz Liszt. Afterwards, from 2011, he began a series of recordings with Piano Classics dedicated to Charles-Valentin Alkan. Maltempo is considered one of the most important a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Deljavan
Alessandro Deljavan (born 1 February 1987) is an Italian classical pianist. Biography He began studying piano when he was not even two years old. After receiving a degree from the Conservatory of Milan, Italy, he was selected for the prestigious ''Lake Como'' International Piano Association where he studied with William Grant Naboré, Dimitri Bashkirov, Laurent Boullet, Fou Ts'ong, Dominique Merlet, John Perry, Menahem Pressler, and Andreas Staier. Concert activity He has performed in Austria, Belgium, China, Columbia, Cyprus, Denmark, France, Germany, India, Israel, Italy, Lithuania, Montenegro, South Korea, Poland, Russia, Slovakia, Sweden, Switzerland, and the United States. In 2024 Alessandro Deljavan will have performance debuts in Spain, Romania, and Kazakhstan. Prizes In 1996 he won the ''1er Prix, 1er Nommé de la discipline piano classique, degré virtuosité'' in Paris, Rueil-Malmaison. Other prizes include 5th place at the 2005 Gina Bachauer International Young ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marc-André Hamelin
Marc-André Hamelin, OC, OQ (born September 5, 1961) is a Canadian virtuoso pianist and composer who has received 11 Grammy Award nominations. He is on the faculty of the New England Conservatory of Music. Biography Born in Montreal, Quebec, Hamelin began his piano studies at the age of five. His father, a pharmacist who was also an amateur pianist, introduced him to the works of Charles-Valentin Alkan, Leopold Godowsky and Kaikhosru Shapurji Sorabji when he was still young. He studied at the École de musique Vincent-d'Indy in Montreal with Yvonne Hubert and then at Temple University in Philadelphia with Harvey Wedeen. In 1989, he received the Virginia Parker Prize. Hamelin has given recitals in many cities. His festival appearances have included Bad Kissingen, Belfast, Cervantino, La Grange de Meslay, Husum Piano Rarities, Lanaudière, Ravinia, La Roque d’Anthéron, Ruhr Piano, Halifax (Nova Scotia), Singapore Piano, Snape Maltings Proms, Mänttä Music Festiva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurent Martin
Laurent Martin (born 12 September 1945) is a French classical pianist. Biography After piano studies with Geneviève Zaigue in Troyes, Joseph Benvenuti at the Conservatoire de Paris, Germaine Audibert in Nice and Pierre Sancan in Paris, Martin distinguished himself in several international competitions in Spain and Italy and began a career as soloist and chamber musician in 1977. Initially confined to a relatively limited activity, he performed alone with Emmanuel Krivine in 1979 and 1980 and then with other prestigious partners. In the same way, his repertoire as an off the beaten track soloist limits his engagements at first, then, after the recording of his first 4 CDs devoted to Charles-Valentin Alkan in the years 1989-1992, his concerts have continued to develop in Europe until today. He is now recognized as the principal defender and specialist of the little-known French romantic composers and his discography, which exceeds 40 recordings, gives pride of place to world p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronald Smith (musician)
Ronald Bertram Smith (3 January 192227 May 2004) was a British classical pianist and teacher. Birth and education Smith was born in London, and grew up in Sussex. He was educated at Lewes County Grammar School and the Brighton College of Music. He entered the Royal Academy of Music at the age of 16 with the Sir Michael Costa Scholarship for composition. After leaving the academy he studied privately in Paris with Marguerite Long, while also taking an external BMus degree from Durham University. He was influenced by the pianist Edwin Fischer, whom he impressed as a contestant in the 1949 Geneva international piano competition. When Fischer visited London he selected Smith and Denis Matthews to play the second and third piano parts in his recording of Bach's triple keyboard concerto. Smith said he learnt more in four days working with Fischer than he had in his years of previous study. Professional career As a performer, Smith championed piano works from the romantic perio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stephanie McCallum
Stephanie McCallum (born 3 March 1956) is an Australian classical pianist. She has recorded works of Erik Satie, Ludwig van Beethoven, Charles-Valentin Alkan, Franz Liszt, Robert Schumann, Carl Maria von Weber, Albéric Magnard, Pierre Boulez, and Iannis Xenakis among others. Life McCallum was born in Sydney in 1956. She studied with Alexander Sverjensky and Gordon Watson at the Sydney Conservatorium of Music. After further study with Ronald Smith in the UK, she gave her debut concert at Wigmore Hall in 1982. Returning to Australia in 1985, she became a founding member of contemporary ensembles austraLYSIS (with Roger Dean) and the Sydney Alpha Ensemble. She has performed as soloist with most of the major Australian symphony orchestras and in ensembles such as the Australian Chamber Orchestra, ELISION Ensemble and the Australia Ensemble. In a 1985 Wigmore Hall recital, she gave what is believed to be the first complete public performance of Alkan's '' Trois grandes é ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sixteenth Note
Figure 1. A 16th note with stem facing up, a 16th note with stem facing down, and a 16th rest. Figure 2. Four 16th notes beamed together. In music, a 1/16, sixteenth note ( American) or semiquaver (British) is a note played for half the duration of an eighth note (quaver), hence the names. It is the equivalent of the semifusa in mensural notation, first found in 15th-century notation. Sixteenth notes are notated with an oval, filled-in note head and a straight note stem with two flags (see Figure 1). A single sixteenth note is always stemmed with flags, while two or more are usually beamed in groups. A corresponding symbol is the sixteenth rest (or semiquaver rest), which denotes a silence for the same duration. As with all notes with stems, sixteenth notes are drawn with stems to the right of the notehead, facing up, when they are below the middle line of the musical staff (or on the middle line, in vocal music). When they are on the middle line (in instrumental music) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
